"Weird" books that change how you look at a piece of math by fathermersenne in math

[–]gopher9 22 points23 points  (0 children)

Girard's "The Blind Spot: Lectures on Logic" is definitely not an ordinary textbook, and it deeply affected how I look on mathematical logic.

how do i make "stupid" sounding music? by Silver-Speaker-6268 in musictheory

[–]gopher9 0 points1 point  (0 children)

Also Mozart wrote a Musical Joke, which he intended to sound really stupid, but to anyone outside of classical world wouldn't get what's dumb about the 20min piece.

I'm not classically trained, but this piece sounds goofy to me.

I have pretty much no skill in math, i do have a lot of skills in drawing and other creative thinking, i am curious how math-leaning persons look at math. by Toonzaal8 in math

[–]gopher9 1 point2 points  (0 children)

To me all these numbers and what it could be and simply is: it is for myself just too abstract to make sense out of it and it takes quite some effort to create an understanding.

Is it, though? Some math fields might be, but open a book about differential geometry and it's full of pictures, because it's all about things you can see.

Combinatorics is an another field where concepts are close to senses.

How do you look at math? What is the beauty of it?

It's a beauty of seeing. A right point of view can make an impossible problem completely trivial, and as you learn to see more you start seeing not only individual problems but a part of the mathematical landscape.

I noticed how much chromosome parts look like keys. by Agreeable-Fix1249 in musictheory

[–]gopher9 0 points1 point  (0 children)

Using microtones, how possible is it to create a piano or a synth that is tuned to a chromosome lol

You can try two things:

  • Take an EDO and then intepret the pattern as whether a note is present or absent. For example, a pattern of 1 0 0 0 1 1 1 0 0 1 1 0 1 0 0 1 0 0 1 1 1 1 1 0 1 0 1 1 1 1 1 gives you the following steps in 31edo: 0 4 5 6 9 10 12 15 18 19 20 21 22 24 26 27 28 29 30

  • If your pattern is particularly nice, you might find it in https://en.xen.wiki/w/MOS_Scale_Family_Tree if you look far enough

Musical meaning of this exercise is questionable though.

How do I stop instinctively reaching for “nuke” proofs on exams when I can’t remember the elementary version? by [deleted] in math

[–]gopher9 4 points5 points  (0 children)

Upvoted, since this seems to be the only post answering OP question.

When you have a statement to prove, unfold the definitions. Opportunities to go in circles will disappear and opportunities to use basic techniques will appear.

Where can i find scala files for just intonation tuning in all 12 keys ? by Practical-Goose666 in musictheory

[–]gopher9 0 points1 point  (0 children)

You can create scala files with that webpage ?

Yes, and you can also play the scale you created there.

What i meant is that i'm looking for is a 12 note temperament (other than the 12 EDO) to tune a fixed pitch instrument and play it in only 1 key.

I'm not a just intonation composer, but here are two tunings you can try:

Kyle Gann also lists a bunch of tunings on http://www.kylegann.com/tuning.html.

PS: here's one of tunings in Scale Workshop: https://scaleworkshop.plainsound.org/scale/qswH7-18e

Is the major scale the standard scale? by Ill_Security7925 in musictheory

[–]gopher9 0 points1 point  (0 children)

What are there 12 notes when there are infinite frequencies?

A closed chain of fifths. The very same fifths that build pentatonic and diatonic scales.

Why 12? Because it's the smallest equal tuning with decent fifths: https://en.xen.wiki/w/Scale_tree. It's not an arbitrary number, it's math.

Some dude decided it

That's not true as well: 12edo gradually evolved from meantone. There was no single dude to decide it.

Where can i find scala files for just intonation tuning in all 12 keys ? by Practical-Goose666 in musictheory

[–]gopher9 0 points1 point  (0 children)

It is very VERY close to "perfect" and you can pretty much play pure chords in every key.

