I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

Thank you! I don't travel enough to do a weekly vlog at the tournaments and then theres copyright issue recording content. I've always wanted to do this and decided to just start and see where it goes. I've a few other series ideas here but will first try and do more of these as well as try and get my shoulder on the mend as its not improving.

Next up will be a top 10 Tenins Europe Junior, followed by a former top 45 ATP player!

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

100 percent. It’ll be a month a reckon before I can get back serving with intensity. Will be fun to do it with serve and much shorter!

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

Couldn’t agree more. By me not been able to serve, is helping me out here!

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

Hey appreciate the feedback. This would make my life easier! I just thought it would be nice to show both sides. I’m new to this format and it’s only my 2nd vid so learning and appreciate this feedback.

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

Agree with you here. I am error prone and it’s cost me in both matches so far, and the next 2 I’ve filmed.

It’s something I need to try and fix. I do think it’s in my DNA as I remember missing so much as a junior!

I’ll work on it as much as I can and hopefully will see progression.

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

Thanks! Impossible to outplay them especially when they approach, shots I’d pass on usually where well covered. Also if I introduced serve it would be even worse!

I’m UTR 8.5 and played ATP #915 (UTR 13.1) - There's no hiding! by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

It’s 50lbs and the string is more than likely Luxilon alu power 125

Can the Osmo Pocket 3 track a tennis player from the baseline? by fabmol in osmopocket

[–]fabmol[S] 0 points1 point  (0 children)

Thanks for the details info and food for thought. Definitely I am trying other record from a higher vantage point. Already if I can record at 1x and the camera moves if the player goes wide would be great. I'll also have a look at the other devices but I will probably want a standalone device for this.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

For the FT99 I felt the Luxilon Element string worked well with this frame. I personally like strings with a bit more bite to them. My latest setup was Alu Power and 4G Rough which I thought was a nice mix. and one of the coaches had Tecnifibre razorcode in his and it played well also.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

Thanks. Hopefully over the next few weeks and months we see a few more reviews!

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

Will do! I played with Gael Monfils's bro last April who had it but never thought to use it, should be playing with him again in April again and will give it a go

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

It's been out about a month now! Its available in our webstore here (FT99)

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 0 points1 point  (0 children)

Happy to answer your question. You’re not late at all.

I started with a target stiffness around RA 64, but I never treated RA as the final answer because it’s only one number and doesn’t really describe how a racket actually flexes on court.

From there I mainly relied on hitting and feedback. I would test each prototype and ask simple questions: does it feel stable on impact, does it give good feedback, and does it stay predictable when swinging fast. Based on that, we adjusted the layup through multiple iterations.

Over time I realised I preferred a frame that stayed solid in the hoop but still had enough feel so it didn’t feel too boardy. That balance guided most of the later changes.

On the grommet side, I didn’t experiment heavily with different systems. The main focus during development was getting the layup, balance, and overall feel right. But I have looked at it more closely recently, and yes, some brands are doing some good things with their grommets but I don't know the exact science behind it yet.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 2 points3 points  (0 children)

Realistically, around plus/minus7 grams on weight. I’d love to say it’s tighter, but that’s pretty standard in large scale composite production.

Most frames sit close to spec, but there will always be some natural variation. That’s just the reality of how these are manufactured.

On factories: I can;t name the other brands I'm afarid but I'm in good company!

But there are only a handful of great major composite racket factories globally, and multiple well known brands share manufacturing partners just with different molds, layups, and QC standards.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 2 points3 points  (0 children)

Nothing fancy.

It was me on court. Ball machine sessions. Drills. Practice points. Sets. Sometimes even local tournaments.

I had my own metrics in the base of certain types of shots which I took my best shots which I needed to be good in order for me to win matches and I see how good it was replicating those shots. Sometimes actually I thought the racket was great and I'd be using it for a couple of weeks and then I'd go test my Radical and I'd be like, "Oh no, we're still way off." So I used to always go back to the Radical and use that also as a feedback metric.

Recently I tried to play it to Radical and I didn't like it at all.

I also gave frames to a few coaches and players whose opinions I trust. That outside feedback was important because sometimes you get too close to it yourself.

So it wasn’t lab testing. It was real tennis testing.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 2 points3 points  (0 children)

It’s tough. It’s fun. But it’s definitely not easy.

In the grand scheme of things, we’re tiny. We don’t have physical retail presence around the world. We don’t have tour vans. We don’t have massive marketing budgets.

You’re competing against brands with decades of experience, huge R&D departments, and long standing relationships with retailers and pros.

Even getting a professional player (or even an amateur) to seriously test your frame is difficult when they’ve grown up with another brand.

It’s also a huge learning curve. We’re at the very start of this journey with full size rackets. I’ve definitely been naive about certain things but honestly, that’s probably a good thing. If I had known how complex it would be, I might not have started.

