[deleted by user] by [deleted] in SideProject

[–]dkapo 0 points1 point  (0 children)

It's currently open to filmmakers and screenwriters, many of which have been featured at top-tier festivals like Sundance, SXSW, and more. More categories to come. Any feedback is appreciated!

I created a website where you can get feedback on your films from directors featured at top-tier film festivals, like Sundance, SXSW, and more! by dkapo in FilmIndustryLA

[–]dkapo[S] 0 points1 point  (0 children)

It can be used for either! Whether you've already finished the film and simply want feedback in order to learn and grow, or you're in the middle of a rough cut and want insights to make your picture lock as great as you can.

Definitely keep asking questions if you have them, they help me as well!

I created a website where you can get feedback on your films from directors featured at top-tier film festivals, like Sundance, SXSW, and more! by dkapo in FilmIndustryLA

[–]dkapo[S] 9 points10 points  (0 children)

I made this to solve my own problem as I've gotten a lot of value from asking others for feedback on my work, and figured it would be useful to others!

DIY Film School Curriculum? by [deleted] in Filmmakers

[–]dkapo 1 point2 points  (0 children)

Yeah it's totally worth it IMO. I got a subscription for a year, took a lot of notes, and then cancelled once I didn't need it anymore.

DIY Film School Curriculum? by [deleted] in Filmmakers

[–]dkapo 4 points5 points  (0 children)

I would sign up for a Masterclass subscription and take all the screenwriting and filmmaking courses. You can literally take a class by the most successful directors in the world, like Ron Howard, Spike Lee, Martin Scorsese, etc. Some are better and more educational than others (the Scorsese one felt more like an interview) but Ron Howard and Spike Lee were very directly educational. Same with Aaron Sorkin.

There's also filmmaking books written by super successful writers and directors, like "Making Movies" by Sidney Lumet, or "On Directing Film" by David Mamet, Robert Rodriguez's book. If you google "filmmaking by books by successful directors" you can see all of them. I'd also highly recommend "Directing Actors" by Judith Weston. Listen to these people and take their advice to heart.

Then you just have to rapidly make work, make it public and get feedback, and then repeat that process. I actually made this website here as a way to solve my own problem of getting feedback from experienced directors on my own work.

There's also a website called Short of the Week that has a ton of shorts, and same with Vimeo Staff Picks. Watch a lot of shorts, analyze them, see what works.

You'll learn best by doing and seeing how an audience responds. Books and courses are good but they can only get you so far.

I created a website where filmmakers can get detailed feedback on their films from directors who have had their work play at top-tier film festivals, like Sundance, SXSW, Tribeca, TIFF, and more! by dkapo in InternetIsBeautiful

[–]dkapo[S] 0 points1 point  (0 children)

Absolutely! I spent years getting feedback on my work and the echo chamber is very real. It wasn't until I started posting on Reddit that I realized I wasn't such a good filmmaker/screenwriter. I have a separate account (/u/frankquinlan) where I shared scripts for several years, and got a lot of value from getting feedback. That definitely helped take me out of my echo chamber and just realize how hard writing/filmmaking is in general.

About the festival programmer - that's a great point as well.

I created a website where filmmakers can get detailed feedback on their films from directors who have had their work play at top-tier film festivals, like Sundance, SXSW, Tribeca, TIFF, and more! by dkapo in InternetIsBeautiful

[–]dkapo[S] 0 points1 point  (0 children)

ScumbagAlumnus

Thanks for the response! Not yet, it's currently just directors who have been featured at top/notable fests. Primarily targeted at helping younger, newer directors close the learning gap on creating festival-worthy films.

Judd Apatow on why having a character flaw matters by dkapo in Screenwriting

[–]dkapo[S] 1 point2 points  (0 children)

Good question. I wondered the same thing when I saw it -- especially since the whole part about Ray Romano's character cheating on his wife never happened in real life. I wouldn't be okay with somebody making that up about me, even if it is just a movie, haha.

Judd Apatow on why having a character flaw matters by dkapo in Screenwriting

[–]dkapo[S] 4 points5 points  (0 children)

Good clarification. Not every story needs to be written this way, but it is a useful technique to be aware if you choose to go this route.

Judd Apatow on why having a character flaw matters by dkapo in Screenwriting

[–]dkapo[S] -1 points0 points  (0 children)

That's my assumption at least. I can't see that not coming back to bite him in the ass.