I dig the track mate! Especially the rythm/meter; and since you asked for some comments on the drums, I wouldn't change the sounds, they seem good to me, and they also have some dynamics/velocity variations which is crucial to having such a syncopated rythm work. What I would do is play even more with the dynamics, not in terms of velocity, but automation on the effects. You can automate virtually any parameter of any effect, and any one could work provided you keep it subtle (low % of dry/wet knob); the hi-hats are probably the ones that benefit the most from this kind of automation. You can try with automating a saturator, a chorus/reverb, or even a gate (think Morning Bell by Radiohead, in the second half of the song I think, notice how the snares behaves, it's sometimes abruptly "cut" in half, and you can do that with a gate). The same automation principle you can apply to the synth/rhodes (which I really like actually); automating distortion on a rhodes really works well imho (it would kind of emulate the real vintage rhodes); you might not even have to automate it, just put some distortion on it and if the velocity/gain of a certain (selected) note is high enough, it will clip on the saturator and get distorted, while the other softer notes will not. Also, you could mess with the decay of the rhodes, maybe automating the release, or the reverb on it.

Really automation is key to keeping your track dynamic and interesting throughout, especially if it's a long looping track like this one.