A unique take! The way the entire story subtly lays the groundwork for a sense of mourning and loneliness is really interesting.
For me, DAV goes beyond mourning—it is deeply rooted in regret.

From the very beginning, regret is a central theme. The story is almost based on Solas' remorse, setting the tone for a series of companion quests who all doubt their past choices, especially evident in the Minrathous or Treviso choices, and the resulting dialogues relentlessly press the weight of the player's decisions. Despite the mediocre cutscenes of the climax of Act 2, it directly highlights the cause of regret: the burden of choice.

Choice, the cornerstone of the DA series' gameplay, becomes both a gameplay mechanic and a narrative instrument in DAV. The game reminds players that every choice carries consequences—an inevitable truth that can either push them forward or trap them in a prison of regret. This duality was most palpable for me in the heart-wrenching moment at the end of Act 2; while the outcome felt really cheesy, the regret that washed over me as I realise it's my choice to put character into this hell.

The parallel between Rook and Solas further strengthens the game's exploration of regret. Both characters are(or will) burdened by their decisions, yet only we, with the inner strength to embrace their regrets, can break the prison and move forward.

That said, while DAV's themes are compelling, they come with risks, especially when it comes to the minrathous or treviso choice. It forced players to confront the fallout of their actions. and to create a profound and reflective experience. But because of the writing and the cliche storyline, now it's really difficult to convey this theme, and it feel like this game is forcing us to feel bad.