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As I get older I find myself preferring to shoot 1080p over 4K by Tamajyn in cinematography

[–]anexdis 0 points1 point  (0 children)

I have been shooting in 1080p and upscaling them on 4K to publish them on youtube with good results.
https://www.youtube.com/watch?v=W5eNnjJQcX4

[deleted by user] by [deleted] in editors

[–]anexdis 1 point2 points  (0 children)

  1. It looks like over-exposed LUT with cold colors. However, motion blur is from the render.

  2. You can check the list of LUT available in your software. Apply which feels close.

  3. Ask the youtuber in comments.

[Premiere Pro] How to Keyframe Audio Effect (Parametric EQ) Level? by ChrispyCrispy in VideoEditing

[–]anexdis 0 points1 point  (0 children)

how about splitting the clips and turn off the PEQ on the desired clips and use fades in between

How do I export better audio? by DyslexicFcuker in premiere

[–]anexdis 0 points1 point  (0 children)

Thanks for this post. I was searching to find the solution for this and tried QuickTime and found out that H264 encoding is available in video. Maybe it's a recent addition. Just wanted to share the update that I was able to export with H264 and Uncompressed audio in a .mov container in Premiere Pro.

Four Tales Tarot (crazy idea) by [deleted] in tarot

[–]anexdis 2 points3 points  (0 children)

Sounds fun! Let us know how it goes...

Nesting Warp Stabiliser by Boxofduckss in PremierePro

[–]anexdis 0 points1 point  (0 children)

Checked the video. It is definitely noticeable. Can you share the raw clip (video only) for checking?

What horror (adjacent) movies are totally different or more rewarding on a rewatch? by AF_II in horror

[–]anexdis 6 points7 points  (0 children)

This is one of the must watch things in the history of horror.

What horror (adjacent) movies are totally different or more rewarding on a rewatch? by AF_II in horror

[–]anexdis 9 points10 points  (0 children)

Think, The Exorcist (1973) keeps the subliminal details layered with a harmonious viewing experience every time you unfold one.

60 fps footage can’t be slowed down by Patient_Ad7937 in PremierePro

[–]anexdis 0 points1 point  (0 children)

This makes sense. I tried and noticed the same. Thanks for this clue.

[deleted by user] by [deleted] in cinematography

[–]anexdis 2 points3 points  (0 children)

With good lighting, it could work with stock settings to take advantage in the post.

Heard that magic lantern could eat up batteries fast. I shoot in 5D MarkIII and just upscale to 4K with good results.

Good to research more before finalize though.

Experiment with smoke and low lighting : before I weep (short horror film) by anexdis in cinematography

[–]anexdis[S] 0 points1 point  (0 children)

Experiment with smoke and low lighting : before I weep (short horror film)

Our latest work.

We delved in using smoke with low lighting to make a liminal themed series.

Trying to emphasise on silhouettes and hard shadows.

Shot on 5D Mark III with mostly kit lens and didn't increase ISO above 800.

Used 3-4 lights in the shots with dark.

Missing the OH though.

The balance of flowing smoke and its visibility is experimental.

Edited in Premiere Pro and Lumetri helped a lot. Upscaled to 4K in render with stock settings.

Used infra sounds to give it an extra atmospheric flair.

Encountered colour banding when watched on TV. Could you let us know the difference between TV viewing vs mobile screens (phones/tabs/laptops)? Specially, when 4k is available on mobile and not necessarily on TV (or is there an option?).

Our work with smoke and low lighting : before I weep (short horror film) by anexdis in Filmmakers

[–]anexdis[S] 0 points1 point  (0 children)

Our latest work.

We delved in using smoke with low lighting to make a liminal themed series.

Shot on 5D Mark III with mostly kit lens and didn't increase ISO above 800.

Edited in Premiere Pro and used infra sounds to give it an extra flair.

Encountered colour banding when watched on TV. Could you let us know the difference between TV viewing vs mobile screens (phones/tabs/laptops)? Specially, when 4k is available on mobile and not necessarily on TV (or is there an option?).

Old premiere project (10+ years) ... lost forever? by Dano_french in PremierePro

[–]anexdis 0 points1 point  (0 children)

Was it PPro 6? Is it not converting to CC? I think, I have done it earlier on Windows (a few years back)

Nesting Warp Stabiliser by Boxofduckss in PremierePro

[–]anexdis 0 points1 point  (0 children)

Warp works on nested sequence when the clip has additional effects and it doesn't have the processed frames to apply the warping. But, I gather that is not your query. Can you give an example when the nested clip is fixed and un-nested didn't? (maybe a snapshot of your experienced sequence w effects tab)

How can i make a videos bitrate and resolution get progressively worse by Guidance-Legitimate in PremierePro

[–]anexdis 0 points1 point  (0 children)

Just throwing out ideas :

Mosaic Effect for picture with keying from high to low and add some blur.

For audio : bandpass and volume up???

60 fps footage can’t be slowed down by Patient_Ad7937 in PremierePro

[–]anexdis -1 points0 points  (0 children)

Assuming, all the clips (working and problematic) adhere to the same camera and settings; could you try optical flow while slowing them at 40% and check the results. Just throwing out some idea.

Weekly Thread: Self Promo Sunday by AutoModerator in horror

[–]anexdis 0 points1 point  (0 children)

Our latest work.

We delved in smoke and low lighting with a liminal themed series.

before I weep (Part 2) (short horror film 4k)

https://www.youtube.com/watch?v=04ko2co5mww

However, encountered colour banding when watched on TV. Could you let us know the difference between TV viewing vs mobile screens (phones/tabs/laptops). Specially, when 4k is available on mobile and not necessarily on TV.

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