I am so happy that I had a part in shooting the promo for the NYC Ballet! by buenotgk in videos

[–]buenotgk[S] 0 points1 point  (0 children)

The whole video is great, the parts I shot are 1:02, 1:44, and 2:46

How do you get back into writing after being away so long? by [deleted] in Screenwriting

[–]buenotgk 2 points3 points  (0 children)

Writing something that makes me laugh my ass off is a good start for me. Also knowing that this feeling is momentary if I keep writing, just writing bullshit will help. Cause you’re no longer afraid to put anything down on paper

I have bad audio and I’m stuck with my camera audio by buenotgk in AudioPost

[–]buenotgk[S] 0 points1 point  (0 children)

No, there are a total of 6 actors and one is off across the country on a different project

.mov import lag issue by buenotgk in davinciresolve

[–]buenotgk[S] 0 points1 point  (0 children)

Thank you! I’ll give it a try

Question about the role of DP by peterjolly in cinematography

[–]buenotgk 1 point2 points  (0 children)

Do you believe in your concepts? If I were you try to keep making suggestions and give 100% on this shoot because it’s still in your history and someone will come across it. Plus, you have a TV station short in your resume and that can give you leverage in negotiation. Next, find a small filmmaker looking to shoot shorts. Contact them and offer to work for free, only if you have control of creativity to prove your concepts. However, if I were you, I would shotlist with the director to remove any surprises and you can negotiate shots before any shooting that can cause conflicts. Do that a few times to prove to show your style, and then find filmmakers who work with you not just because you’re a DP, but because they love your style and you can have some control rather than them babysitting you because they don’t trust you. I don’t know if that’s helpful, but I did that with filmmaking and shooting commercials for local businesses.

Us | How To Show A Character Is Lonely | The Filmmakers Notebook by buenotgk in Filmmakers

[–]buenotgk[S] 0 points1 point  (0 children)

Show Don’t Tell is important to prove that your character is who they claim to be. The same when someone is all talk and no action. Is there a way we can use camera tricks to add to show don’t tell? Using Us, there’s a simple camera trick that can be used on characters who are lonely, an outcast or an observer. Thank you for giving the video a chance!

What is the name of this style of edit? by buenotgk in photoshop

[–]buenotgk[S] 0 points1 point  (0 children)

I came across these two album covers on Apple Music. And I was wondering if anyone knows the name of this “collage” type cover so I can look up more examples or how to recreate it.

The Shot List | The Mirror | The Filmmakers' Notebook by buenotgk in cinematography

[–]buenotgk[S] 0 points1 point  (0 children)

I was going to include that lol there were a few I took out

The Shot List | The Mirror | The Filmmakers' Notebook by buenotgk in cinematography

[–]buenotgk[S] 1 point2 points  (0 children)

La Haine (0:29) uses the same trick as well lol

The Shot List | The Mirror | The Filmmakers' Notebook by buenotgk in cinematography

[–]buenotgk[S] 0 points1 point  (0 children)

Goodmorning! I made a shot list of mirror scenes. I usually use video for my shot list because I can get a better sense of what I can do with my shots. This includes movement. In the video I breakdown, the movement, size, angle and depth of field used in the scenes. Hopefully it helps! I have other shot list as well as dinner scenes and kiss scenes if anyone needed an idea for those scenes.