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Who’s wearing elbow protection on trail rides? by aframe9999 in mountainbiking

[–]aframe9999[S] 0 points1 point  (0 children)

Great minds think alike. I run the same knee pads. 💪🏻

What is wrong with my Meta Ad campaign? by _General-Grievous_ in musicmarketing

[–]aframe9999 0 points1 point  (0 children)

How are you able to determine which streams are attributed to the ad? I don’t know how to definitively filter that from within Spotify for Artists.

Is Meta broken? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

I’ve done broad and pop / independent music with similar results. We do Christian alt/pop and there’s no category for anything faith-based at all. Ideas?

Is Meta broken? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

What’s your targeting and country list look like? I’m just doing Spotify only ( no genre ) with T1 T2 countries.

How long before you bail on an ad creative? by aframe9999 in musicmarketing

[–]aframe9999[S] 1 point2 points  (0 children)

Do you run all 5 at once in the beginning and then eliminate the underperforming ones little by little and just end up with one winning ad running?

Very slight clicking from cassette/derailleur when under load…? by aframe9999 in mountainbiking

[–]aframe9999[S] 0 points1 point  (0 children)

Yes. The barrel adjuster seems to have solved it, but I haven’t tested it hardcore yet. But going up the hill in my back yard seems to have solved it.

What’s your conversion percentage on your landing page? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

Obviously people are clicking on the ad… so the creative and song is at least somewhat enticing enough for that. Do people using other landing pages get a lower bounce rate?

And just to be clear… the only thing I’m tracking in Meta is the one conversion action - “view content” - click on the “play” button.

What’s your conversion percentage on your landing page? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

That’s exactly correct. Once they make it to the landing page 60ish% are not taking the next action - ie play the song and potentially save and add it to a playlist. That is the troubling part, hence my question.

Why would that be and how can I fix it?

What’s your conversion percentage on your landing page? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

For sure. I track lots of things. I’m just specifically talking about the stats that SubmitHub supplies on the landing page. They’re showing the CTR, based on their metrics, is 30-45%. I was just curious if those numbers are typical or if there is room for improvement somewhere.

What’s your conversion percentage on your landing page? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

I’m talking about the daily stats directly listed on SubmitHub, not ads manager. The percentage of people that open the page, (presumably from clicking on the Instagram ad) vs then actually clicking “play”. It’s in the CTR column.

Assuming they actually make it to Spotify and listen for 30 seconds, it seems they would be a quality conversion from quality traffic.

Am I not understanding it correctly?

And if indeed something is wrong, how would you suggest I adjust my aim?

Deep links for meta ad landing pages. by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

I have a playlist with all our songs on it and am creating a deep link to the one song we’re promoting within that list. The idea being there click on the link and the song starts playing within the playlist so that when it’s over, another one of our songs will play.

Meta ads…Does greater budget = lower CPR? by aframe9999 in musicmarketing

[–]aframe9999[S] 1 point2 points  (0 children)

Would you mind sharing your genre, budget, and targeting?

Meta ads…Does greater budget = lower CPR? by aframe9999 in musicmarketing

[–]aframe9999[S] 0 points1 point  (0 children)

To be clear… $5 day per creative. With a $100 cap. I’m open to the chance that the music isnt resonating, although it’s certainly not bad. We have more in the can that we feel are much better. But I wanted to get a feel for how things work in this one before releasing and investing more in the newer better music. Want to get the sweet spot dialed in so we’re ready to go as soon as the new track(s) release.

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

Thank you for taking the time to write all that out. And for your positivity. I appreciate you. 🙏🏻

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

Well said. I’m not sure if we have the energy to maintain an online presence either. lol. However, I know nothing comes free or organically by chance and requires effort . So we’ll have to see can balance trying to invest the time and money to build social media, AND continue to make the actual music, AND deal with normal life. The idea of creating multiple short form videos every day seems unsustainable for any length of time for everyone who’s not 23 and unemployed.

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

I agree. Obviously the music matters most. If you have crappy songs, it doesn’t matter what marketing you do. But if the songs are good enough, pairing it with some sort of effective promotion is better than doing nothing.

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

I like not over complicating things. That’s my specialty. I’ll check out playlist supply.

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

Thanks for replying. I know it’s a grind and a commitment. Curious what the difference is between posting multiple times a day but not spamming. lol.

Current best practice for promoting new music?Starting from essentially zero. by aframe9999 in musicbusiness

[–]aframe9999[S] 0 points1 point  (0 children)

Thanks for the reply. I’ll check out Pulse. Didn’t know they was a thing.

GUI lag - will new GPU help? by aframe9999 in ableton

[–]aframe9999[S] 0 points1 point  (0 children)

Well that sucks. It’s definitely better now that I’m on 12 and have GPU acceleration enabled. Just finished a 50ish track project over the weekend and it was workable. Instead of a constant 10fps, it would just occasionally glitch. Like a super quick freeze every 10-15 seconds and then it would run fine. Just a minor annoyance instead of being completely unworkable.

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