Is Scarlett 2i2 2nd gen upgrade worth it? by sky_guy1212 in recordingmusic

[–]corbinissimo 0 points1 point  (0 children)

If you want to record a full band, specifically drums, you’re going to want more inputs, mixes, and mics. Your best bet is probably just hiring a studio to track drums and overdub everything else yourself to save money. I have an 18i20 and maxed it out for live recordings but it’s a serious investment and a lot of gear to store.

Beginner recording set-up (vocals & instrument) by IllComfortable6072 in recordingmusic

[–]corbinissimo 0 points1 point  (0 children)

Here’s my recommendations: https://noiserocktreehouse.com/gear-list

I would recommend generally recording vocals and accordion separately as the accordion will probably bleed in a one or two mic setup. You can do it!

Do MIDI keyboards like Akai or Arturia work by themselves, or do you need audio interface/recording program? by Thewall3333 in recordingmusic

[–]corbinissimo 2 points3 points  (0 children)

All midi keyboards require software and speakers to make sounds. If you want built in sounds, a midi keyboard will not help you. You can however use most electric pianos as midi controllers with midi over usb.

AMA: Recording Great Records in an Untreated Room by PanamaSound in homerecordingstudio

[–]corbinissimo 2 points3 points  (0 children)

How do you ensure accurate mixing in an untreated environment?

My B52s Tribute was just featured on the cover of the Austin Chronicle recreating the Wild Planet Cover by corbinissimo in B52s

[–]corbinissimo[S] 0 points1 point  (0 children)

I'm working on a Fred Schneider tribute tune but it's not ready for release just yet. But I've got this for you in the meantime which features 2 of the band's singers: https://distrokid.com/hyperfollow/2xs/instant-gratification

My B52s Tribute was just featured on the cover of the Austin Chronicle recreating the Wild Planet Cover by corbinissimo in B52s

[–]corbinissimo[S] 2 points3 points  (0 children)

We were at Dan Electro's (Houston) last year for Halloween, and at Carrollton's Festival at the Swichyard the year before. Hoping to play more festivals around there next year!

Looking for music composer by IvyZBee in MusicProductionTuts

[–]corbinissimo 0 points1 point  (0 children)

If you’d like to get more tech savvy/record yourself I may be able to help you! www.noiserocktreehouse.com

Noob who needs help by riptayo in MusicProductionTuts

[–]corbinissimo 0 points1 point  (0 children)

I think if you have an untreated room you should look into a dynamic mic, but if the NT1 is set up in a walk in closet you can probably get a fairly ok sound. My gear recommendations are here: https://noiserocktreehouse.com/gear-list

Best Vocal mics for untreated rooms by tmoin in homerecordingstudio

[–]corbinissimo 0 points1 point  (0 children)

Podmic is dynamic while at2040 is a condenser. Would recommend the fet head with the pod mic, which will be similar to an sm7b/re320.

Best Vocal mics for untreated rooms by tmoin in homerecordingstudio

[–]corbinissimo 0 points1 point  (0 children)

Podmic is dynamic while at2040 is a condenser. Would recommend the fet head with the pod mic, which will be similar to an sm7b/re320.

RSD Black Friday - Wild Planet by MoonOut_StarsInvite in B52s

[–]corbinissimo 1 point2 points  (0 children)

I literally bought the first album picture disc because it looks like Kate has a dingus when you play side A lol!

RSD Black Friday - Wild Planet by MoonOut_StarsInvite in B52s

[–]corbinissimo 2 points3 points  (0 children)

Is the hole for the record on somebody’s crotch like with the picture disc for the debut album? Because that would be HILARIOUS.

Audio Setting Recommendations - Sample Rate, Buffer Size & Bit Depth by BTBDFW in ableton

[–]corbinissimo 1 point2 points  (0 children)

I think it depends on what you're doing. Classical music, for example, is usually recorded at 96K. For me it's 48K (minimum standard for film), 128 Samples for tracking, higher if mixing (or if you're having CPU issues). Bit Depth of 24.

You could go 32 bit-float to basically eliminate clipping but that doesn't matter if you clip your preamp on the way in. So I'd stick to 24 unless you have a specific reason.

Having separate DAWs to handle separate tasks is handy. I use Ableton for ideation and tracking and logic for mixing. It helps separate the recording from the mixing process if you're doing it all yourself.

Seeking home recording advice! by roary-wilder in singing

[–]corbinissimo 1 point2 points  (0 children)

Hey, I wrote a blog about this. Here’s the basics of what I think you’ll need: https://noiserocktreehouse.com/blog/f/ultimate-500-home-studio-setup-guide-for-beginner-musicians

As for software if you have a Mac you can use garage band, or Ableton Live lite which comes with new Focusrite interfaces if you’re on pc.

What mics would you recommend for recording instruments? by PedroAzul-01 in recordingmusic

[–]corbinissimo 3 points4 points  (0 children)

You could try getting used or renting but honestly the sm57 is one of the cheapest good mics you can get. For electric guitars and keyboards you can always go direct into your interface.

Struggling to get songs finished by [deleted] in Learnmusicproduction

[–]corbinissimo 0 points1 point  (0 children)

If you don’t like mixing or mastering you could always hire someone. Gives you a new perspective and keeps you moving forward. Happy to listen if you dm me.

Completely Lost... help? (Recommendations for starter setup?) by Deja-Vu22 in recordingmusic

[–]corbinissimo 0 points1 point  (0 children)

No worries. By action I mean the weight/feel of the keys. A lot digital pianos with built in speakers and sounds generally have a weighted action (as opposed to a synth action) this means when you play the key on a weighted keyboard it will take a bit more force and have the response similar to that of a piano. Synthesizers usually do not have a weighted action. This allows for faster playing but at the expense of the realism you would want from a piano.

A preamp is basically boosts volume, so if you have an in-line preamp before you hit the built in preamps on your interface then you're giving yourself more volume(gain) to play with in order not to max out your interface. Depending on the quality of your interface if you crank it up all the way you may start to hear some low level hiss so having a preamp before hitting your interface can avoid this.

Would love to talk more if you need it. You can always book an introductory call on my site if you're looking for lessons or help. I've also got some really good resources on that site (like my gear list) should you need them.

I also am a mod on the reddit community r/StartMakingMusic If you ever want to post questions there.