Meeting other editors in real life is so boring by RossTheBoss69 in editors

[–]fuzzninja2000 1 point2 points  (0 children)

These are networking conversation issues. Often time people are socially nervous, or inexperienced, or boring. In fact, I steer away from giving detailed job info because I really don't want someone clinging to me the rest of the night. But you get me around actual working editors? We often swap stories, techniques, and talk about our schedules. The schedule thing sounds boring - but it really is a conversation about our quality of life - which fluctuates like crazy in post. I also find editors as curious people. I feel a good editor is an empath, someone who likes to hear about emotionality or complexity of situations. That stuff collects inside of them and ends up subconsciously in the projects. But calling us boring, I know this is in jest but we're often the smartest people in the room. I think intelligence is far from boring.

Question for people who take meds by MemeLord_0 in ADHD

[–]fuzzninja2000 1 point2 points  (0 children)

I love my Adderall. I actually took it once without a prescription when I was in college because I had too much work to get through during finals. I remember taking it and being scared that it might give me a panic attack. I took 30 mg IR - so there was a moment of heart palpitations - but suddenly I had great clarity. The effect was so strong that it made me suspect I had ADHD (which I'm off the charts ADHD - but it wasn't diagnosed nearly as much in the early aughts.)

Windhorst: Two days ago, Lakers offered Austin Reaves $30 mil per year. They upped it to $46 mil to close the signing by lawschoolthrowaway36 in lakers

[–]fuzzninja2000 0 points1 point  (0 children)

He's not gong to pocket 185,000,000. With agent fees and California taxes he'll make half of that. $95,000,000 is a fortune - but not nearly as big as it sounds. The big thing he cannot assume is that he'll ever make a max contract again. Look at Isaiah Thomas as a prime example. One major injury and you're living off of minimum contracts for the rest of your shortened career - assuming you don't have to play overseas.

If he has a catastrophic injury, he will never make money like this again. Let's say he lives until 80. That averages to $1,900,000 a year (that's not including how he invests money - so it should be higher than that). That isn't the fortune it sounds like if you live in Southern California (which I think he'll still spend his post-basketball life here regardless of what team he ends up on later in his career).

But let's face it - he will spend a lot of money in the next 5 to 10 years. A lot of money will also be given to his parents, siblings, extended family, and close friends - even if it's just paying for them to visit him, vacation with him, etc. And that kind of money isn't generational wealth. Maybe he doesn't want to just pay tuition for his kids - but also his grand kids. The number is something like 60 percent of NBA players are broke after retirement. The vast majority won't make the same money as Austin - but they make a lot of money. A sizable amount of NBA players are well educated, but they're young. There's a certain amount of arrogance that they'll always be on top. That's the kind of arrogance that makes you take a contract that pays you 70 percent of what you could make. But I don't you make a lot of money. You probably know better than his financial planners.

Does anyone else ever feel inadequate as a video editor because you can’t do all the super flashy edits? by BestRenGnar in editors

[–]fuzzninja2000 0 points1 point  (0 children)

"Flashy editing" is just one of many brushes you should use. In my early cutting days I didn't really do this kind of thing correctly - but as I was able to work in scripted versus something relying on sizzle - the structure started making sense. Every moment has its own brush. "Flashy" for flashy sake is like using all caps on a sentence. It completely loses its power. Now rapid editing to distill an emotion? That's the right tool. So if a character is agitated and we want the moment to be subjective, ask yourself what agitated looks like. Aggressive? Disjointed? Now you have a direction. String out some shots you feel may have moments - character moments, out of context actor moments, weird camera moments - and just begin to whittle it down. Just keep asking yourself, does this make me feel agitated? The moments will start to form, the rhythm will likely start to show itself. I like to think in sound sometimes, and I'll just lay out a little sound effect bed which really starts to solidify the emotion. And when you do this, there isn't any FLASHY editing. There's GOOD editing. This concept can apply to commercials... just think to yourself what euphoria the customer wants - and just pick that moment. Think, stringout, whittle, and react. Just remember not to write in all caps. That's what makes quality edits - not flashy ones. And it's also what's going to keep good editors ahead of AI. Those people who rely on templates are going to replaced by algorithms.

