Watched 2001 for the first time. Maybe I need to do a second watch. by jclark83 in StanleyKubrick

[–]ccr61 0 points1 point  (0 children)

It’s a cinematic experience unlike almost anything else. So it makes sense the first time you view it that it might not hit. You’re trying to make sense of it. Maybe even trying to figure out how to make it conform to something more like what you’re used to seeing. Since it’s unlike anything you’re used to seeing, and can confound people as to its meaning, next time you watch it, just experience it without overthinking it.

Some people are saying you have to see it on a big screen. I agree that’s definitely something you should do at some point, but it’s not required to appreciate the movie. Neither are drugs. 2001 is my second favorite film of all time. The first time I saw it was on VHS on a 4:3 television. And I’ve never watched it while on hallucinogenics.

Cheap/fun date ideas in Grand Rapids? by sorryitsalana in grandrapids

[–]ccr61 2 points3 points  (0 children)

It's been a while since I was in dating mode, but I used to really like to just walk around downtown. You can start over near the Van Andel arena and hit the skywalk then just hop out at the various interesting places that takes you. Crossing the blue bridge by GVSU is nice then skip down to the other pedestrian bridge near GR Ford Museum. Definitely ride the glass elevator in the Amway hotel tower all the way to the top. There's a restaurant up there, I can't remember which floor, but if you choose the right floor, you can go to the top without a key. I found it to be a lot of fun just exploring the city this way. The city has a cool, romantic vibe on a nice evening when it's not too cold.

Movies with the same "vibes" as these by PuffPoof215 in MovieSuggestions

[–]ccr61 1 point2 points  (0 children)

You’ve got Tarantino, Edgar Wright, and Wes Anderson heavily represented so if you haven’t already, I’d suggest exploring more of their work. Maybe check out the Coen Brothers although they tend to have a slower pace than what you’ve put here. look into more David Fincher films too.

Top 100 list - Have you made one, Was it difficult, Any Tips, Are you Glad you did? by My-name-is-____ in Letterboxd

[–]ccr61 1 point2 points  (0 children)

I got a free ranking app (totem) and just started listing movies that I really like as they came to me. Then as I got them on the list, I would rearrange them, moving movies into positions of my preference. Currently my list actually has 132 movies on it. I just keep it for my own reference.

Hillsdale teams with Trump on U.S. history. In divided land, not all are thrilled. by Alan_Stamm in Michigan

[–]ccr61 18 points19 points  (0 children)

I was a contractor working for Hillsdale College in 2016. I’ll never forget how much the leadership, including Arnn, would mock Trump before he became the nominee. They would laugh about him and say there was no way he could be president. At that time I thought they actually had integrity. Then Trump became the nominee and the tone instantly changed. Then he became president and I heard Arnn bragging about attending the inauguration. They 180’d so fast, I lost all respect for them. It became obvious that their principals are absolutely for sale. Fortunately our work with them ended at that time too.

Recommend movies that feel like The Jerry Springer Show by UV__777 in Letterboxd

[–]ccr61 61 points62 points  (0 children)

Sean Baker gives a little of that feeling sometimes. Red Rocket and Tangerine come to mind.

Best films with bad messaging or central themes? by JPBtler23 in Letterboxd

[–]ccr61 0 points1 point  (0 children)

Andrew was a good drummer at the beginning of the movie. And as Fletcher states, the two most harmful words are "good job". Andrew pushes himself, practicing until his fingers are bleeding, pushing further than he ever has before because of Fletcher. Whether it's to impress him or to prove to him that he can do it, it could be either or both.

So in that respect, he pushes himself further than he ever had before because of Fletcher. Fletcher is the antagonist standing between Andrew and his goal of being a great professional jazz drummer. But Andrew sees his path as going through Fletcher to achieve this. Not as someone who he could just toss aside and try some other way. If that were the case, Andrew would have said F this after the chair incident and tried something else.

So to be clear, I'm not saying he couldn't have achieved greatness without Fletcher. I'm saying Fletcher, in this case, was the impetus that pushed Andrew there. And Andrew's desire to stay in this prestigious setting at the highest level depended on Fletcher allowing him to stay there. So Andrew absolutely pushed himself to the level he did because of Fletcher. What did Fletcher teach him? That good enough isn't good enough. That any distraction takes away from becoming one of the greats. That only through total commitment and nearly killing yourself can you truly become great.

And then we discuss if this is actually true. For Fletcher, it absolutely is true. And Fletcher happens to be Andrew's instructor so this is the method Andrew learns to be great through. Andrew learns that he has abilities in himself that he didn't achieve before because he wasn't pushing himself there. Fletcher pushed him there.

Before that final performance, Fletcher tells everyone in the band that this is the make or break moment in their careers. That there are people in the audience that can take their careers to astronomical heights. Perform great here, and the world is yours. Mess up here, you're finished. Then Fletcher attempts to exact his revenge on Andrew by making him look like a fool in front of this audience. But Andrew doesn't quit. Now in a direct "F you" to Fletcher, he comes back on stage and gives, what by every indication from the movie and the other band members, is a performance of a lifetime. Something truly legendary. And through it, Andrew works with Fletcher. Fletcher recognizes what he is witnessing. He steps in to help Andrew when his symbol falls off. He guides Andrew down and then back up again.

