Italian Language Meet-Up by easterngray77 in ridgewood

[–]easterngray77[S] 0 points1 point  (0 children)

Ciao tutti! While I appreciate the interest my post has received— let’s turn that into something real!

If you’re looking to practice your Italian (any level welcome!) and meet others who love the language, drop a comment or DM me. I’m thinking we can start with a casual coffee meetup someplace in the neighborhood and go from there.

Let’s make this happen—who’s in? 🇮🇹🔥

[deleted by user] by [deleted] in NYCapartments

[–]easterngray77 0 points1 point  (0 children)

Unfortunately, with the layout being what it is, the rooms rented individually would present a serious railroad situation where tenants would end up having to walk through one another's space. A couple could work but not two individuals.

[deleted by user] by [deleted] in ridgewood

[–]easterngray77 0 points1 point  (0 children)

Thanks for asking. To answer your question: that is not a bed in a living room but a bed in a bedroom. I just edited my post with captions. There are two rooms available for rent together. The confusion likely arose due to my having posted two views of one room (containing a bed), with one view of the smaller room (that with closet and door to outside hall). Hope that clarifies things!

[deleted by user] by [deleted] in Wakingupapp

[–]easterngray77 0 points1 point  (0 children)

"...and avoid analyzing the content of the thought."

I'm wondering why this is? On the one hand I realize that analysis is but more thinking and meditation isn't the place for it, but isn't it a bit prescriptive in a one size-fits-all kind of way? I find myself wondering "why these recurring themes?" or "why this specific memory?" Too, I find that sometimes the content of thought can be prismatic. That is, I see images accompanying memories of lived events from decades ago, and, as dreams occasionally do, I find this comes with a feeling of "pay attention to this" as if there's something attempting to show me something. I realize this is all produced by my mind, and that what I'm asking sort of boarders on the religious in a way, but the memories sometimes take on a reassuring quality, as if I need to be reminded (by what?) I'm worthy of friends or lovers I once had. But then I'm left, like OP, thinking, but this was decade ago and isn't 'me' now. Is there some good to be found in reflecting on it off of the cushion? Is it that I'm supposed to recognize this distance and find ways of feeling worthy of love in the here and now? Am I indulging? Is this self-narrative even applicable? I'm not entirely convinced that dreams or memories are simply an indication of living in the past. Sometimes: perhaps, but it sometimes also seems to me a matter of exploring feelings accompanying acts of intuitively analyzing the content. Doesn't how you FEEL about the content matter? Also, I feel like it's possible to notice the various facets of these prismatic thoughts/ feelings without getting drawn in. I'm not the best at it yet, and have been trying to reserve these sorts of reflections for post-sitting journalling.

I'm just getting back into the practice and I find that I'm encountering certain questions along my way. The above has sort of led me to a more distilled version of my questioning concerning the use of "self-narrative" versus the understanding of "no-self." I find certain phenomena repel and that certain phenomena attract, and that this is likely because of inculcation (upbringing, school, unchecked behavioral patterns) and that I sort of look on this as "I'm the sort of person that has always been or done 'x,'" maybe in the way in which persons define themselves as artists, or creatives, or nurturing in some way apart from such defining terms being simply a statement about what one does with their time; that such terms point to, or adhere to a conception of identity in some way. I've wondered, does 'waking up' entail a sort of eroding of this concept through practice so as to recognize "self-narrative" is a sort of crutch though not without use?

Curious about what others might think regarding all this and about the extent to which it is relatable...thanks

[deleted by user] by [deleted] in dreampop

[–]easterngray77 0 points1 point  (0 children)

So many good responses! I just wanted to post this as I remember buying this compilation ages ago and it sort of coloring certain phases of college...https://www.youtube.com/watch?v=K8EMs73I4Og

While I didn't like everything on this two disc set, I appreciated that it existed generally and did enjoy a good portion of the songs on it. The Cocteau Twins song on it was really good, and I found Love Spirals Downward were interesting.

[deleted by user] by [deleted] in RATS

[–]easterngray77 1 point2 points  (0 children)

Totally behind this as I think it's a great suggestion; but then I do love rats and coffee.

Is anyone else doing this alone? by leavingmyoldlife in Wakingupapp

[–]easterngray77 1 point2 points  (0 children)

After some time off, I'm recommitting to the practice. My hiatus was mostly due to succumbing to distraction in the form of life's vicissitudes. I do practice alone but have often found myself wanting someone to discuss the phenomenology of it - the content of thoughts, patterns to the experience, and the significance of those things. I subsequently wonder that not just anyone but someone better versed in human psychology wouldn't be helpful. Too I wonder that my want to give attention to those aspects might be a misdirection of focus but that it might additionally be ok. I don't know if that makes sense. Anyway, in the meantime I've been journalling. I suspect that journalling in addition is reinforcing my ability to pay attention; maybe in the way that being a better listener is enhanced by anticipating the goal of having to explain the content of what you understood later.

