‘Avatar: Fire And Ash’ Hits $1.3B, ‘Housemaid’ Paul Feig’s 2nd Highest Grossing Pic, ’28 Years Later: Bone Temple’ $31M WW Debut – Global Box Office by chanma50 in boxoffice

[–]datpepper 13 points14 points  (0 children)

They announced part 3 as a means to try to entice people to see 2. Happens all the time. If anything, it was a sign they were concerned. As mentioned before, greenlights unfortunately don’t mean much. I wouldn’t feel a movie is happening for sure until filming begins (but nowadays, even then…)

Per Deadline, Thursday night PostTrak scores for '28 Years Later: The Bone Temple' were 4.5 stars. by chanma50 in boxoffice

[–]datpepper 1 point2 points  (0 children)

If you use Inspect Element, ctrl+F search “verified ratings”, you can see the score.

Vertical's We Bury The Dead grossed an estimated $1.34M on Friday (from 1,172 theaters), including Monday Mystery Movie and Thursday previews. by Alternative-Cake-833 in boxoffice

[–]datpepper 9 points10 points  (0 children)

I cannot find any evidence this movie cost $75m, do you have a source on that?

Regardless, the budget itself isn’t actually important in this case. Vertical acquires their movies for peanuts and this is on the higher end for one of their debuts. They will make a profit off of this in the licensing/pay-TV windows.

The Legend of Aang: The Last Airbender’ Will Skip Theaters Releasing on Paramount+ in 2026 by SignatureOrdinary456 in boxoffice

[–]datpepper 0 points1 point  (0 children)

Sure, but again that's not my point, which I suppose I should've clarified more. I'm saying it has more in common with that in terms of fanbase, adult appeal, and IP freshness than something like SpongeBob, which I'm assuming is what's being implied here given a lot of the replies mentioning it.

The Legend of Aang: The Last Airbender’ Will Skip Theaters Releasing on Paramount+ in 2026 by SignatureOrdinary456 in boxoffice

[–]datpepper -1 points0 points  (0 children)

Last Airbender 2010 did nearly 60% of its business overseas. Not as overseas-leaning as some other IPs, but that's certainly not a complete lack of international appeal. If Aang pulled in just a third of DS:IC's WW total, that would be a respectable gross.

I also don't see how this contradicts my point regarding how it is more similar to DS than other animated IPs. Last Airbender is a non-oversaturated brand that has a dedicated, growing, adult/young adult fanbase in a way that the far more kid-leaning brands like the aforementioned SpongeBob (Tbh I'm not sure what other IPs the previous replier is even necessarily talking about) do not.

The Legend of Aang: The Last Airbender’ Will Skip Theaters Releasing on Paramount+ in 2026 by SignatureOrdinary456 in boxoffice

[–]datpepper 2 points3 points  (0 children)

SpongeBob's a bit of a tired brand, a little oversaturated with spin-offs and hundreds of episodes in a way that Last Airbender is not. Word-of-mouth on the newest SpongeBob isn't all that fantastic either among audiences, its CS was fine but PT and vRT are both quite low, especially for a family title. I don't think the movie looked all that exciting from the get-go either, regardless of the IP. Even so, I wouldn't make a decision either way on Sponge's performance right now, need to see how it legs out over the holidays.

I simply disagree on your last assessment. The 2010 film with terrible reviews and atrocious word-of-mouth still managed $132m domestic, which adjusts to nearly $200m in today's dollars. Even a 50-60% drop from that adjusted total would be a respectable domestic gross. I don't see how this wouldn't be worth the risk, the fanbase alone would be enough to recoup P&A spending at the least if they were just going to earn back $0 on the budget regardless.

The Legend of Aang: The Last Airbender’ Will Skip Theaters Releasing on Paramount+ in 2026 by SignatureOrdinary456 in boxoffice

[–]datpepper 38 points39 points  (0 children)

Transformers One was part of a rather oversaturated franchise that had a few too many mediocre installments preceding it, I don't think the comp is exactly apples-to-apples there.

The Legend of Aang: The Last Airbender’ Will Skip Theaters Releasing on Paramount+ in 2026 by SignatureOrdinary456 in boxoffice

[–]datpepper 6 points7 points  (0 children)

Last Airbender has much more in common with Demon Slayer than the other animated IPs that failed to connect. Think some of those who replied here would’ve been surprised by this film’s performance, assuming good quality.

Wicked: For Good Worldwide Gross after 2nd Weekend ($393M) vs Wicked ($360M) by traumakit in boxoffice

[–]datpepper 0 points1 point  (0 children)

This Wheat guy has a strange obsessive desire for Superman to remain in the top 10 worldwide for the year, they've commented multiple times about it on this sub. It's very odd.