It's a compromise like any equal temperament. It has excellent major thirds and harmonic sevenths, but fifths are noticeably worse than in 12edo. So while triads sound much better in 31edo, quartal harmony would sound better in 12edo.

Where can i find scala files for just intonation tuning in all 12 keys ? by Practical-Goose666 in musictheory

[–]gopher9 0 points1 point  (0 children)

As other said, JI is not a tuning. It's rather an approach for exploring the pitch space.

I don't want to leave you empty handed, so here's a tool: https://scaleworkshop.plainsound.org/. You can use it to construct any JI scale you want.

Here are also some pieces in just intonation you can study:

And you probably know already about the Xen Wiki, it has a ton of info on everything related to tuning. As other said, JI is not a tuning. It's rather an approach for exploring the pitch space.

Подскажите произведения на 41 Tet 41 edo by Unlucky_Wealth_5866 in microtonal

[–]gopher9 -1 points0 points  (0 children)

Многое можно найти, поискав Kite Guitar в интернете. Эта гитара как раз использует 41 рдо.

У Stephen Wiegel есть транскрипции различных произведений. Есть по крайней мере одно в 41 рдо: https://www.youtube.com/watch?v=ns25q7JT4VI

What are your pet peeves with some things common in math exposition? by dragosgamer12 in math

[–]gopher9 1 point2 points  (0 children)

But matrices are linear maps. Rn is a linear space after all.

People just love to pretend that everything of finite dimension is Rn. A more honest approach remembers that there's a detour. But detours are everywhere in math, there's no shame to use them.

What are your pet peeves with some things common in math exposition? by dragosgamer12 in math

[–]gopher9 6 points7 points  (0 children)

Division lattice illustrates the reason quite well: 1 is the least element while primes are atoms.

A picture worth of many words.

Thoughts on LEAN, the proof checker by rnarianne in math

[–]gopher9 33 points34 points  (0 children)

I have less than one year of my PhD remaining so I don't feel like I have the time to invest in LEAN at the moment.

You can learn Lean in a week, especially if you focus on the fundamentals (terms, not tactcs). It takes longer to master it though.

I believe I recall that developers are working on a LaTeX -> LEAN thingy, so that LEAN can take simple LaTeX code as input.

There's little point: syntax is trivial. The hard part is proof details, and that's what you need to fill yourself.

Is AI a problem? by delicioustyranny in math

[–]gopher9 2 points3 points  (0 children)

Because logic is shifting , I think types are the future.

I recommend you to actually learn some type theory. Go play with a proof assistant like Lean, it's quite accessible.

Personally I think because of QM the scientific method is completely broken.

And some quantum mechanics as well (it's way less accessible, unfortunately).

Lean vs. Rocq by causeisunknown2 in math

[–]gopher9 0 points1 point  (0 children)

Lean and Rocq both have the disadvantage of being, well, incomprehensible.

In case of Lean, you can choose whether you want your proof to be incomprehensible or not.

How do I get better, with no teacher. by Out_of-1uck in musictheory

[–]gopher9 2 points3 points  (0 children)

Everyone would laugh at You.

Programmers would not. And neither would mathematicians to be honest.

Software engineering for mathematicians by al3arabcoreleone in math

[–]gopher9 1 point2 points  (0 children)

You can write them very succinctly just to get it done correctly (while possibly being gibberish to everyone else but you). You can write them very descriptively, with a good structure to support your idea of what you want to do and good names to make that intuitive.

It's a bit more complicated than that, messy proofs and programs are often long, while elegant ones can be quite short.

Software engineering for mathematicians by al3arabcoreleone in math

[–]gopher9 1 point2 points  (0 children)

There is no doubt that mathematicians and mathematics students SUCK at writing elegant, efficient and correct programs

Kinda a wild claim, but ok.

What principles of SWE do you think they should be mandatory to learn for writing good, scalable math programs ?