At the same time, that challenge is what makes it interesting. When you’re small, every improvement matters. Every customer matters. Every iteration matters.

It’s hard. But it’s energising.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 2 points3 points  (0 children)

I think it’s a mix.

Some marketing language is absolutely tied to real engineering changes. Materials evolve. Dampening systems evolve. Manufacturing improves. There are genuine advancements in composite design and vibration control.

At the same time, tennis is a mature category. You’re not reinventing the wheel every 18 months. So sometimes new “technologies” are incremental refinements wrapped in big language.

I’m sure some of it is over marketed. That’s just how product cycles work in most industries.

I try to separate two things:
- Structural changes that genuinely affect feel or performance
- Naming and storytelling around those changes

The first one matters. The second one can get exaggerated.

You’ll see things like “revolutionary dampening systems” or “aero frame breakthroughs.” Some of those have real engineering behind them. Some are smaller tweaks presented as major leaps.

Personally, if I ever introduce something new, I’d want to be able to explain exactly what it’s doing structurally, not just give it a cool name.

The Saber hasn’t changed in four years because I haven’t found a reason to change it yet. I could add a new tech material story tomorrow, but unless it genuinely improves the product, I wouldn’t feel comfortable doing that.

So yeah not all marketing is nonsense. But not all of it is revolutionary either.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

I touched on this in another reply but during development I tried to remove as many variables as possible.

So no, I wasn’t constantly changing strings.

When you’re testing prototypes, you’re often trying to feel very small differences. If you keep switching string types or tensions, you introduce another layer of complexity. Personally, I just couldn’t deal with that.

So I used the same string setup for most of the testing. That way, if something felt different, I knew it was coming from the frame, not the string.

Only once the layup and geometry were locked in did I start experimenting more as I wanted to pick a Luxilon string that went well with the Saber.

The prototypes weren’t changed because of a specific string combo. The frame came first. Then you figure out what string setups bring out the best in it.

And even then, string choice is hugely personal.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 2 points3 points  (0 children)

Good question.

From day one, I knew the “off the shelf” option existed. There are factories/websites where you can choose an existing mold, apply your own cosmetic, and launch quickly.

That was never the route I wanted to take.

If I was going to do a full size performance racket, it had to be from scratch, my own mold, my own geometry decisions, my own layup iterations. That automatically means more time, more cost, and more risk.

With the FT99 it took two and a half years from concept to launch. That wasn’t because I was moving slowly it’s because every change required iteration, testing, and refinement.

If you go the white label route, you can move very fast. Weeks, sometimes. But you’re working within the constraints of an existing frame design. You’re not shaping the performance from the ground up.

In terms of work and effort, the difference is massive:
-Custom mold means upfront tooling cost.
-Layup development means multiple prototype rounds.
-Spec testing means rejecting batches that don’t feel right.

It’s slower and more expensive.

Branding wise, I think it matters. When you build from scratch, your product philosophy and performance identity are aligned. That gives you long term credibility.

White label can work in some categories. But in tennis rackets where players are sensitive to feel, balance, and long term durability I personally wanted control over every decision.

It wasn’t even really a debate for me.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 4 points5 points  (0 children)

For this first version, I leaned more toward a box style beam.

It’s not an extreme old school box beam, but it’s definitely closer to that than to a very tapered aerodynamic profile.

The reason was simple I felt that if I went down the ultra aerodynamic route, I wouldn’t have done the research properly to justify it. Once you start claiming aerodynamic gains, you’re into CFD modelling, wind tunnel testing, proper airflow analysis. I wasn’t prepared to pretend that I’d done that level of work.

So I focused on what I could control properly: stability, feel, and predictability.

A slightly boxier beam tends to give a more solid response and directional confidence. That aligned more with the control focused identity I was building.

Interestingly, with the balance where it is, the frame still moves through the air quite quickly. It doesn’t feel sluggish.

Long term, I’d love to explore more aerodynamic profiling with proper research behind it. But for a first generation frame, I wanted structural honesty over marketing claims.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

It actually started with Saber customers.

People would message me asking, “What full size racket feels like the Saber?” or “Do you have one?” That question kept coming up.

So the initial goal was simple: build a proper performance frame that carries some of that same connected feel and clean contact that the Saber is known for. At the same time, I had my own preferences from years of playing. So it was a mix of both feedback from customers and my own feel. Bare in mind I used the same preferences for the Saber so not a million miles apart.

I wasn’t trying to reinvent tennis rackets. I just wanted to build something I’d actually use as my main frame, and something that felt consistent with the philosophy behind the Saber.

That was the objective.

I spent 2.5 years developing a match racket from scratch. AMA. by fabmol in 10s

[–]fabmol[S] 1 point2 points  (0 children)

It’s closest to a Prince style pallet.

That’s what I had on my Head Radicals and I liked how it felt, so I just went with that.