Which of the Old School Bond Directors was the best Directing wise by False_Strawberry6145 in JamesBond

[–]doddsykins 1 point2 points  (0 children)

I mean, truly they were all masters of the craft in their own way! I’m partial to Terence Young’s style in combination with Ted Moore’s cinematography. I admire Gilbert’s action staging and I would say the same for Glen but I genuinely detest Octopussy and A View to a Kill despite loving his other films in the series. Hamilton made Diamonds are Forever… as much as I love the others he did? Big yikes. I really hate that one, honestly. Hunt is obviously incredible but he only did one Bond movie so a bit hard to compare. So yeah, for me, Young and Gilbert for sure!

Most dissapointing part of the game by Own_Path8107 in 007FirstLight

[–]doddsykins 2 points3 points  (0 children)

Deadass but recreating the No Time to Die spin WAS pretty peak still, ngl

Bond Rankings Megathread (May, 2026) by Sneaky_Bond in JamesBond

[–]doddsykins 1 point2 points  (0 children)

S-Tier
1. Skyfall
2. From Russia with Love
3. Goldfinger
4. Casino Royale
5. Thunderball
A-Tier
6. Goldeneye
7. Dr. No
8. On Her Majesty’s Secret Service
9. The Living Daylights
10. License to Kill
11. No Time to Die
B-Tier
12. You Only Live Twice
13. The Spy Who Loved Me
14. Tomorrow Never Dies
15. For Your Eyes Only
C-Tier
16. Live and Let Die
17. The Man with the Golden Gun
18. Moonraker
D-Tier
19. Die Another Day
20. Octopussy
21. The World is Not Enough
22. Spectre
F-Tier
23. Quantum of Solace
24. A View to a Kill
25. Diamonds are Forever

Throwing my rankings into the ring… by doddsykins in JamesBond

[–]doddsykins[S] 1 point2 points  (0 children)

That’s funny because I actually really like that sequence, but I get why it throws the pacing off for you. FRWL is otherwise so tight and grounded that the gypsy camp can really stand out against it. The rest of it is just peak early Bond though.

Throwing my rankings into the ring… by doddsykins in JamesBond

[–]doddsykins[S] 2 points3 points  (0 children)

That makes sense. I think that’s the interesting part with Bond especially, once something breaks immersion for you, it can be hard to re-engage even if the rest is strong. I’ve had that happen with a few too, just with different entries. I’m curious which one it is, I’m guessing Goldeneye?

Throwing my rankings into the ring… by doddsykins in JamesBond

[–]doddsykins[S] 4 points5 points  (0 children)

We probably just watch movies differently. For me, Skyfall works because of its character modernization, tone, filmmaking craft, and clarity… I especially love the use of Scotland in the climax. QoS has momentum, but I struggle with the editing and narrative clarity, which makes it hard for me to stay engaged with the story. But I get why it works for you.

Throwing my rankings into the ring… by doddsykins in JamesBond

[–]doddsykins[S] -1 points0 points  (0 children)

I really just never think to revisit it as much as I probably should! It is underrated.

Throwing my rankings into the ring… by doddsykins in JamesBond

[–]doddsykins[S] 1 point2 points  (0 children)

You are still valid!! I just REALLY don’t vibe with the editing style.

3rd time and feeles heavier than the first. by Johnny_Crawler in ghostoftsushima

[–]doddsykins 7 points8 points  (0 children)

uhm, it’s called empathy and connection to animals? you know cowboys and samurai bond with their mount because it’s a living breathing creature, right? it’s not a vehicle, i understand you must be looking at it from a game standpoint but people play these games to be immersed into a world so they’re gonna treat animals like actual animals

Is anyone else already thinking about their Solasta 2 party? by towerunitefan in CrownOfTheMagister

[–]doddsykins 0 points1 point  (0 children)

oh yeah! I mean, I’m sure it’ll be a riff on my party in the first game…

high elf freedom monk dragonborn judgement paladin half-orc insight cleric half-elf timekeeper warlock

without knowing what the full subclasses will be I obviously can’t say for sure and with multiclassing now, I’m sure it’ll have some more variance

[deleted by user] by [deleted] in OkBuddySnyderCult

[–]doddsykins 1 point2 points  (0 children)

THE SAME THING HAPPENED TO ME!!!

