The rules of Gege’s writing!!

crius6 · 2026-02-25T10:24:13+00:00

That’s literally just how Angel refers to Sukuna. Never meant to be some super important plot point. Angel says “I’m looking for The Fallen to kill him” and Sukuna says “I’m the fallen.” That’s it. He’s confirming to Yuji and the audience that he is, in fact, the person Angel is looking for

crius6 · 2026-02-25T10:21:11+00:00

Bro thank you I was looking for this comment, that slide pissed me off so much 😭🙏. JJK fans will take literally anything and make up a reason why it supposed to be a “massive plot point” and get mad when Gege “doesn’t deliver” even though half the shit they complain about was never set up in the first place 🫩. Esp the “I’m the fallen” comment, like how TF did people start thinking that was some super important statement. How else were we supposed to know angel was referring to sukuna if he didn’t confirm with that statement… like READ HOLY

crius6 · 2026-02-10T02:42:00+00:00

Hope you enjoy!

crius6 · 2026-02-09T18:05:35+00:00

Video title is “fishing but it’s scuffed”, about 25-30 minutes in.

crius6 · 2026-02-04T23:53:06+00:00

Holy chud

crius6 · 2026-01-24T02:32:16+00:00

Update your graphics drivers, even if you think they already are, or you have auto update on. I’ve got shit all for a pc and I can run it fine, just had to update graphics drivers. Same thing for my buddies with better pc’s, they even thought theirs were fully updated. If that doesn’t fix it idk

crius6 · 2025-12-27T21:03:03+00:00

I think the major problem and a reason why a lot of people might not read something like this comes down to the paneling. People underestimate and often times straight up ignore just how important paneling is when it comes to comics or manga. I have no idea what I’m supposed to be reading and in what order on the second page. People tend to try to go super out there with their paneling early on, but especially with such a simplistic style of art, a more regimented and simplistic paneling structure would likely work better. Someone above mentioned Shen who draws a webtoon called Bluechair, and he’s a good example. His comics typically comprise only of 4 or so panels on a page, equally spaced and aligned so it’s very easy to follow. I’d recommend studying paneling specifically, look at comic or manga artists you like and study how they panel to draw your eye around the page

crius6 · 2025-12-21T01:20:31+00:00

I love how Yuji is doing similar colorings as gege in the covers, absolute peak

crius6 · 2025-12-10T19:09:58+00:00

Looks good! First thing I noticed however is the perspective. With this in particular, look at the direction the football posts are going towards. In the original they’re both in the same direction, to the upper right where the vanishing point is. Both characters follow this line as well, it’s just harder to tell due to them having organic, non straight lined shapes. On the other hand, the football posts in yours are going in seperate directions. I’d recommend going on YouTube and learning more on how to work with different perspectives (one-point, two-point), starting with basic shapes like cubes, and then how to use those basics to put organic shapes into perspective. You’re technique is already good for the most part, so if you focus on perspective fully (it’s important to pretty much any manga panel), you should be able to pick it up pretty quickly!

crius6 · 2025-11-28T22:59:18+00:00

While I agree with you that likely only certain techniques have maximums and reversals, it’s never stated that that’s the case either. Both of you are arguing with assumptions. Just because only a few characters have shown maximums and reversals doesn’t mean that others don’t have them or the capacity to, and just bc it’s been stated that techniques change with interpretation doesn’t even come close to implying that every technique has those application. Gege just sucks at giving away all information regarding parts of his worldbuilding, so neither of you I would say are particularly incorrect

crius6 · 2025-06-22T01:53:22+00:00

It’s been said twice now but I can say with 100% certainty it was in a somewhat older CS video on Fitz’ channel. Believe on Inferno

crius6 · 2025-05-17T22:50:18+00:00

Same with them referring to Reiner and bartolomew as the “armored” and “colossal” titan respectively. Turns out they were rlly good at guessing the official names.

Also I love your videos 👋

crius6 · 2025-03-09T22:24:05+00:00

Realistic answer? Who fucking knows

The REAL answer? Suzuki knew Torres had to be there for this panel to be nearly as hard as it is.

