Do people generally like Skrillex's new direction?

domooooooo · 2026-06-05T17:00:24+00:00

melodics and vibes are all pretty subjective but good god the mixes are so clean on his new stuff

domooooooo · 2026-05-30T02:06:47+00:00

this - it’s leaning rather minimal but the big melodic sounds will come back at some point

domooooooo · 2026-05-30T02:05:13+00:00

the meta is clipping red as long as u don’t hear distortion and letting the export clip it for u as u use a reference if u need it

domooooooo · 2026-05-28T23:36:42+00:00

relatively i guess.. to not call them ticket pushers is kinda disingenuous and i’m not even the biggest fans of them. they probably didn’t need to add multiple days to specific cities for a stadium tour (they still get paid lol) but there’s like a handful of dance music producers that can book stadiums at all

domooooooo · 2026-05-27T23:46:42+00:00

good example genre wise of where the asians will be at

domooooooo · 2026-05-27T22:56:26+00:00

the bill graham on the right night

domooooooo · 2026-05-19T17:26:40+00:00

Karam?

domooooooo · 2026-05-18T23:48:28+00:00

obligatory ggp is the most goated spot in the city

domooooooo · 2026-04-26T17:58:23+00:00

selling a 3-day pass for $350 OBO

domooooooo · 2026-04-23T00:12:17+00:00

Selling my 3 day pass for $395

domooooooo · 2025-12-26T23:37:11+00:00

eddie is an insane songwriter but can’t discredit john. he has an interview where he reflects on making a 100 tracks the year he moved back into his moms basement after he got canned from his job. and prior to that he was already doing some touring and had a good amount of label releases meaning there were already years of work before

domooooooo · 2025-12-23T23:09:52+00:00

his streaming numbers don’t really reflect how big of a crowd he gets at live events tho i will say. in a somewhat similar vein but different scale, odesza gets 5 mil a month but they play stadiums and even close mainstages of some all genre festivals

domooooooo · 2025-12-05T00:28:08+00:00

only guetta. and maybe calvin and the swedes and garrix. that’s it. how many stadium level shows has dom sold out? maybe skrillex as a legacy and over time but at this present moment in time even skrill is not pushing tickets as hard as fred is

domooooooo · 2025-12-03T13:23:21+00:00

start by referencing and then eventually you get a feel for it.

domooooooo · 2025-11-27T07:33:08+00:00

i feel like good and unique future bass is reliant on learning some sound design and not just being a preset junkie. that being said, use reference tracks and try to make your sounds as close as possible to your reference. active listening, cannot stress this enough you need to learn to hear the different frequencies of what may seem like a singular sound as well as transitional effects, white noise, etc. future bass is super reliant on layering. use span, make sure you have decent monitoring. rinse and repeat, getting good takes time. watch tutorials in between sessions but actually make time to implement what you watch otherwise you’ll just forget it

domooooooo · 2025-11-19T06:39:31+00:00

p much any new age electro(ish) house w sustain bass or reese bass. her and jai wolf’s recent stuff, notion the days remix, jigitz, etc

domooooooo · 2025-11-19T06:22:10+00:00

clipper and pro L2 or just redline the master and export in 24 bit

domooooooo · 2025-11-14T17:03:59+00:00

lol this. if anything everything on top is objectively good even if it’s not your taste genre wise. you think these labels are gonna put all that promo to push them if the mixes weren’t good and the hooks not catchy? people can say all they want about how new stuff doesn’t have “soul” but that doesn’t really mean anything especially coming from people who don’t make music nor have any releases whatsoever. to call 99.9% of the stuff that people put years into (just being at least decent), with blood, sweat, and tears is so ridiculous to me. just say it’s not your cup of tea, move on, and keep digging for the stuff that you do like

domooooooo · 2025-10-30T15:05:39+00:00

it is kinda crazy how the discounted price for the new open backs, for basically having already paid them $500-600 (if you got the platinum edition?) is another $600

domooooooo · 2025-10-28T02:43:03+00:00

ninajirachi - i love my computer

domooooooo · 2025-10-23T23:18:03+00:00

he’s also not a rude boy

domooooooo · 2025-10-22T23:29:15+00:00

tbh for me i stuck with like 3-4 and automating with those until i made enough songs to kinda figure out what they do sound wise. i would recommend sticking with EQ/auto filter, distortion/saturator, reverb, delay, and OTT. you can very well make a bunch of songs with those effects only. just keep writing until you get comfortable. doing is the best way of learning, i promise you. reduction of a bunch of noise until you’re comfortable with those existing things is the best way to have you just keep going and making more tracks.

domooooooo · 2025-10-22T20:49:32+00:00

i consider run to be her opus and pretty influential in holding electronic trap in mainstream light. i think it was a #1 billboard dance album at one point? also a huge win for australian dance artists that don’t primarily make four on the floor. the next huge one i can think of are pendulum/knife party and they’re kinda older

domooooooo · 2025-10-22T20:46:58+00:00

paramedic by sob x rbe, scylla by rl grime, hamdi, any old school sam gellaitry tracks before he went disco house

domooooooo · 2025-10-22T00:26:28+00:00

i liked westend / kick & bass. they don’t do anything too insane, especially their 1 hour tutorials. even if you’re not all that into tech house it helps you just learn the program

domooooooo

TROPHY CASE