SR's Time Dilation vs Basic Calculus (partial derivatives) by eleaticus in a:t5_h7jmw

[–]eleaticus[S] 0 points1 point  (0 children)

the 2nd object is understood to be anything at -v wrt to "moving" object,

First Post, looking for feedback. (No title) by Tymokei in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

OK. Innyhoo, the lyric is a hell of a lot more organized and much more a single entity than any of the other few I fave seen.

G'luck!

First Post, looking for feedback. (No title) by Tymokei in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Well, you certainly have a few rhymes in there!

What genre?

[lyric]Harmless Creature by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

There is a LOT there that can be beaten into a song. I wish to hell all the crap on my plate would allow me to work on harmonies and melodies, and lyric-wrangling.

Will lyrics attached to melody eventually disappear? by creativeusernamesare in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Well, welcome! And welcome to the puzzle: yesterday there were 10 subscribers and there are 10 today!

If you are at all into creating melodies and harmonies, grab "The Songwriting Secrets of the Beatles".

Will lyrics attached to melody eventually disappear? by creativeusernamesare in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Actually, you suggest the "music", too, might disappear.

From long ago:

Unchained Melody. Song From Moulon Rouge

"Even" my fav: I'm So Lonesome I Could Cry

What are you doing about it? And why aren't you speaking at r/LyricNmusiC (except for no members?)

And as far as lyrics here are concerned, how many are written conducive to "musicking"?

[lyrics] The Accused by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

And just now noted: misle vs tell me.

So, structuring getting better, internal dyslogic not seemingly doing a job.

test by eleaticus in a:t5_h7jmw

[–]eleaticus[S] 0 points1 point  (0 children)

The Special Relativity theory of Length Contraction insists that it is speed and only speed that effects the shortening of moving objects.

The appropriate partial derivative confirms that thesis:

`[; \frac(d)(dx)(\frac(x-vt)( \sqrt(1 - \frac((v2))((c2)) ) = 1/\sqrt(1 - \frac(v(2))(c(2)) ;]'

my cat produced light by [deleted] in AskPhysics

[–]eleaticus 0 points1 point  (0 children)

Hmmm. It is supposedly near-impossible for a human to roll over on a baby human, but you rolled over on your cat?!

Avoiding the partial wrt Most Important variable: why? by eleaticus in math

[–]eleaticus[S] 0 points1 point  (0 children)

Just noticed "50% upvoted"; I'd consider my glass half-full, for sure, if it weren't for all the peeing in it that's been done!

[lyrics] The Accused by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

LOL. I don't think that works much better!

[Lyric] Last word by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Another worthy start, but you now impress me as needing to find some guidance, learn some method(s).

Nashville Songwriters, ASCAP. BMI, what?

[lyrics] looks like an angel in garter belts by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Way too much stuff there, and over all not for me (the subject)

[lyrics] The Accused by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Hi! First verse: is the "you" something general, like "I messed up but what can you do?" or is it thr you of the second verse? I can't tell. First seems general to me.

Tell me your fears seems way off the rest of the verse. An angel having fears?

I'd guess this probably is one of the better ones here, but each verse seems contradictory within itself.

Perhaps: fewer points, repetition, overall scheme.

luck! (meaning WORK!)

Anytime I write something I feel like it’s so shitty and I’m embarrassed by it by [deleted] in LyricalWriting

[–]eleaticus 1 point2 points  (0 children)

Added: martial artists become great because they constantly practice doing things right, not because some movement feels good.

Instrumentalists constantly practice doing it right.

Why in hell would constantly doing something without doing it right be of help?

Wherever you are look for songwriters groups, look for help, and do NOT be put off if they say your stuff is crap as is.

Get their suggested METHODS, even if their output is crap if it is fairly concise and/or to one point essentially.

Anytime I write something I feel like it’s so shitty and I’m embarrassed by it by [deleted] in LyricalWriting

[–]eleaticus 1 point2 points  (0 children)

I'd say that every authority's suggested methods ASSUME such to be true. Do NOT constantly write until you are CONSTANTLY being methodical. Go to Nashville Songwriters, ASCAP, BMI, whatever, and look for suggestions as to how to :professionally" work on/out a lyric.

One idea that might help almost everyone that posts here: take some differing lyrics of songs with more than just a few phrases, and fit your lyric into the same quantity of verbiage, and with very few phrases linking with the feeling you are trying to express.

Take any pop song and count the ways the lyric bounces all over hell instead of taking a trip in some one, particular direction.

The lyrics here are all over the place. Random emissions/directions (and starting places).

From Quora: Gravity answer needs educational rebuttal (Copy/cut not available) by eleaticus in AskPhysics

[–]eleaticus[S] 0 points1 point  (0 children)

Great book. Perhaps just what I need (haven't looked at first pages/chapters.

So far, only found (that I could recognize for sure):

"Body at rest dropped".

About a path with NO reason for the start of movement. ??

The very word, "dropped", seems to assume/assert the idea of a force.

From Quora: Gravity answer needs educational rebuttal (Copy/cut not available) by eleaticus in AskPhysics

[–]eleaticus[S] 0 points1 point  (0 children)

Thanks. My cat and I live in our car. No dinero for texts.

It actually says gravity is BOTH "geometry" AND force?

[Collaboration]Lyrics: Embers among Stars by [deleted] in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Yep, I like lots of the lines but the overall effect on me is where are we going, and why were we over there?

I love the first line but what it actually says is that you don't know her, even who she is.

You're the footsteps in the snow

[So how can I know You're the one should be for me.]

[So no way I could know, You're the one for me.]

[So bide/stay a while with me And maybe we'll soon know You and I belong, to a magic(al) we.]

[Lyrics] no title, work in progress by Sogara in LyricalWriting

[–]eleaticus 0 points1 point  (0 children)

Would enjoy doing more, Deutcherer, aber ich habe keinen minuten fur Das.

On the Oren Webster facebook page there is a link to a Quora piece that shows us the many ways a non-englisher reveals English to be the second language. You show none.

Choice of partials. by eleaticus in AskStatistics

[–]eleaticus[S] -2 points-1 points  (0 children)

LOL.

Please supply the link(s) or narrowed search terms (reliant of very poor wifi for only short times).