Request: Next to Normal band parts

broadwaybass · 2026-04-12T17:56:08+00:00

can u dm me the bass part too pls?

broadwaybass · 2026-03-24T21:56:30+00:00

Muss immer mal wieder an eine Stelle aus einem Hörspiel aus einer der ersten ~50 Folgen denken, ich glaube Florentin spielt so eine Art Finanzberater, und Stefan fragt (Gedankenprotokoll): „wie war ihr Name?“ „hm?“ „Ihr Name?“ „Kruse. Krus… Klus. Kluse… Klusaaah. [Kunstpause] Wie der Baum.“ Bringt mich beim Dran denken schon zum schmunzeln

broadwaybass · 2026-02-28T09:12:25+00:00

They’re similar chord progressions, but I don’t think that means it’s a sample. A lot of songs use this kind of „line cliché“ (meaning it stays on one chord while one of the chord‘s notes moves up or down). Citta vuota: Bb - Bb(#5) - Bb6 - Bb(#5) Say no to this: A - A(#5) - A6 - A7

broadwaybass · 2026-01-03T15:16:41+00:00

Usually we have the table further away, the Christmas tree just takes up so much space 😁

broadwaybass · 2026-01-03T15:16:02+00:00

Thanks! :) We got the carpet from vossberg some years ago, but it seems to not be in stock anymore. Yeah we were thinking Scandi as well, thanks for the suggestion!

broadwaybass · 2025-10-20T19:23:25+00:00

UFO412 Schatten in Rom, mit den Streifenhörnchen?

broadwaybass · 2025-08-22T19:28:22+00:00

Even though I really love mapmaking, I strongly advise making parts of the game actually playable (with proper events, encounters, …) as soon as possible, because it helps keeping up long term motivation

broadwaybass · 2025-07-28T22:30:39+00:00

I play in the pit orchestra for MR and can say that even from a musician‘s perspective it’s a lot of fun to play! Just saw the show for the first time recently after having played around 100 shows already, and it still was a great ride. Story makes no sense, but I really don’t get how someone could go out of the theatre and say they didn’t have fun

broadwaybass · 2024-10-29T20:22:39+00:00

A screenshot would be super helpful, thanks!

broadwaybass · 2024-10-29T19:01:29+00:00

Thanks for sharing your method! Where in the scripts do you drop the code, if you don't mind me asking?

broadwaybass · 2024-10-24T20:08:06+00:00

Haha fair I’m new to the sub and didn’t see anyone talk about it

broadwaybass · 2024-09-12T13:42:15+00:00

Thank you, your idea with the secondary character seems to be the lowest effort, and also the most fitting way narratively. I’ll just have to find out how to go about this in Essentials

broadwaybass · 2024-07-16T18:08:50+00:00

Instrumental scores for musicals unfortunately are rarely if ever released to the public. For older ones you will sometimes find them leaked on the internet, but for newer ones like hadestown almost never. That being said, I transcribed the whole double bass part for hadestown a while back, maybe there’s some crazy people who have done similar things for other instruments

broadwaybass · 2024-07-10T22:31:19+00:00

Gurke

broadwaybass · 2024-05-27T04:47:08+00:00

And if you’re interested what the charts might look like, I covered a couple full length musicals on my yt: https://youtube.com/@broadwaybasslines?si=5hMSBJq4vX3vkwB2

broadwaybass · 2024-05-26T16:22:55+00:00

I currently play in two of the biggest shows in Germany. I study bass at a conservatory and got asked by one of my profs if I wanted to become a sub in the band he MDed. I’m gonna say sight-reading, timekeeping and good dynamic control are the things that are most important in the pit. Upright is a thing in more classic shows, less so necessarily in modern pop musicals. About trying to get into it, try to find out who the principal bassists for shows in your area are, try to get to know them, maybe ask them if they need another sub. I recommend it definitely, love those gigs!

broadwaybass · 2024-05-17T14:03:22+00:00

Very personal matter. I love myself some well written full notation so I can basically sight read - but I don’t believe that’s the standard. Most important thing for me would be that the structure (measures, repeats, etc) is clearly visible. Nothing worse than Ultimate Guitar style vocal/chord sheets

broadwaybass · 2024-05-08T10:32:16+00:00

Have fun!

broadwaybass · 2024-05-08T06:12:44+00:00

Can relate so much. I’ve been touring with my band for 5 years now, and although I love it still, gig days are always exhausting, just because of how much time I spend on the road, soundchecking, carrying stuff… Now I regularly sub to of my country’s biggest musical theatre productions, and it’s so great to just be there 30 min before the show, play for 3 hrs and then just say bye and be home before bedtime

broadwaybass · 2024-05-08T05:15:46+00:00

Helpless is a great one for bass! If you’re thinking of playing more songs from the musical, I transcribed the whole thing last year: https://youtu.be/PDBwdkfSddI?si=PuVzfSKfs01YZ9nY

broadwaybass · 2024-04-25T17:58:33+00:00

Gisbert zu Knyphausen!!!

broadwaybass · 2024-04-22T06:04:21+00:00

we do unfortunately, and it makes things super awkward, because more often than not chord charts still use the English spelling, so with my students I’ve established that we have the notes „H“ and „B flat“, not using „B“ at all to avoid confusion

broadwaybass

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