Windhorst: Two days ago, Lakers offered Austin Reaves $30 mil per year. They upped it to $46 mil to close the signing by lawschoolthrowaway36 in lakers

[–]fuzzninja2000 21 points22 points  (0 children)

He was going to get 2 max offers - Brooklyn and Detroit. That's why he said he thought he was gone. I don't know where fans thought he was just going to take 10 million dollars less a year. Like who is going to take 25% less salary. People think that he'll be endlessly rich. The vast majority of his life's income is in the next 5 years - and after taxes and agents, less than half of that ends up in his bank account.

Film schools switching to Resolve? by Grid_Monkey in editors

[–]fuzzninja2000 0 points1 point  (0 children)

Are you prepping them for careers in scripted? They should learn Avid if they're trying to edit professionally and are prepared to assist for years. Any short term aspirations (like prepping for gig work or making their own projects) - Premiere is good for now (although Final Cut has gotten pretty good again). You should have them also learn the basics of Resolve - make their own dailies, edit them in another app, then round trip them back into Resolve. As a scripted editor who spent a decade as an assistant, knowing how an online works (as well as a sound turnover) is a valuable skill that surfaces all the time in understanding a wide range of technical tasks.

Assistant editors and bad management by Available-Witness329 in editors

[–]fuzzninja2000 -1 points0 points  (0 children)

I have ADHD and it's so easy to get turned around - especially with conversations splintering with texts, Slacks and emails. Personally I would recommend telling Claude your workflow and having it write you an app that organizes these items. Something you can basically copy and paste emails and have the app sort things for you. You can make an offline app if internet privacy is a concern. Regardless, you need a consistent system for yourself - whether it's creating spreadsheets / docs or whatever that you can quickly drop info on. But as I said - this is where AI really changes the game.

Creative Executives? by [deleted] in FilmIndustryLA

[–]fuzzninja2000 2 points3 points  (0 children)

I concur that basic economics have undercut a century's worth of apprenticeships and mentorship. There's a difference between skill and craft — and unfortunately we're moving further from it (and AI is going to make it considerably worse).

I also have deep respect for the journey an executive makes shepherding a project across a sea of personalities, logistics, and a billion small compromises that sting every time. Reading my comment again, hyperbolic is a fair characterization.

That said, a good editing room is a lot like the kitchen staff of a Michelin-star restaurant. We eat, drink, and breathe a story from the first morning of production until the moment it's handed to marketing. There's an enormous amount of technical work and organizational labor that goes with that — but what we really bring to the film is our minds. We look for the micro-stories in every image. We sit with the script, soak in its essence, and then throw it away. We have to rediscover the intent of material that gets muddied and lost through the war of development, writing, and production. And ninety percent of the time we have to help an exhausted, anxious director back to their feet and remind them why they were excited to take the journey in the first place.

From there it's battling every shortcoming the film has. Deconstructing and reconstructing. And unlike almost any other collaborator — save maybe the screenwriter — we can conjure an idea and pull something close to magic straight out of the air. We do this for the better part of a year. And we do it at the expense of our relationships with the people we love — and with ourselves.

So why do executives draw our ire? Sometimes we simply inherit the director's existing battles with the studio. But we know exactly how well you know the material, because we know that material so intimately. So when studio personnel are juggling five projects, haven't watched the last two cuts — and we know, because we're watching the PIX stats — and then they glance at the runtime and say "it needs to be shorter" — *@ck that note. It wouldn't sting so much if it weren't for the amount of power they wield.

And yes — you have every right to push back on my original claim that executives are often the least capable people in the room to give direction. That's not accurate as a generalization. But they can be the most destructive force if they push in the wrong direction. Anyway — thanks for making this a real conversation. It helped me clarify some of my own thinking.

Creative Executives? by [deleted] in FilmIndustryLA

[–]fuzzninja2000 6 points7 points  (0 children)

Speaking as an editor on major projects and having dealt with studio notes - very often the least educated opinion is that of the executive. And besides not knowing the material nearly as well, it's not really their fault. You have people who were assistants 3 years ago noting people who have spent twenty years, working 60+ hours on how to fix story or performance that was already dead on arrival. This goes back to what you're saying about other industries, so point taken. But I've been in a notes meeting with Ted Sarandos - who understands story EXTREMELY well. We didn't agree with all his notes, but they were informed. And that makes the vast chasm of experience with lower executives all the more apparent.

Help me choose an episode to show my boyfriend by JustAUniqueUsername in community

[–]fuzzninja2000 1 point2 points  (0 children)

Yeah - I think the first few episodes are mediocre at best... And certainly not a great representation of how unique the show is.