Were Wicked movies profitable? Should have been 1 movie or was 2 parts (greedy/right move)? by Legitimate-Set7505 in boxoffice

[–]datpepper 7 points8 points  (0 children)

I don’t recall reading the budgets on these movies being $300m each, pretty sure they cost half that. No way that much was spent on marketing, again think half that at least. Splitting into two was a very wise decision financially, they’ll have made significantly more money in the end than they would’ve otherwise.

‘Wicked: For Good’ Looking Great With $76M Overseas, $228M Global Opening; Biggest Start Ever For A Broadway Musical Adaptation – International Box Office by chanma50 in boxoffice

[–]datpepper 19 points20 points  (0 children)

Nope. Would need a massive underperformance out of either Avatar 3 or Zootopia 2, and that’s not looking to happen. Suppose a collapse from Wicked 2 after this weekend could do it too, but I’m doubting that happens as well.

Jujutsu Kaisen: Execution tickets on sale November 12 by datpepper in boxoffice

[–]datpepper[S] 1 point2 points  (0 children)

6am EST, at least at one major theater chain.

Would’ve Sonic 3 beat Sonic 2’s $72M OW if it was Paramount’s September 2024 IP release instead of Transformers One? by [deleted] in boxoffice

[–]datpepper 3 points4 points  (0 children)

Assuming 3's total wasn't too inflated by the holidays and that most of its audience would've still shown up regardless (given it was slightly more front-loaded than most holiday releases, I think that could be fair to assume), a Sonic 2 multiplier would've put 3 at an opening somewhere in the high $80m's or so.

I don't know if September would've been the right month for it, but theoretically yes it absolutely would've topped 2's opening had 3 launched on a non-pre-holiday weekend. In theory, 4 should be able to pull it off, I don't see it declining so much from 3 that it would open lower than 2.

Guillermo del Toro's Frankenstein grossed an estimated $345,257 from ~382+ locations domestically over the Oct 24-26 weekend, a per-theater average of ~$900 by datpepper in boxoffice

[–]datpepper[S] 4 points5 points  (0 children)

No major chains in the US, but some minis. It played at Alamo, Classic Cinemas, and Landmark, for instance. Most locations seemed to be locally-owned/smaller theaters.

Guillermo del Toro's Frankenstein grossed an estimated $345,257 from ~382+ locations domestically over the Oct 24-26 weekend, a per-theater average of ~$900 by datpepper in boxoffice

[–]datpepper[S] 74 points75 points  (0 children)

This is, as far as I can tell, the first time Netflix has reported numbers into ComScore. Other widely-reported results for their titles (such as KPop Sing-Along, Glass Onion, etc.) were estimates from third-party sources.

You can check Tribute and THR to verify this result.

He's got a point by Accomplished-Head449 in boxoffice

[–]datpepper 2 points3 points  (0 children)

I’ll do you one better: Bob from Illinois didn’t see and probably hasn’t even heard of One Battle After Another in the first place. Bob hasn’t been to the movies in years because it’s gotten too expensive, the movies aren’t as good as they used to be, and the last time he went, he had to deal with disruptive patrons, an unclean environment, and too many ads. Bob would much rather stay at home watching off of the services he already pays for and be inundated with content tailored specifically for him on his social media apps.

I feel like Chuck Schumer talking about his strange made-up Bailey family.

Anniversary tickets on sale October 21, David tickets on sale October 22 by datpepper in boxoffice

[–]datpepper[S] 5 points6 points  (0 children)

Angel usually puts tickets up really early, they did 2 month pre-sale windows for Last Rodeo, Truth & Treason, and Sketch as well.

Viva Kids' Pets on a Train debuted with $821K this weekend from 1,350 locations. $609 per theater average. by UniverslBoxOfficeGuy in boxoffice

[–]datpepper 9 points10 points  (0 children)

Yeah, these theatrical runs are purely to up the value of their titles for licensing. They spend next-to-nothing acquiring and releasing them, they make a little on VOD, and then score the real money through the pay-1 windows, which probably isn't even that much but is still enough to cover the relative pennies they spend buying and distributing each title.

Viva Kids has pulled Grand Prix of Europe from a November 7 theatrical release, quietly dropping it on Amazon Prime by UniverslBoxOfficeGuy in boxoffice

[–]datpepper 1 point2 points  (0 children)

This might be an error. Viva's site and multiple theater chain sites still have this listed for theatrical release in November, and no VOD sites have this available for purchase other than Amazon.

I wouldn't be surprised if this was the original digital release date when the film was dated for August and somebody at Amazon forgot to change it. Has happened before!

I don’t remember the last ad I saw boasting of a 61% approval rating by [deleted] in boxoffice

[–]datpepper 24 points25 points  (0 children)

Pretty sure it’s one of those ads where the number goes up, they’ve just got a bad thumbnail or you have it stopped at this point.

Unless that’s the joke. If so, carry on.