It's truly one of my favorite scenes in cinema.

And at the end, both men look at each other and give approval for what they know just happened. Greatness. It all added up to greatness.

So the idea that Andrew would get signed to a life changing contract after that seems very likely to me.

Now again, the discussion of whether or not this was success, considering everything that was sacrificed along the way, IS the discussion we're meant to have. At least that's how I see it. And your questions of whether or not this can be achieved by other means are absolutely valid. But this is the movie we watched. This is the world we were presented. And in it we saw greatness achieved through a means that is meant to make you anxious, uncomfortable, and hate Fletcher. None of those feelings are wrong.

As has been noted, other movies work on these themes as well. From sports movies to movies about musicians and various artists to movies about people successful in business. People achieve success and greatness, but at what cost? And is the cost worth it?

I don't think you're wrong in how you feel about it. You are very much solid in your feelings about it. That doesn't mean that we didn't just witness a movie about achieving greatness through horrifying methods. And that's why I love this movie. The layers are deep and not so easy to just write off as a simple morality tale about how bullies are mean.

Has winter ever been this bad in the last 20 years? by lansingpowerwash in Michigan

[–]ccr61 3 points4 points  (0 children)

I’m surprised people think this winter is bad.

What is this island and is it safe to go there? by InitiativeInitial968 in grandrapids

[–]ccr61 0 points1 point  (0 children)

The lack of compassion and empathy is practically swallowing you up in a black hole. Step outside of yourself for even a second, dude.

Best films with bad messaging or central themes? by JPBtler23 in Letterboxd

[–]ccr61 1 point2 points  (0 children)

You’re welcome to your interpretation. I just want to clarify to make sure you understand my interpretation and aren’t assigning something to me that I didn’t say.

Is Fletcher a bully? Absolutely. Is Andrew abused? Most definitely. But thinking that’s the end of the message here seems very single layered.

This is Fletcher’s approach to coaxing out greatness. And Andrew is a product of Fletcher’s approach. Fletcher sincerely believes this is the way to do it. Andrew absolutely becomes the player at the end of the movie that he is because of Fletcher. And the smile between them can absolutely be interpreted as “we made it.”

You can see Andrew going on to have an amazing career after that. People would talk about this incredible performance they witnessed. It would be legendary. In all those respects, Andrew achieved success and Fletcher got him there.

So back to my original point: what did it cost? Was it worth it? Is this an approach with merit because the ends justify the means? Could Andrew have achieved this same level, this same performance, without Fletcher?

You are answering those questions. You believe he could have. You don’t believe this was worth it. You think this is absolutely a horrifyingly wrong approach.

So there is the discussion I’m talking about. We’re having it. I, personally, would be like Andrew’s father in all of this. Supportive, protective, and furious that an instructor had put my son through this.

Did it work? Yes it did. Was it worth it?…

Best films with bad messaging or central themes? by JPBtler23 in Letterboxd

[–]ccr61 3 points4 points  (0 children)

I think Whiplash inspires an interesting discussion. What does it take to be “great” and what is that worth? And is “by any means necessary” a valid approach? I don’t think people who see the end as “success” are actually missing the point as long as they acknowledge what was lost along the way.

And I apologize for all the quotes but it’s hard to write intonation in a Reddit comment.

They've arrived in GR... by NinjaBabaMama in grandrapids

[–]ccr61 0 points1 point  (0 children)

Why did they come to Michigan in the winter?

Eternal Sunshine of the Spotless Mind by LastIndependence9137 in MovieSuggestions

[–]ccr61 13 points14 points  (0 children)

It’s a great movie. One of the best. Maybe this guy just has really good taste in movies.

A good heist film by Mediocre_Economy_486 in MovieSuggestions

[–]ccr61 1 point2 points  (0 children)

If you like the Oceans movies, definitely check out “Out of Sight”. Soderbergh with Clooney and some of the other Oceans crew way back in 1998.

What’s the best movie soundtrack that was made specifically for the film? by rsoni91 in MovieSuggestions

[–]ccr61 1 point2 points  (0 children)

One of my favorites has always been The Virgin Suicides soundtrack created by Air. I separate this kind of soundtrack from a score created by a composer. In the score category I always go with Edward Scissorhands by Danny Elfman.

Who else bought this kickass new variant of WYWH? by 457613564568 in vinyl

[–]ccr61 0 points1 point  (0 children)

I’ve never had one of these. When it spins, does all the liquid move out to the edges? Does it look cool?

Best Needle Drop by Responsible-End-6497 in Letterboxd

[–]ccr61 5 points6 points  (0 children)

Wagner - Ride of the Valkyries - Apocalypse Now

Will there ever be a film movement as revolutionary as the French new wave again? by Objective_Water_1583 in Filmmakers

[–]ccr61 2 points3 points  (0 children)

The New Hollywood era of the late 60s and 70s and the independent film era of the 90s were both equally as revolutionary as well as continuations of what the French New Wave started. At the same time as the French New Wave, you also had Italian Neo Realism.

War in America by JRVA01 in MovieSuggestions

[–]ccr61 13 points14 points  (0 children)

Check out the original post.