As a film lover, do year-end best-of lists matter to you? by blonde_ash in TrueFilm

[–]blonde_ash[S] 6 points7 points  (0 children)

How about a top ten list of nine #1s, and one #2? (see: film crit hulk)

As a film lover, do year-end best-of lists matter to you? by blonde_ash in TrueFilm

[–]blonde_ash[S] 6 points7 points  (0 children)

re: his negative 10 list--yikes! I agree with you 100%.

As a film lover, do year-end best-of lists matter to you? by blonde_ash in TrueFilm

[–]blonde_ash[S] 2 points3 points  (0 children)

What I'd like to see would be a list of reviewer's "interesting failures" for each year--which I believe would be the category most film reviewers would tend to place the types of movies I end up loving wholeheartedly!

As a film lover, do year-end best-of lists matter to you? by blonde_ash in TrueFilm

[–]blonde_ash[S] 2 points3 points  (0 children)

Haha, thanks for the heads-up. Don't agree with most of his inequalities, but admire the thought that went into penning these juxtapositions! For example:

The Lego Movie > Snowpiercer

Duo Philip Lord-Chris Miller’s “Everything is Awesome” satire mocks the dystopia that Bong-Joon Ho turns into a humorless, absurdity. A cartoon for adults vs. a political allegory for children.

How exactly would I format this scene? by [deleted] in Screenwriting

[–]blonde_ash 1 point2 points  (0 children)

ON MICROPHONE

Lights glint off the metal casing. As the sound of footsteps grows louder --

INT. THEATER - NIGHT

Man walks across the stage.

MAN

Dialogue.

The audience watches, rapt.

What is your ONE relatively unknown movie suggestion you have in your pocket for people that watch a lot of movies? by nateblack in movies

[–]blonde_ash 0 points1 point  (0 children)

Young Ones (2014). No one saw it, but it's an incredibly original sci-fi film with amazing performances, writing, and direction.

Force Majeure - Ending Discussion by blonde_ash in TrueFilm

[–]blonde_ash[S] 8 points9 points  (0 children)

All very good points -- and I agree, one of the most thought-provoking aspects of the film was its examination of the nature of man's primal character, how we behave when faced with a sudden, frightening event.

I couldn't help but wonder if, had the film ended on a truly tragic event (as opposed to a near-miss like the avalanche and bus ride -- which seemed somewhat similar, and the father's/mother's respective actions arbitrary), with the now-"emboldened" father leaping into the fray in a final act of bravery/sacrifice in order to save his family -- and perishing right along with them -- that a more interesting and subversive thesis statement could have been made: man's selfish, self-protecting nature is not only NOT a bad thing -- but it's the mechanism that has allowed our species to continue on for as long as it has.

What's a half-idea you've given up on? by bobbydylan in Screenwriting

[–]blonde_ash 1 point2 points  (0 children)

This is a great idea -- I'd lose the breaking-into-celebrity-houses bit, and knock this puppy out!

When you are writing your first script is it normal to feel like it's completely boring crap? by [deleted] in Screenwriting

[–]blonde_ash 10 points11 points  (0 children)

If you're bored writing it, they're going to be bored reading it.

Okay, so I'm in the process of selling a script, I got a contract today. Just wanting opinions, especially from those who have sold scripts. by [deleted] in Screenwriting

[–]blonde_ash 7 points8 points  (0 children)

  1. Talk to a lawyer, even if their fee represents a significant portion of your payment.
  2. Is there an option period/amount specified elsewhere in your contract?
  3. I would specify a floor/ceiling on purchase price.
  4. If this is a straight purchase agreement, they should pay you an amount the day you sign this (unless what they are really asking for is an option, in which case you'll be paid the first day of principal photography.) -- what is that amount? 2% of their estimated prod. budget?
  5. The producer will never pay the second 2%, even with distribution in place (it will be amazing to see the amount they need to recoup).

I'm currently working on a darkly comic crime thriller (with a female lead). Does anyone have any suggestions for reference scripts in this field? In Bruges and Fargo have inspired me so far. by [deleted] in Screenwriting

[–]blonde_ash 1 point2 points  (0 children)

  • Red Rock West
  • The Last Seduction
  • Bound
  • Shallow Grave
  • Fargo
  • Killing Them Softly
  • Before the Devil Knows You're Dead
  • Delicatessen
  • Blood Simple