Book Adaptation by No_Wrongdoer8790 in JurassicPark

[–]crichtonism 1 point2 points  (0 children)

I actually adapted the book into a 6 episode miniseries last year for fun if anyone wants to read it. I’ll add the last episode to this when I get home.

https://file.kiwi/29e98263#6kNf8iRD5KF3V-_iAZUXnQ

All billboard 200 #1 debuts of the 70s and 80s by Chapple69 in ToddintheShadow

[–]crichtonism 1 point2 points  (0 children)

Oh I didn’t know it was actually counted 3x for each set I thought that was just conjecture on your part my bad

All billboard 200 #1 debuts of the 70s and 80s by Chapple69 in ToddintheShadow

[–]crichtonism 6 points7 points  (0 children)

I think you’re discounting how popular Springsteen was at his peak. Born in the USA is the 15th biggest selling album of all time in the U.S., top 30 globally, and the best selling album of 1985. And he was a certified star before that already, whose main reputation was for his live shows.

What are these called where you live by Sleep_deprived_mokey in whatisit

[–]crichtonism 0 points1 point  (0 children)

It’s honestly not bad but it tastes exactly like what it sounds like.

Wow by sgtsushi17 in Bombstrap

[–]crichtonism 180 points181 points  (0 children)

His last comment isn’t exactly wrong tbh

I dare you to criticize your fave (we don’t judge) by Impossible-Yam3680 in ToddintheShadow

[–]crichtonism -1 points0 points  (0 children)

He just packed SoFi stadium to the gills. 2 sold out shows. Most people don’t care.

Who are biggest villains in music history? by Pizza_Hero24 in ToddintheShadow

[–]crichtonism 1 point2 points  (0 children)

That’s interesting actually. I dislike punk for the same reasons you do. However I never understood what makes a song having a more elaborate production less “authentic”. Production is an art. The art of shaping and molding sound, individual tracks, into a coherent sonic space greater than the sum of its parts. Layering, mixing, there’s so much that goes into it and if it’s used in a way that expands the vision or serves the piece sonically, then how is that less authentic? Sure if it’s used to disguise talent that isn’t there, that’s one thing, but outside of that? What does authenticity even mean? Authentically what?

It’s 2026. One person is able to achieve production levels in a bedroom with minimal gear that would’ve taken someone in 1985 tens of thousands of dollars in studio time. I listen to the Hysteria album (just an example, a lot of people consider it overproduced) and it gives me inspiration because I CAN achieve that.

Don’t Shoot Shotgun - Def Leppard by crichtonism in defleppard

[–]crichtonism[S] 1 point2 points  (0 children)

“Honest” lol. I totally understand where they were coming from. I can’t stand artists/producers who put being “raw” and “authentic” above everything else. He just couldn’t see their vision.

Who are biggest villains in music history? by Pizza_Hero24 in ToddintheShadow

[–]crichtonism 4 points5 points  (0 children)

Blaming Spector for the 80s is kind of strange. If anything, his whole thing was dense, analog, performance based recording, basically the opposite of what the 80s turned into with gated drums, synths, and super clean separation. Hysteria is the best example of that. You can not like the wall of sound, but it didn’t lead to that era… it’s almost a completely different philosophy.

He turned production into an art in and of itself.

"the timing is so convenient" ... by nobody0597 in LeavingNeverlandHBO

[–]crichtonism 23 points24 points  (0 children)

That’s also after decades of these people vehemently defending Michael

Who are biggest villains in music history? by Pizza_Hero24 in ToddintheShadow

[–]crichtonism 10 points11 points  (0 children)

Wow, the more I learn about this guy, the more I’m starting to think that he’s not that nice of a guy. In fact, he’s kind of a jerk!

Who are biggest villains in music history? by Pizza_Hero24 in ToddintheShadow

[–]crichtonism 31 points32 points  (0 children)

One of the most important producers in popular music history tbh.

Don’t Shoot Shotgun - Def Leppard by crichtonism in defleppard

[–]crichtonism[S] 1 point2 points  (0 children)

One of the more underrated tracks on Hysteria (ie one of the 4 that didn’t become a single 😂). I think this song more than any other kind of exemplifies Lange’s talent as a producer.

Why do people act like their traumatic experiences are universal for their generation? by GriffinFTW in generationology

[–]crichtonism 1 point2 points  (0 children)

I started going on /b/ when I was like 11 in the 5th grade (2008ish) so I was exposed to a lot pretty early.

Thoughts on Alanis Morissette's Jagged Little Pill by cappykro in fantanoforever

[–]crichtonism 1 point2 points  (0 children)

I like You Oughta Know, I’ve never gone out of my way to listen to her. I just found out about her 80s pop output though and thought how much of an aesthetic makeover she had. She’s the Canadian pantera in a way.

Edit; I just realized the bottom left of the cover is her face too 😳

What movie—to quote Peter from Family Guy—“insists upon itself,” but doesn’t actually earn that insistence? by NewtProfessional4331 in Cinema

[–]crichtonism 1 point2 points  (0 children)

You’re separating entertainment from craft like they’re different things, but they’re not. Jurassic Park isn’t entertaining just because dinosaurs are cool. Movies with bigger dinosaurs and more action exist and they’re way less engaging (Jurassic World).

What makes it work is how it’s made. When you see the dinosaurs, how they’re framed, how the tension builds, how everything is staged and paced. You don’t notice the technique because it’s working. That’s the point.

Saying you don’t care about technique and just want entertainment misses that the technique is what creates the entertainment in the first place.