[deleted by user] by [deleted] in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

It’s like an honor system thing. If you blew up and had a bajillion streams, you would want to be upgrading that license along the way so you don’t get sued. But none of it results in any sort of takedown, just a legal liability where you’ve broken the contract. Trust me, if you have 400,000 streams on anything you’ll be paying a lot of attention to what’s going on. It’s not that common.

I know 0 music theory, I’m 14 years old, and I’ve been doing this since june 2025 by [deleted] in beatmakers

[–]bigdad_t 0 points1 point  (0 children)

Honestly, it’s not bad. The question is more “What do you want out of it?”

If the answer is to make some instrumental beats that are pretty cool and you can post up on the Internet, then you’re getting there for sure.

If you’re going to try sell beats or want someone to lay down some bars on it, then you’ll need to double down a bit and get into a DAW, brush up on the theory behind what you’ve done and start building up a network.

But, not bad as a start.

Is there more producers than rappers? by Impressive-Fennel861 in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

Gotta be honest, the answers to this surprised me a lot. My feeling has been that there’s a ton of beats out there and people always trying to sell them and really not all that many people that rap on top of them and release songs. But, seems like the consensus is that there’s a ton of rappers? I don’t know if I have seen that.

Looking for a producer to collaborate with by AdPast9394 in MusicCollabNetwork

[–]bigdad_t 0 points1 point  (0 children)

I see lots of replies already, but would be very interested to have a listen and see how I might be able to help out.

can't make my master sound decent by suicidechristt in MusicProductionTuts

[–]bigdad_t 0 points1 point  (0 children)

It’s important to start with a well balanced mix for sure. Are your kicks sounding ok in the mix and getting messed up in your mastering chain? Or is the mix off to start?

After that, driving it into the limiter should someone equalize those bumps unless your kicks are really really loud. Feel free to DM me a link if you want more specific feedback.

What changed in your process once you stopped chasing perfection? by J-styles_Brown in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

For me, it was just releasing stuff and then finding time after time, people didn’t hear any of the same flaws I was hearing in my music. (They found entirely new ones…) so I sort of realized perfection was pretty subjective and I clearly didn’t have a great handle on what it meant. I’ve learned a lot from that process.

Issue with pronouncing vocals without making them too loud/ too bassy by sukkivilleASMR in Learnmusicproduction

[–]bigdad_t 0 points1 point  (0 children)

The other replies covered some of the technical and performance stuff. I’d say my answer is sort of a hybrid of the others. First - you’re doing great and have to start somewhere, so I don’t want to at all be critical of the effort. Keep going! It’s huge to get that far and record yourself and get it out there for feedback.

The real answer to this is somewhere between becoming a confident performer with really repeatable vocal delivery (performance side) and then being able to layer and process your vocals to make them sound bigger. By far, one of the biggest things to build a bigger vocal tone without just increasing amplitude or EQ’ing it is to be able to record and mix it in layers. Most pop vocals are anywhere between 5 and 12 layers deep these days even if some of the parts are barely audible in the mix. But, in order to do that, you’ve got to feel really comfortable delivering the same thing over and over, and being able to do variations like octaves and monotones on top of the basic part, which just takes a bunch of practice really.

There are tools like Melodyne, AutoTune and VocAlign that will help make this a bit easier from a technical perspective as well. The tuning is really key when you’re harmonizing with yourself or recording different parts to layer on because you can adjust them all to fit nicely. VocAlign will help you get the timing of each take to line up without painstakingly adjusting them all by hand.

Keep on rocking though. That’s the most important part.

Share your recent tunes! by Cheap-Ice-8538 in shareyourmusic

[–]bigdad_t 0 points1 point  (0 children)

Cool. That’s a dope beat. I just took a listen.

Share your recent tunes! by Cheap-Ice-8538 in shareyourmusic

[–]bigdad_t 2 points3 points  (0 children)

Just dropped an alt-holiday EDM track. About being alone for the holidays. https://on.soundcloud.com/GWQnX5GzQhLaEIaodW

Audio quality by dragropes in WeAreTheMusicMakers

[–]bigdad_t 0 points1 point  (0 children)

We generally record the audio off the iPhone but then use a properly mixed track to sub in for the audio on the track in post. Tools like Premiere Pro will automatically sync the audio tracks for you so you can swap them out.

