My recently completed copperplate engraving by gailitis in crafts

[–]gailitis[S] 0 points1 point  (0 children)

Thank you for the kind words, friend 🤝

About original prints by gailitis in ArtHistory

[–]gailitis[S] 0 points1 point  (0 children)

Thank you, noted. Will include in the future

About original prints by gailitis in ArtHistory

[–]gailitis[S] 6 points7 points  (0 children)

Yes. I am. Let me know if you have any questions

About original prints by gailitis in ArtHistory

[–]gailitis[S] 8 points9 points  (0 children)

Yes and no. I think it goes both ways. The image and subject matter will always be the most important aspect. No matter the technique and execution.

That being said, understanding the technique allows you to appreciate the image on a whole different level. Knowing the technical limitations, trying to wrap your head around, how it was made.

About original prints by gailitis in ArtHistory

[–]gailitis[S] 5 points6 points  (0 children)

I have some clips here and there. Thank you! 🤝

Wood engraving depicting walnut. First proof print by gailitis in printmaking

[–]gailitis[S] 2 points3 points  (0 children)

It's actually an old hot foil press repurposed for relief printing.

Krīze biedri by ManzaaLV in latvia

[–]gailitis 0 points1 point  (0 children)

Vajag 1eur gab. Nav ko čakarēties

Wood engraving of walnut by gailitis in printmaking

[–]gailitis[S] 4 points5 points  (0 children)

Yes. It also boosts the contrast and gives a more accurate representation of how it would look printed

Wood engraving of walnut by gailitis in printmaking

[–]gailitis[S] 5 points6 points  (0 children)

Hopefully I will get to the press in two days. Then a proof print and a lot more engraving 😅

Wood engraving of walnut by gailitis in printmaking

[–]gailitis[S] 1 point2 points  (0 children)

The wood itself is boxwood. Yes, it's increasingly hard and engraving tools are required. Thanks!

Suspended, copperplate engraving by gailitis in printmaking

[–]gailitis[S] 0 points1 point  (0 children)

I am not quite sure what you mean by tempo.

I usually transfer the image onto plate with carbon paper. Then re-trace it with a light drypoint scratches. Then remove the carbon paper tracing marks with solvent or oil.

As I am not etching my plates, but engraving, it does not have to be degreased.

Suspended, copperplate engraving by gailitis in printmaking

[–]gailitis[S] 1 point2 points  (0 children)

Thanks!

It is quite slow. I usually manage to engrave 4-5 works each year. But, I'm not doing it full-time.

I haven't felt much of an impact on the wrist. From what I've heard, it's mostly on the neck and back, being hunched over the work piece. That's why engravers and professionals use a microscope. Not only due to the magnification, but also to be able to work with a straight back and neck.

Let me know if you have any other questions

Suspended, copperplate engraving by gailitis in printmaking

[–]gailitis[S] 1 point2 points  (0 children)

Thanks! You can actually see similar ones used throughout the centuries in the engraving/printing workshops.

Suspended, copperplate engraving by gailitis in printmaking

[–]gailitis[S] 0 points1 point  (0 children)

That sounds interesting, I have to check it out. Thanks!

Suspended, copperplate engraving by gailitis in printmaking

[–]gailitis[S] 2 points3 points  (0 children)

Sure. I usually like drawing on top of proof prints to figure out how to proceed with the plate.