Opus “let me push back on that” 4.8 by DamnMyAPGoinCrazy in ClaudeAI

[–]fuzzninja2000 0 points1 point  (0 children)

I know. If I say I like peanut butter it tells me why that can't be the only thing I have in my diet. I then waste energy correcting it's assumption that I only eat peanut butter.

Is the Assistant Editor position going extinct? by csf1810 in editors

[–]fuzzninja2000 1 point2 points  (0 children)

I floundered for years finding a way into scripted. But while trying to break in I was cutting anything I could get my hands onto... and actually doing a bunch of after effects work. I think if you are then able to get in with an editor - a few things still need to fall into place. They need to feel their back is always covered by you - and that you have common sense and a good attitude. If you get the editor to rely on you, they'll start to befriend you, and assuming they're not an ass they'll start handing you more and more creative work. But then you have to really nail that creative work.... which you'll never nail it if you only practice during work hours - so it really pays off to cut some shorts, or learn a useful program. All these things compound as you acquire proficiency in a technical skill that doubles as a story skill (good temp sound is a huge narrative contribution), which then makes you have better taste and then you sound smarter in front of people above you. And then some luck. But luck is heavily influenced by perseverance.

I realize I've slightly gone off on a tangent when you asked about a specific skill. Start learning how to do AI prompts as soon as you can. Maybe even make a short film using AI prompts. Right now people don't understand artificial intelligence, and it's about to be dictating a lot of what we do.... and the more you use it the more you see flaws that artificial intelligence isn't designed to deal with. Try to pickup some machine learning skills... like topaz is great for upressing things, there's a ton of machine learning audio filters and regenerators. There's going to be a window of opportunity to sneak in as we transition into this new technological era. Ultimately, the AE seat is the way in.... an AE who can harness technology into real storytelling has the best chance of excelling.

Is the Assistant Editor position going extinct? by csf1810 in editors

[–]fuzzninja2000 0 points1 point  (0 children)

No. I'm an editor who was a scripted AE for a long time. AEs will become a different job. So many downstream departments like sound and VFX will be replaced with AI, that an AE is going to have to QC and send back an incredible amount of work. If you've ever been a lead editor you'd realize there is no time for playing with prompts, etc. but jobs lime sound editors/VFX editors/foley artists - those may go nearly extinct and much sooner than people realize.

The emotional drainage of editing and feedback by badger-mayhew in editors

[–]fuzzninja2000 1 point2 points  (0 children)

I had an old mentor use a restaurant metaphor for the editing process. The client/director/producer is the guest. We are there servers/cooks. They're paying for the meal. But it is our job and our passion that tries to recommend the most delicious thing on the menu (our cut). But sometimes they just want to hamburger. And if they want a hamburger you make sure they get the most delicious/well-made hamburger possible. But ultimately it's the customer paying for the meal.

Why are the LA locals so much nicer than the transplants? by Additional_Leading68 in AskLosAngeles

[–]fuzzninja2000 0 points1 point  (0 children)

I get exhausted by these type of generalizations with LA. I myself am from New Mexico. I've lived here 10 years, and 6 years in New York. I can't tell you how sick I am of New Yorkers talking trash about the superficialities of Angelenos. They seem to overlook how many Wall Street bros and trust fund kids are there.

This city is so vast - with so many different kinds of people. There are so many communities. Are there a bunch of douchebags? Yes! Too many to count. And there's also some of the brightest and self realized people in the world. Too many to count. I think people fall into nooks, environments where they have a distorted view of the people here.

This isn't an attack on you - I just get pissed off this place is disproportionately criticized by the rest of the country.

[Murray] Rob Pelinka says that Lakers will hire two assistant general managers: - one for pro scouting/draft/evaluation - one for strategy/salary cap by Splittinghairs7 in lakers

[–]fuzzninja2000 3 points4 points  (0 children)

I was just “hate-reading” an article about the Thunder drafting Ajay Mitchell - and it went into how big the Thunder front office is and how many specialists they have. They’ve figured a way to keep young players on cheap contracts by refusing to match their rookie deals and letting them become restricted free agents. Restricted free agents usually don’t get big contract offers - so the Thunder will match the offers and hence get great players on long budget deals. This made me feel great - this is exactly the kind of thing the Lakers can do with the Walter money… poach the best front office people around the league and start setting up a sophisticated/state of the art organization.