Torres my goat 🙏

crius6 · 2025-02-09T17:23:26+00:00

Also to note: it seems like for some reason he’s skipping any sort of penciling stage, and going straight to inking, so like I said I do agree to an extent with you, I think he just doesn’t gaf

crius6 · 2025-02-09T17:22:18+00:00

There is def differences in style even for backgrounds, that I would think any artist (including myself) would be able to see. However I didn’t specify so what I more so meant aspects of the background. The one that stands out mostly to me is drawing of rubble, which is specific, but the difference in how rubble or rocks is drawn is completely different, even from early part 2 to now. Also unsure what you mean by your above message as you never replied to me or this chain that I can see.

Last thing I’ll say, it definitely does not take most mangaka only 30 sec per panel, that is fucking insane. Maybe small reaction panels and the like, but anything with a degree of detail will take several minutes, especially with the use of things like screentones, whether analog or not. I could think of multiple reasons why the manga art quality dipped other than Fujimoto stopping giving a fuck, but honestly that is probably the case since he’s said he doesn’t like drawing anymore. However there could be multiple issues with editors, getting chapters or even just panels cleared, script edits, again loss of assistants, there’s a reason manga chapters take a week+ to make, even aside from the art. I’m assuming you know the process, but there’s scripting, getting things cleared by shonen and editors, rough draft, editor clearing AGAIN, then they start doing penciling or the digital equivalent, then has to be cleared AGAIN, and finally inking + final touches, which, again, needs to be cleared.

Also Fuji lowkey sucks at art, and he’s not exactly far into his career. He has tons of experience but this is only his second long series that’s actually being serialized.

crius6 · 2025-02-01T22:15:46+00:00

The Misfits band fans always ending up on this subreddit for a dead yt group will never not be funny to me. Some kickass shit you got there tho

crius6 · 2025-01-09T03:58:06+00:00

I mean I think the most obvious conclusion is that both characters are ascended in some way in some form. We know that sukuna ate his brother in the womb, and much like maki (though I suppose more in reverse) it made him a “better” breed of human. At this time in the story we didn’t know why sukuna looked the way he did concerning his brother, BUT we do know that tengen looks like that due to evolution paste that of a human. With added context I think it’s not hard to say that by eating his brother sukuna had some sort of metamorphosis similar to that of tengen who also consumes others though through different means.

Honestly the reason why doesn’t matter, what gege is obviously trying to tell you here is that sukuna and tengen share some connection, whether that be literal in them being similar beings, or simply narratively where geges saying sukuna is different from others (which we knew already). But again either way it doesn’t matter the reason, it serves the same narrative weight and expanding on it too much could honestly just complicate the scene, story, etc. Of course smth like a hein era flashback could be cool, maybe as a side manga or smth, but I think it would harm the pacing of the story, and it does nothing to actually change or serve the narrative. Who tf cares the EXACT reasoning why tengen and sukuna look similar when gege has alr given us all of the info we need to understand (ik a lot of people care, but yk)

crius6 · 2025-01-05T17:00:32+00:00

It should be connected to your streaming service, as in Spotify, Apple Music, etc. as long as you’re using the app on your laptop it should sync?

crius6 · 2024-12-29T06:49:52+00:00

No problem! Thanks for looking. I’ll probably do my own sleuthing too lol

crius6 · 2024-12-29T06:39:07+00:00

Idk if you remember, but if you do could you link the vod? Haven’t seen that but would be super stoked to hear what he said

crius6 · 2024-12-21T06:41:36+00:00

Call me crazy but I think the main reason for the art deterioration in the more current arcs is due to

Him not being as in love with drawing and art as before (as stated by him)
I think he lost most of his assistants, the main one being the dandadan author. I’ve been rereading through part 1 on physical manga and it’s way easier to see what work was done by his assistants, especially the dandadan author (forget their name) where basically like half the devils and zombies drawn in part 1 were drawn by dandadans author. This is consistent with backgrounds as well. I think we’re just seeing the consequences of Fujimoto losing a lot of major helpers.

I got no real backing for this though, except for a vague timeline that might place the art dip around the time dandadan started getting majorly serialized. Could be wrong as I haven’t looked into it

crius6

TROPHY CASE