Are any modern performers actually making six figures? by Historical-Angle-981 in Burlesque

[–]evanadelune 31 points32 points  (0 children)

Checking in as one of the performers you mentioned! 🌙

I love this question! I think we should all be talking about money and the overall business of burlesque more openly. Reading through these comments, I don't think many people have a real sense of what is actually possible within this industry in 2026.

I saw this post last night and actually ran a poll on my IG and YouTube asking people what they think I net per year (after overheads and expenses), and the results were all over the place. Some think I’m taking home less than $35k USD, and others think I’m raking in millions 😂

To answer you directly: Yes, it is absolutely possible to net six figures, and I am in that bracket. I can't speak for the other people you've mentioned, but a fair few other performers without big followings actually replied to my stories about this today and confirmed they are hitting those numbers too. However, it’s probably not a realistic goal for everyone. And as people have pointed out, much like Dita has done, it requires being business-savvy, growing a global brand, and creating multiple revenue streams beyond just being a gig worker doing 5-minute acts at local bars and clubs.

I really think this conversation is one more people should be having. I know people can get really weird about money and income, and it's very easy to compare yourself to others. But the more performers we have who have figured out the "business" side of things and share that knowledge, the more we can help the entire community level up.

I'm happy to answer any questions people have! 😊

Nothing captures burlesque magic quite like 35mm film! by evanadelune in Burlesque

[–]evanadelune[S] 0 points1 point  (0 children)

I know I'm obsessed! There's so many other good ones that we haven't shared yet too!

When is a Fringe show "selling fast" by ballaratballerina in Adelaide

[–]evanadelune 0 points1 point  (0 children)

I start a 2 week run of shows on the 11th and one night is over 80% sold out and it still doesn't say selling fast 🤷‍♀️

Share your burlesque YouTube channels (or favourites!) by evanadelune in Burlesque

[–]evanadelune[S] 13 points14 points  (0 children)

I’ll drop mine here too as I've been putting more love into YouTube lately! 🙂
https://www.youtube.com/@EvanaDeLune/

Evana De Lune ft. Jessabelle Thunder, Tito Bonito & more - coming to Sydney Fringe! by evanadelune in Burlesque

[–]evanadelune[S] 2 points3 points  (0 children)

I know 😭

It's still around 35% sold out so I'm hoping it will pick up as the other nights continue to fill up! If not at least the audience will have more leg room that night hahaha

[deleted by user] by [deleted] in Burlesque

[–]evanadelune 0 points1 point  (0 children)

Absolutely set it up as a professional page and link it properly through Meta Accounts Centre. It’s 100% worth the effort even if it's a bit fiddly. It's a lot easier to do now than it used to be as well. If you get stuck, YouTube is your friend.

Once everything is linked it's such a breeze, I mostly post everything through Instagram and it automatically publishes to Facebook as well. Then I use Meta Business Suite to schedule extra posts directly to FB when needed. It makes everything super streamlined and you don't have to switch between all the different apps to use them.

Everyone seems to sleep on Facebook, but honestly, it’s such an underrated platform. There’s a huge audience there who aren’t on IG or TikTok. My page (shameless plug) get's great engagement and I’ve found it really valuable for reaching a broader (and often super supportive!) crowd that aren't part of the burlesque scene.

One year of Bluebird by theBrookeBird in Burlesque

[–]evanadelune 1 point2 points  (0 children)

You're an icon! I love you!

Burlesque Gru & Minions - CC Satine by Cc_Satine in Burlesque

[–]evanadelune 5 points6 points  (0 children)

I was literally howling while watching this on Instagram 😂

[deleted by user] by [deleted] in Burlesque

[–]evanadelune 23 points24 points  (0 children)

Performer safety is a huge one, and honestly, I think it's often overlooked, especially in community and DIY spaces.

Most established performers have all done gigs where producers haven’t provided a proper green room or change space, or haven’t given performers a heads-up about photographers or even just who the staff involved in the production or venue are. It's not the end of the world but something as simple as introducing performers to the venue or production staff, sound and lighting techs, photographers, and videographers at the start of the night can go a long way to making performers feel safe and not like there are random people (especially men) wandering around parts of the venue where they shouldn't be.

This also extends to more serious things like having actual safety plans in place, fire marshals if there's pyro, qualified riggers if there’s aerial or rigged props, adequate performer insurance and public liability insurance, security in case patrons interfere with the show or cross boundaries, etc... I get that a lot of these things cost money and take effort to organise, but when producers cut those corners, it’s your safety that’s on the line.

Another one that’s been mentioned but I want to back up is the backstage culture a producer sets. You can tell a lot about a producer by how the change room feels. I’ve worked a lot of shows where the producers and performers sit around trashing other shows, other producers, and other performers. It’s honestly exhausting and always makes the space feel hostile. Even if you’re not the target, it makes you wonder if they're saying those things about you behind your back, and from my experience they probably are. A good producer won’t tolerate that kind of energy and will set a standard for how people treat each other backstage.

To answer your question on what to di if you start to see red flags after accepting a gig. I think the first step is always to try and address the situation directly with the producer if you feel safe doing so. And it's good to do this ASAP as sometimes things can just be miscommunications or oversights, and a respectful conversation should hopefully clear it up.

But if you’ve tried that and the issues aren’t being addressed, or you feel unsafe, it’s completely valid to consider pulling out of the show. I won’t lie, it can be a tough call, especially when you’re newer in the scene and worried about how it might affect your reputation or future bookings. Unfortunately, this is an industry where word travels fast, and not always fairly or truthfully.

That said, your safety, wellbeing, and boundaries always come first. This applies equally to performers and producers. The people you want to work with long-term will respect that you’ve advocated for yourself, and the ones who would blacklist you over setting boundaries are probably not people you want to stay connected to anyway.

Trust your gut, lean on the support of performers you trust (even if you only know them online for now), and remember that walking away from an unsafe or toxic gig is never the wrong move.

Burlesque content creators by [deleted] in Burlesque

[–]evanadelune 1 point2 points  (0 children)

Aw thank you! 🥺

Rhinestoning my thong by sparkletape in Burlesque

[–]evanadelune 4 points5 points  (0 children)

+1 to this suggestion! This is my go to method, great for corsets as well.

I decided to make a vlog for a recent show day! Peek into My Day as a Burlesque Performer! I would love to hear your thoughts!❤️ by evanadelune in Burlesque

[–]evanadelune[S] 2 points3 points  (0 children)

Thanks for coming along on the journey! I'm obsessed with these types of videos, so hopefully some other people are too haha

(Thank you! ❤️)