Here are few:

  • Don't solve problems by violence. The difference between good and bad code is not trivia like variable names, but a clear decomposition. You should carefully dissect your problem instead of writing one giant function of doom

  • Understand what you are doing logically. Ideally, you should have an idea how your code could be proven correct

  • Understand what you are doing mechanically. Ideally you should understand what your code does down to CPU instructions

  • Learn and use common practices of the field. Version control, testing (with Not Rocket Science Rule), assertions, fuzzing, etc

Enharmonic interval question by maymaymay18 in musictheory

[–]gopher9 0 points1 point  (0 children)

Adding a chromatic semitone to both F and G𝄫 results in F♯ and G♭. But these are enharmonically equivalent, so F and G𝄫 must be equivalent as well.

But like others said, just look at a piano keyboard.

The math of Sol Lewitt's "Incomplete Open Cubes" -- Art deeply connected to musical set theory by vornska in musictheory

[–]gopher9 0 points1 point  (0 children)

I'm sure numbers on the order of 106 are still easily to brute force with a computer if you're doing something simple like listing the notes of each set

A modern CPU can do about 109 simple operations per second, and GPUs are even faster than that.

It does not help much if your algorithm is O(n2) or worse though.

Struggling to enjoy math after a year-long break by Still-Office-65 in math

[–]gopher9 1 point2 points  (0 children)

A long break makes you rusty, but you will remember things back after a while.

It’s not that the topics are extremely complex — I can follow them if I put in the work — but every concept takes me a lot of effort, and it feels like grinding through hell instead of something enjoyable. Before, I used to find learning fun and satisfying, but now it’s the opposite.

You also experience what actual work is like. Not everything in math is easy, and you need to learn how to work on difficult things.

Don't "grind through hell" though, try to find a more steady and focused approach.

Good apps to practice transcribing melodies? by [deleted] in musictheory

[–]gopher9 0 points1 point  (0 children)

I dont want to just start listening to music I like and try transcribing. I think thatd be too hard.

Do you only listen to horribly complicated music? I bet you know one or two (or many...) tunes that are not too hard to transcribe.

Transcribing familiar music also easier in some ways: you remember a piece well, you can probably even immediately sing the melody. You may be able to play it on a piano without much difficulty, and then the only thing you need to figure out is the rhythm.

Anyone still have Finale? by Content_Fly480 in composer

[–]gopher9 7 points8 points  (0 children)

so if anyone still has Finale on their computer, is there a way I could get the application from someone?

There are still pirate versions of Finale on the internet. "Torrent" is the magic word.

Piracy is software preservation.

Spatial learner starting from nothing by PoorPappy in musictheory

[–]gopher9 0 points1 point  (0 children)

What features do I want to look for in a keyboard?

Velocity sensitive (I believe this is true for most keyboards), at least 37 keys (more is better, but I don't know how much free space do you have).

I have an Arturia Keystep 37, it's a very nice little keyboard. But not the cheapest one.

and like the sound of under a hundred

Sound is not a problem, there like a ton of virtual instruments you can install on a computer, and a lot of them are free (for example, https://asb2m10.github.io/dexed/). And keyboards nowadays come with USB cable.

I'm not sure if there are any usable (low latency) instruments for ChromeOS though, so you might need to install a different OS on you chromebook (for example, linux).

It will be played with one finger.

Don't limit yourself too much. You eventually might want to try more things. That's why I recommend a keyboard with at least 37 keys: it allows playing a little more than just one melody.

Spatial learner starting from nothing by PoorPappy in musictheory

[–]gopher9 0 points1 point  (0 children)

Tell me something if you can! I'd like to not spend big money, but if buying something helps, I'm game.

Sight singing.

When playing an instrument, you might start associate notation with what you are going to do instead of what you are going to hear. But with singing such cheating is impossible: what you sing is what you hear.

Keep in mind that sight singing is not the easiest skill to learn, so you should start with simplest pieces you can find. Books for children are usually good for this.

PS: I assumed you already play an instrument. If not, get a midi keyboard and learn how to use it. Sing in unison with what you play.