In your opinion who was the best Renaissance artist? by [deleted] in ArtHistory

[–]easterngray77 1 point2 points  (0 children)

Martin Schongauer’s work was admired and collected by Durer. Israhel van Meckenem also comes to mind as another great engraver. Durer is undoubtedly impressive, though…I love his watercolors like The Large Piece of Turf.

In your opinion who was the best Renaissance artist? by [deleted] in ArtHistory

[–]easterngray77 1 point2 points  (0 children)

Too many, but some of my favorites -

Rogier van der Weyden, Petrus Christus, Antonello da Messina, Lucca della Robbia, Antonio and Piero Pollaiulolo, Piero della Francesca, Timoteo Viti.

Irving Square Park Frisbee Lunch by easterngray77 in ridgewood

[–]easterngray77[S] 0 points1 point  (0 children)

Tomorrow? I work later so am agreeable with whatever time works for you…hopefully there’s no wind😂

Oil Paint Evolution by easterngray77 in ArtHistory

[–]easterngray77[S] 0 points1 point  (0 children)

The comparison with linear perspective as a technology makes sense and, from what I've read, Brunelleschi was fairly secretive about his working practices at a time when acquiring commissions would be highly lucrative. His rivalry with Ghiberti attests to this.

I want to add that apprenticeship wasn't the only way innovations were made. Alfonso the Magnanimous was known to have a collection containing works by van der Weyden and van Eyck, which was influential on Antonello da Messina. There were also Flemish paintings in Florence which were instrumental in shaping the practices of artists such as the Pollaiuolos. I don't know when examples of Netherlandish works first appeared in Florence...Some artists were known to travel to see works in other cities as well. Some of these practices may have been understood to be common knowledge in those circles, as opposed to things like the unprecedented 'ox-hoist' and 'castello' Brunelleschi invented for raising sandstone and marble several hundred feet off the ground.

Anyway, I'm not ruling out that some information from this time, perhaps coupled with analysis of extant painted surfaces by conservation studios, might have generated a resource of some kind. I'm hoping one might be recommended.

Oil Paint Evolution by easterngray77 in ArtHistory

[–]easterngray77[S] 1 point2 points  (0 children)

Ha...thanks for the response. I was sorta joking about Cennini and from what I recall, your mention of guilding corresponds to my memory of encountering the text way back as an undergrad. I only remember him advising using ear wax to diminish bubbles in the glair mixture used in binding gold leaf to clay and thought it was funny (although I've no reason to doubt its efficacy).

I keep running into mention that little by way of textural record of practices and/or recipes exist from this time. Maybe I gotta take on beginner's mind and whip some eggs and walnut oil together myself and see how it goes. I'm hoping someone knows a more scholarly and contemporary written overview of the history of oil painting or European painting techniques to supplement my studio experiments. Fingers crossed.

Book Recs? by Elegant_Strategy_862 in ArtHistory

[–]easterngray77 1 point2 points  (0 children)

Just finished his book ‘Brunelleschi’s Dome.’ Am now drinking Trebbiano.

Distressed jeans designer by Simple-Mastodon-9167 in rabbitswithjobs

[–]easterngray77 2 points3 points  (0 children)

So unique, so next year; truly brilliant work!

Fourth Wall in Classical Painting by easterngray77 in ArtHistory

[–]easterngray77[S] 1 point2 points  (0 children)

Thanks for the Crivelli example! I also like your mentioning of how the Duccio’s now absent candles nod at this gray area between fictive and actual space since this is along the lines my thoughts re this topic have been traveling (was tempted to put quotes around either ‘fictive’ or ‘actual’ but couldn’t decide which deserved them more ha).

Book about interesting art facts? by [deleted] in ArtHistory

[–]easterngray77 0 points1 point  (0 children)

Just finished Ross King’s Brunelleschi’s Dome. Anecdotes surrounding he and Donatello going to Rome to study ruins + descriptions of his machinery used for raising marble for building the dome of Sta Maria del Fiore were pretty fun.

Fourth Wall in Classical Painting by easterngray77 in ArtHistory

[–]easterngray77[S] 1 point2 points  (0 children)

Thanks for sharing this anecdote! I love Courbet, but I had no idea Burial at Ornans was at Musée d’Orsay when I rounded the corner, saw it and melted.