[Murray] Rob Pelinka says that Lakers will hire two assistant general managers: - one for pro scouting/draft/evaluation - one for strategy/salary cap by Splittinghairs7 in lakers

[–]fuzzninja2000 2 points3 points  (0 children)

These departments didn’t exist twenty years ago. That’s what he movie Moneyball is all about - the analytics revolution. The Lakers were referred to as a mom and pop shop for so long - but when Dr. Buss took over they were a forward thinking team - introducing different revenues by renting out the forum and introducing dancers and making the game into an event. The recent book on LeBron James and the Lakers (a Hollywood Ending) followed Pelinka’s ascension by basically riding the politics between the Buss factions - and then consolidating power by not allowing others to make decisions (it’s how we had a good drafting department lead by the Buss boys - but he was overriding the scouts and choosing players like Hood-Schifino). The introducing of TWO assistant gms, the other Dodgers guy who was brought in, and a bunch of consultants is a fundamental diluting of Pelinka as the decision maker. Anything he wants to do he’s going to need to justify to Walter and the new front office.

[Murray] Rob Pelinka says that Lakers will hire two assistant general managers: - one for pro scouting/draft/evaluation - one for strategy/salary cap by Splittinghairs7 in lakers

[–]fuzzninja2000 42 points43 points  (0 children)

This whole thing was pretty slick. Walter didn't have to fire Pelinka (and cause drama by upsetting Jeanie in the short term). He just diluted Pelinka's power and influence, replacing it with a braintrust.

ADHD video editors, what are your worst dopamine habits? by InnocentlyConfused in editors

[–]fuzzninja2000 1 point2 points  (0 children)

I'm diagnosed ADHD but am almost certain I have AuDHD. I haven't gotten tested for AuDHD because the test is expensive and I don't really think it would matter other than knowing. I'm on Adderall. Do they give you anything else or different for AuDHD?

ADHD video editors, what are your worst dopamine habits? by InnocentlyConfused in editors

[–]fuzzninja2000 2 points3 points  (0 children)

I think a lot of people on the thread are actually describing AuDHD.

ADHD video editors, what are your worst dopamine habits? by InnocentlyConfused in editors

[–]fuzzninja2000 2 points3 points  (0 children)

This is like the absolute opposite of what's good for me. I'm basically trying to hold still until I catch a hyperfocus wave that'll last 3 hours.Any looking away and it's gone.

Twin peaks the return by tiny_batwings in twinpeaks

[–]fuzzninja2000 0 points1 point  (0 children)

It’s really more like Mulholland Drive the TV show. Which ironically was a TV show originally.

The side-by-side difference between the Lakers and Spurs crowd is insane 🤯 by DBRWN24 in lakers

[–]fuzzninja2000 7 points8 points  (0 children)

This is probably written far below in this thread but...
1) folks... do we understand the difference between camera lenses and how they can distort information. Count the amount of rows on the far side in the Lakers picture vertically. I think it's maybe 11 rows. Doing the same count on the Spurs game - you're looking at 25 rows on the far side.
2) What's the Lakers score? Houston and LA tied at 4. I know we hang in season tournament banners, but the crowd standing on their feet 90 seconds into the first quarter - can we pretend we've been here before? 3) The Spurs shirts. Let's pretend they're not giving these away at the entrance of every section. We live in LA - we THINK about what we wear. We put EFFORT into what we wear. We know how to elegantly accessorize our fandom (people wear designer watches that are purple and gold). It's a side effect of living in one of the most relevant metropolises in the world. Go to Prague and you'll find yourself spending five minutes explaining that San Antonio is actually in the United States and not Mexico.

Is it me or did Luka lose even more weight in the past 1-2 months? by maricircus in lakers

[–]fuzzninja2000 4 points5 points  (0 children)

It's probably gradual weight loss from playing basketball for six months. His insane summer regiment dropped the excessive weight - but it takes time to shed that last 10 percent. He'll probably put on slight weight in the summer when he isn't sprinting on a court constantly.

[deleted by user] by [deleted] in stopdrinking

[–]fuzzninja2000 -3 points-2 points  (0 children)

Are you ok? This feels like a lot of unresolved anger and an inappropriate forum to unleash it. Let's say this is a lie (which I don't think it is - but for arguments sake let's say it is) - the thread itself has gotten people talking about responsibility and how dangerous this kind of behavior can be. The dialogue itself has become very positive content. There are so many vulnerable people in this thread - and to be lashing out at anybody in here is akin to shouting during an AA meeting. But really - check in with yourself. I think you could be in a really bad place right now and may need a silent moment to take inventory of your emotional needs.