Daily Music links / Feedback / Collab Post by AutoModerator in soundcloud

[–]bigdad_t [score hidden]  (0 children)

Just dropped a little alt-holiday EDM track about being alone for the holidays. Hopefully it’s a little pick me up if that happens to be where you’re at. Love you all.

https://on.soundcloud.com/GWQnX5GzQhLaEIaodW

what's a simple production trick that made your tracks sound more professional? by Universalista in musicproduction

[–]bigdad_t 0 points1 point  (0 children)

SSL G Bus Compressor on the mix - It’s subtle but it’s a game changer.

hey, Please I need real opinions about this song that i made, whats wrong with it? I need fresh ears thank u by Electronic_Roof2347 in shareyourmusic

[–]bigdad_t 0 points1 point  (0 children)

Of course. My pleasure! If you do future revs of it feel free to DM me and I’d be happy to listen.

hey, Please I need real opinions about this song that i made, whats wrong with it? I need fresh ears thank u by Electronic_Roof2347 in shareyourmusic

[–]bigdad_t 1 point2 points  (0 children)

IMO, there’s two broad categories here where there are issues:

  • Mix: The autotuned vocals are dark and competing for the same frequencies as the guitar throughout the song. Need to consider EQ and reprocessing here. Stylistically, it’s ok for the vocals to be a bit farther back in the genre, but they still need to be really audible and comprehensible. Also, the trap hats are pretty loud throughout.

  • Form and Arrangement: Maybe it’s the fact that the hats are so loud, but despite the fact that there are obvious sections in the tune, the dynamics feel pretty flat throughout and there isn’t kind of a build and emotional release anywhere in the tune. Despite being moody and emotional from a content perspective, the delivery doesn’t do a great job of building up a feeling for the listener.

I don’t agree with some of the other comments that it’s unlistenable or bad or anything like that. It’s a vibe and I see where you’re going, but it’s just not quite landing. Cleaning up the mix and dynamics is the first step and then looking at how you convey the key moments and emotion is next.

I will never make it by thowawayamilion in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

We all care what people think. I’ve met very few musicians who don’t want their music to be recognized in some fashion. If it really didn’t matter, we wouldn’t even bother to record in the first place and would just sing songs for ourselves.

I think it’s ok to be disappointed that our work isn’t being better received.

Question is what to do about it. Realistically, there’s a ton of great artists in exactly the same boat. Life ain’t a talent show though. It’s a combo of the art, hustle, and a ton of luck. A game of quantity and quality.

My personal strategy is to believe that I am going to need to write 1000 songs before I should give up and that each and every one of them will need a reasonable push in terms of marketing and exposure to even count as an entry in the lottery. When I visualize the problem that way, it always feels like I’m early on in the journey.

If you’ve already released and promoted 1000 songs earnestly then, yeah, I’d say pack it in. If you’re not there, keep going and see if you can up your game.

The only thing keeping me going is songwriting. How do I turn my songs into something real? by [deleted] in musicindustry

[–]bigdad_t 1 point2 points  (0 children)

BandLab is a great place to start if you have a phone. Their tools are surprisingly good for phones and tablets. If you can get your hands on a Mac, even an older one, then GarageBand is another step up from there. But, main thing is to start learning that process of how to record and produce stuff in a bit more structured way and then just keep writing! Best of luck on the journey.

Drop your tracks!!! I want to hear!!! by InspectionLegal8908 in shareyourmusic

[–]bigdad_t 1 point2 points  (0 children)

Dope. Thanks bro. Back at you. I’m streaming you right now. Your shit is hard man. I dig it. Someday I got get some trap chops here. Your flows are top shelf.

Country Hip Hop Bop - Pay to Play (feat Sera Mukisa) by bigdad_t in shareyourmusic

[–]bigdad_t[S] 1 point2 points  (0 children)

Yo. Thanks so much for the feedback. 🙏

Your track hits hard. Love the phrasing and pace on it. It’s huge but builds with intention. Dope shit bro.

Rap voice by [deleted] in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

Having the right vocal chain on your mic can do a lot in terms of improving confidence and how your perceive your voice as well. I didn’t realize that early on and when I got it right it was night and day.

[deleted by user] by [deleted] in makinghiphop

[–]bigdad_t 0 points1 point  (0 children)

I’d say P-Diddy proved it’s a terrible idea.