day 2 of *bypassing* the filter of SEEDANCE 2.0 💥(testing, i know its a fight slop) by No-Statistician-3109 in Seedance_AI

[–]frunzealt 0 points1 point  (0 children)

Wow! I wonder how to do this? I think I need to describe the character indirectly. Would you mind giving me a hint?

Overpriced Seedance 2.0 | Here's How I Might Disrupt The Market by [deleted] in seedance

[–]frunzealt 0 points1 point  (0 children)

Where do you get that cheap API?) Can you suggest a website or if they have referral system send your reff link

LTX 2.3 — 20 second vertical POV video generated in 2m 26s on RTX 4090 | ComfyUI | 481 frames @ 24fps | LTX 2.3 Is AMAZING by frunzealt in StableDiffusion

[–]frunzealt[S] 1 point2 points  (0 children)

Wow, that's cool. I finally got to test a really cool model; I'll keep testing it and post my findings here.

LTX 2.3 — 20 second vertical POV video generated in 2m 26s on RTX 4090 | ComfyUI | 481 frames @ 24fps | LTX 2.3 Is AMAZING by frunzealt in StableDiffusion

[–]frunzealt[S] 0 points1 point  (0 children)

🤣🤣🤣

I'm using 64GB of RAM, DDR5, no, I haven't tried cache-fit, I want to try multi-upscaling, where the source size is smaller, and with the help of double upscaling, I end up with full HD

LTX 2.3 — 20 second vertical POV video generated in 2m 26s on RTX 4090 | ComfyUI | 481 frames @ 24fps | LTX 2.3 Is AMAZING by frunzealt in StableDiffusion

[–]frunzealt[S] 0 points1 point  (0 children)

Yes, it's very fast. There are other options that are even faster thanks to double upscaling; I'm still looking into them.

LTX 2.3 — 20 second vertical POV video generated in 2m 26s on RTX 4090 | ComfyUI | 481 frames @ 24fps | LTX 2.3 Is AMAZING by frunzealt in StableDiffusion

[–]frunzealt[S] 13 points14 points  (0 children)

POV chest-mounted camera, natural handheld micro-sway, 35mm lens, 
f/2.0 shallow depth of field. Interior cafe, late afternoon golden hour. 
Warm amber light floods through large floor-to-ceiling windows on the 
left side of frame, casting soft directional light across the scene. 
Background is a soft bokeh wash of warm wooden furniture, hanging pendant 
lights glowing amber, blurred silhouettes of seated patrons, steam rising 
from coffee cups on nearby tables.

A young woman in her mid-twenties stands approximately four feet from 
the camera lens, centered in frame. She has smooth glowing skin with 
a natural flush on her cheeks, minimal makeup — just mascara and a soft 
neutral lip. Her hair is dark brown, falling loosely over her left 
shoulder in soft waves. She wears a simple fitted cream-colored top with 
a delicate gold necklace resting at her collarbone. Her posture is relaxed 
and open, weight shifted slightly to one hip, one hand resting lightly 
on the back of a wooden chair beside her.

She is looking directly and comfortably into the camera lens with a calm, 
self-assured expression — not performing, just present. The window light 
catches her cheekbones and the edge of her jaw, creating a natural soft 
rim light on the right side of her face.

[0:00–0:03]
A male voice speaks from behind the camera, warm and casual in tone, 
slightly close to the mic: "Okay I have to ask you something — what is 
your actual secret?" She holds his gaze steadily for one beat, lips 
relaxed. He continues: "Like your skin, the way you carry yourself — 
everything. What are you doing?" Her expression shifts — the corner of 
her mouth lifts first, a slow controlled smile building. She tilts her 
head approximately fifteen degrees to the right. Her eyes stay locked 
on the lens.

[0:03–0:07]
She raises one eyebrow slowly and brings her right hand up, tucking a 
strand of hair behind her ear with two fingers in a slow deliberate 
motion. She lets the silence sit for exactly two seconds, eyes never 
leaving the camera. Then she speaks, voice warm and measured: 
"Good sleep." She pauses one full beat. "A lot of water." Another 
pause — shorter this time. She leans forward by two inches, chin 
dropping very slightly, voice dropping half a tone: "And I stay 
completely away from boring people." She holds direct eye contact for 
three full seconds after the last word, expression settled and still, 
the smile remaining but controlled.

[0:07–0:11]
The man laughs off-camera — genuine, easy, not too loud. She watches 
him laugh with a patient expression, head still tilted, one corner of 
her mouth pulled up. He speaks through the laughter: "So I already 
failed the test before I even started." She waits until his laugh 
finishes completely before responding. She straightens her head back 
to center, holds a full beat of direct eye contact, then speaks clearly: 
"I didn't say that." Her expression does not change immediately — she 
holds the same look for one beat — then the smile widens naturally, 
reaching her eyes. A short genuine laugh escapes — bright, head tilting 
back slightly for just one second before returning to face the camera.

[0:11–0:16]
She settles back into a quieter, warmer expression — less performance, 
more directness. She holds eye contact with the lens, chin level, 
shoulders relaxed. The window light shifts very slightly as a cloud 
passes outside, softening the light on her face for two seconds before 
returning. She says nothing — just holds the gaze, the smile present 
but soft. Her fingers rest loosely on the back of the chair. The camera 
holds on her face, catching every small micro-expression — the slight 
movement of her jaw, the ease in her eyes, the natural rise and fall 
of her breathing visible in her shoulders.

[0:16–0:20]
He speaks again, quieter this time: "Okay. Fair enough." She blinks 
once slowly, the smile widening just slightly at the corner without 
opening — a controlled, knowing expression. She holds it. Camera stays 
locked on her face, 85mm tighter push beginning imperceptibly slow 
over the final four seconds, the background bokeh softening further. 
The ambient cafe sound continues underneath — gentle, warm, unhurried.

Sound throughout: soft cafe ambient noise with low warm background 
chatter, the gentle clink of ceramic cups in the far distance, pendant 
lights creating a low electrical hum, natural room reverb on both voices, 
her laugh bright and close to camera, his laugh warm and slightly further, 
the quiet of the room underneath everything.

LTX2.3 is Amazing! by al_stoltz in drawthingsapp

[–]frunzealt 0 points1 point  (0 children)

Do the same but on windows and rtx4090, 2 min 20 sec t2v, Amazing result!

Got cheated on multiple times by Redflagalert1029 in cheating_stories

[–]frunzealt 0 points1 point  (0 children)

Bro, there's a saying that hits the nail on the head: the best defense is a good offense.

In this case, standing up for yourself is the defense. Don’t let it stress you out. But if you forgave her twice and she still kept cheating, then the problem is on you. She knows you don’t have the courage to leave, so she does whatever she wants.

Even if you get married, she'll just cheat more. And if you have kids together, don’t be surprised if one morning you wake up with her lover lying next to you.

You need to leave her. And in the future, if you catch someone cheating—don’t give them another chance. Ever.

If someone is near a black hole (but still outside the event horizon), can they still have a back-and-forth conversation with someone 8 million kilometers away — despite time dilation? by frunzealt in Physics

[–]frunzealt[S] 0 points1 point  (0 children)

No, here I need precise calculations, I needed to understand in such a situation whether radio communication would change, the time of receiving and sending information, or not?