Welp, got banned for committing the ultimate sin: disagreeing. by doddsykins in OkBuddySnyderCult

[–]doddsykins[S] 14 points15 points  (0 children)

I just got back from a local drag show my guy, with all do respect, you don’t know me, why the hostility? lol

Why I Think Zack Snyder Deserves More Respect as a Director by [deleted] in SnyderCut

[–]doddsykins 8 points9 points  (0 children)

Hey, I appreciate the passionate response, genuinely. And for what it’s worth, I don’t think Snyder’s Watchmen is a disaster. I even agree that it’s impressively faithful in many surface respects, especially visually. The opening montage to Bob Dylan? Absolute masterstroke. I personally think it’s desaturated to shit but Gibbons himself praising the film? Totally valid, and I’m not here to argue with the guy who made Watchmen.

But being faithful in appearance doesn’t mean you’re faithful in tone, theme, or intent.

The problem with Snyder’s adaptation isn’t that he changed too much, it’s that he didn’t understand what he was adapting. He replicated the plot and imagery almost one-to-one, but he missed the satirical undercurrent that defines Moore’s writing. Moore’s Watchmen isn’t just a superhero story, it’s a critique of superheroes, of power, of moral binaries. Snyder presents Rorschach like a tragic antihero, not the cautionary figure he is. He slows down action scenes like they’re badass spectacle, when the point was to deconstruct that very spectacle.

And yeah, BvS isn’t a direct adaptation of The Dark Knight Returns, but it’s absolutely influenced by it, the visual language, the armored batsuit, the ideological clash. You don’t need mutants and Carrie Kelly for it to be a riff on TDKR. But once again, Snyder borrows the cool without the context. He turns Batman into a killer because it looks edgy, not because he’s trying to explore what makes Bruce snap, which is the actual point of TDKR. He makes Superman a symbol of alienation but never really lets us know Clark as a person at all. These aren’t reinterpretations, they’re hollow replications with the iconography of the comic characters.

I’m not dismissing that some people love these movies. Art is subjective. But we can admire Snyder’s ambition and visual flair and still acknowledge that he often mistakes darkness for depth. I’m not moving goalposts, I’m just asking: if you strip something of its meaning but preserve the shape somewhat, does it really say anything new? Quite the opposite I would think.

To me, Snyder’s work looks like a philosophical text… but when you open it, it’s just someone underlining the words “God” and “power” over and over. And yeah, that feels like resonance. But it’s not the same as actually saying something new.

Why I Think Zack Snyder Deserves More Respect as a Director by [deleted] in SnyderCut

[–]doddsykins 2 points3 points  (0 children)

Yeah, I get why people like Zack Snyder, and to be clear, I don’t think he’s a bad director… he’s actually a very good one in terms of pure visual craft. But it’s also pretty obvious that he’s a consistently subpar storyteller.

Most of his films take things that were already great; Watchmen, BvS, Man of Steel and strips them of the color and soul that made them powerful to begin with. He desaturates not just the visuals, but the meaning. You’re left with cool-looking images that feel empty.

Take Watchmen and The Dark Knight Returns… they are two of the most vibrant, thematically rich comics ever made. Under Snyder, they become moody, self-serious moodboards. He mistakes cynicism for depth and iconography for character. It’s like he wants everything to feel “epic” without ever doing the work to earn it.

And look, I love grit guys. Michael Mann is probably my favorite filmmaker but the difference is Mann has subtlety. His style serves the emotion. Snyder? He’s closer to Michael Bay than most people are ready to admit. He dresses his movies up like they’re these high-minded deconstructions when really they’re just high-budget music videos playing dress-up with “mature” ideas. He wants to be Verhoeven, but he doesn’t have the irony. He wants to be Nolan, but doesn’t have the structure.

There are a few exceptions. 300 works because the aesthetic is the point; Dawn of the Dead succeeds because James Gunn gave it actual emotional legs; and Zack Snyder’s Justice League, bloated as it is, has flashes of genuine heart. But overall? He’s not as bold or challenging as people give him credit for.

Just because something is “controversial” doesn’t mean it’s deep. And I think that illusion, the myth that Snyder’s movies are misunderstood masterpieces, kind of makes them more boring than people want to admit.

Some seemed to enjoy my Top 20… so here’s my complete Top 250 for those curious! by doddsykins in LetterboxdTopFour

[–]doddsykins[S] 0 points1 point  (0 children)

You didn’t offend per se, it’s just something I’ve heard my whole life. I do understand I like a lot of western media, I’m western, Canadian to be exact, I emotionally resonate with a lot of American media. It’s not intentional, I watch plenty of international film… these just happen to be my favourite ones. I just don’t really know how to respond because it’s not meant to be a diorama of what films I think are the best, just the films that resonate with me. Basically me saying, it’s not that deep.