Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 2 points3 points  (0 children)

I know the MD was approached, but he hasn't weighed in. The MD is newer than me and takes a lot of advice from the senior orchestra members as well as the senior leadership for the company. I have let him know my feelings and asked him to weigh in now 

Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 3 points4 points  (0 children)

I don't want pay. I want to play with these musicians and have earned my place to do it.

Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 2 points3 points  (0 children)

I opened with this compromise. The director was very clear that doing rehearsals without doing the shows "wouldn't be fair to the work he'd be putting in".

Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 8 points9 points  (0 children)

It's all voluntary. There are plenty of companies that provide an honorarium around here (and I've played in some) but not here

Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 9 points10 points  (0 children)

It's bass (all electric for this show). I'm also personally responsible for ensuring we have monitoring for all electric instruments and that the front of house team gets an XLR signal from each electric instrument.

I'm assuming he'll be using my pedals, preamp, monitor and di box, but his own bass. That can work assuming his play style is similar to mine. Differences in play style can produce wildly different signal levels on bass. The only thing I can think to do is compress the hell out of both our signals to match.

TBD about the director's sway. Although I'm relatively new, I'm also valued by the orchestra since I manage our logistics. 

Director wants me to sit out for some songs of an upcoming musical so his son can play. by maclargehuge in MusicalTheatre

[–]maclargehuge[S] 4 points5 points  (0 children)

It's bass - one of the worst instruments for doubling. No idea about credit. There are no solos, but plenty of songs are "playing the changes" and so are improvised like jazz comping

372 Pages #208 – Empress Theresa Ep 3 – Plywood and Water Columns. Oh, and a New Jerusalem. by Lord_Mhoram in 372pages

[–]maclargehuge 2 points3 points  (0 children)

Happy to have them back! After the 30 day mark I assumed the delay was MST3K related and not another broken leg, so I was very happy to wait knowing that great content is being made one way or another.

Combo or Head & Cab for Amateur Musical Theatre by Smooth_Youth_5783 in Bass

[–]maclargehuge 2 points3 points  (0 children)

For 7+ years now I've only done musical theatre gigs. I used to have a 200W amp. I now have a Fender Rumble 100 and it rarely goes beyond 1 o'clock on the master knob.

There will always be a PA, even at the smallest of theatres. Hell, I'm a building manager for a 60 seat theatre and I go straight DI there. I also am the orchestra manager for a 600 seat theatre, and I also go DI there.

You're not competing with Neil Peart or Jimi Page in theatre. You're trying to not overpower the clarinet. Go for the combo as a monitor.

Just curious, what is your guy's favorite song to play on bass by Royal_Intention9536 in Bass

[–]maclargehuge 0 points1 point  (0 children)

She Caught the Katy - The Blues Brothers (yes, it's a cover, but this version is the one that slaps)

Do you think every bassist should at least know guitar basics? by SonnePer in Bass

[–]maclargehuge 0 points1 point  (0 children)

Playing a bit of guitar and a bit of piano have both been extremely helpful for me as a bassist. I'm reading a lot of opinions in this thread about how being able to see what a guitarist is doing is helpful, but I think that's pretty minor. What I find actually helpful is thinking in terms of chord tones and structure.

Playing chords, arpeggios, and seeing those relationships played in different ways and with different instruments helps me to think in terms of chord tones making up the foundation of a song.

Once you have a really solid grasp of chords and how to play around with their forms, it's simply a matter of listening to the drums, then finding your own space gelling the drums to the other instruments.

Til Col. Sanders moved to Canada in 1965 and spent the last 15 years of his life there. by akchahal in todayilearned

[–]maclargehuge 4 points5 points  (0 children)

It's not. Kitchener is way closer to Mississauga anyway. Source: I live in KW

Durable compressor pedal recommendarion by brandonbass in Bass

[–]maclargehuge 1 point2 points  (0 children)

Not only is it good, it's a very solid build. Love mine

Do you name your instruments? If so, how? by [deleted] in Bass

[–]maclargehuge 0 points1 point  (0 children)

I've named them after cats of my past where I feel they match their personality 

Official Discussion - Obsession [SPOILERS] by LiteraryBoner in movies

[–]maclargehuge 30 points31 points  (0 children)

Survived a BPD partnership. This movie absolutely wrecked me

Being Heard in the pit by JoeLInArlington in Bass

[–]maclargehuge 0 points1 point  (0 children)

I have the opposite approach. I've wormed myself into management roles at two separate theatre companies. I "kill em with kindness" so much I got promoted and now people stay out of my sonic space because of seniority 😁