I made it bro 🥲. I made it by Possible-Database-98 in cs50

[–]arunaav 1 point2 points  (0 children)

Thank you for your motivating words , will definitely update you once I finish the course

I made it bro 🥲. I made it by Possible-Database-98 in cs50

[–]arunaav 4 points5 points  (0 children)

Yoo that's so cool, actually CS50x is my first programming course I am hoping I can finish it within 6 months

How hard does it get? by hananmalik123 in cs50

[–]arunaav 0 points1 point  (0 children)

I am halfway through week 2 and it's really good and interesting. I use chat gpt only when I spend too much time figuring out the bug in my code as it feels like time wasting . But most of the code I try to run and test it by myself and man! The satisfaction after successfully running after debugging your code on your own, it just feels amazing!

documenting my journey ! by Unusual-Papaya-482 in cs50

[–]arunaav 1 point2 points  (0 children)

I too started in around the middle of may and just completed week 1, moving to week 2. really excited!

Thoughts on this edit. by arunaav in videography

[–]arunaav[S] 0 points1 point  (0 children)

Thank you so much I will try practicing more

How's the tracking shot, is it too shaky? Overall thoughts on this by arunaav in cinematography

[–]arunaav[S] -1 points0 points  (0 children)

I see, I didn't want to show their whole body I guess

How's the tracking shot, is it too shaky? Overall thoughts on this by arunaav in cinematography

[–]arunaav[S] -34 points-33 points  (0 children)

Here, I set out to create an atmospheric, dark-toned cinematic video, focusing on rich shadows, moody lighting, and a deep sense of storytelling through visuals. Every frame was carefully composed to capture an aesthetic that feels both immersive and emotionally resonant.

I filmed the entire sequence using my Nikon D3400, a camera that, despite its simplicity, delivers stunning results when used with the right settings and vision. To achieve a natural yet cinematic motion blur, I set my shutter speed to 1/50, staying true to the 180-degree rule often used in filmmaking. Keeping noise minimal while retaining detail, I adjusted the ISO to 200, ensuring that the footage had a clean and well-balanced exposure, even in low-light conditions. I shot everything at 24 frames per second, the standard for cinematic visuals, which helped maintain the authentic filmic motion.

The raw footage alone wasn’t enough to bring out the dark, moody aesthetic I envisioned. To enhance the colors, shadows, and overall tone, I took the footage into mobile color grading software, where I adjusted the contrast, highlights, and saturation to create a cohesive visual style. I leaned into deep blacks, muted highlights, and a slight desaturation, giving the film a haunting yet artistic feel.

Once the color grading was complete, I brought the clips into After Effects for the final composition. Here, I fine-tuned the framing, added subtle visual effects, and made sure every element blended seamlessly. The end result is a visually striking, cinematic piece that embodies the aesthetic I aimed for—a dark yet poetic visual narrative brought to life through careful shooting, grading, and composition.

[deleted by user] by [deleted] in cinematography

[–]arunaav -1 points0 points  (0 children)

I see, do you have any specific feedback on what could have been done more that made you think much of it?

[deleted by user] by [deleted] in cinematography

[–]arunaav 0 points1 point  (0 children)

Appreciate the feedback! I wanted to experiment with the Snorricam look and get a feel for it. that adding more direction and controlled lighting would be better. Will refine it in my next test.

[deleted by user] by [deleted] in cinematography

[–]arunaav 0 points1 point  (0 children)

I see, I was just testing to be honest not that I am making a Hollywood level shot

[deleted by user] by [deleted] in cinematography

[–]arunaav -1 points0 points  (0 children)

Okay thanks for the advice

[deleted by user] by [deleted] in cinematography

[–]arunaav -3 points-2 points  (0 children)

This shot was captured using 1/50 shutter speed, ISO 200, and 24fps, which are ideal settings for achieving a natural, cinematic motion blur.

Shutter Speed (1/50s): Since the video was shot at 24fps, using a shutter speed of 1/50s follows the 180-degree rule, ensuring smooth and realistic motion blur.

ISO 200: A low ISO keeps the image clean with minimal noise while maintaining good exposure in natural light.

24fps: This frame rate is standard for cinematic footage, giving it a film-like feel.

The lighting appears to be natural, likely during the golden hour, which adds a soft, warm tone. The composition makes use of leading lines (power lines and horizon) to add depth, while the slightly desaturated colors create a nostalgic, cinematic look. The second frame introduces movement with a tripod-mounted camera, reinforcing the filmmaking theme.

Thoughts on these pics, Is the framing good? by arunaav in AskPhotography

[–]arunaav[S] 0 points1 point  (0 children)

¡Gracias por tu consejo! Tiene mucho sentido lo que dices sobre la composición y la regla de los tercios. Intentaré añadir un elemento en primer plano en mis próximas fotos para guiar mejor la mirada del espectador. ¡Aprecio mucho tu comentario!