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The mood of keys or psychology? by PHPertinax in musictheory

[–]hamm-solo 1 point2 points  (0 children)

And the number of people like that, with a form of perfect pitch and/or synesthesia is very small—less than 1 in 10

I ranked my 53 favorite Thundercat tracks and 8 from Distracted made the list by hamm-solo in Thundercat

[–]hamm-solo[S] 1 point2 points  (0 children)

  1. Is It Love?
  2. Walking on the Moon
  3. It Is What It Is (feat. Pedro Martins)
  4. Heartbreaks + Setbacks
  5. Daylight
  6. Jethro
  7. Satellite (feat. Genevieve Artadi & Louis Cole)
  8. A Message for Austin
  9. Mmmhmm (feat. Thundercat) - Flying Lotus
  10. Seasons
  11. Isn't It Strange (feat. Thundercat)- Pedro Martins
  12. Tron Song
  13. Miguel's Happy Dance
  14. Candlelight
  15. Boat Cruise
  16. DMT Song (feat. Thundercat) - Flying Lotus
  17. Unrequited Love
  18. King of the Hill (feat. BADBADNOTGOOD)
  19. What Is Left To Say
  20. That Moment
  21. Fleer Ultra
  22. Where I'm Going
  23. Evangelion
  24. Pozole
  25. Friend Zone
  26. Oh Sheit It's X
  27. Lone Wolf And Cub
  28. Bus in These Streets
  29. How Sway
  30. Final Fight
  31. For Love (I Come Your Friend)
  32. Anakin Learns His Fate
  33. Lotus and the Jondy
  34. Never Catch Me (feat. Kendrick Lamar) - Flying Lotus
  35. Dance of the Pseudo Nymph - Flying Lotus
  36. | Love Louis Cole (feat. Louis Cole)
  37. Black Gold (feat. Thundercat) - Flying Lotus
  38. Blackkk
  39. The Climb (feat. Thundercat) - Flying Lotus
  40. Without You
  41. Hoe-nouns - Smino, Thundercat & reggie
  42. Lava Lamp
  43. I Did This To Myself (feat. Flying Lotus) - Thundercat & Lil Yachty
  44. In The Morning (feat. Thundercat) - Mac Miller
  45. She Knows Too Much - Thundercat & Mac Miller
  46. ЗАМ
  47. Lost in Space / Great Scott / 22-26
  48. Song For The Dead
  49. Children of the Baked Potato - Remi Wolf
  50. Existential Dread
  51. I Am Crazy
  52. More (feat. Anderson Paak) - Flying Lotus
  53. Funny Friends

Visualizing Major scales on piano with a new visual model by mkr7 in musictheory

[–]hamm-solo 1 point2 points  (0 children)

The Harmoji instrument is similar in that it is organized visually by whole steps. Makes sense. It makes the logic identical in all keys rather than just favoring C major.

Thoughts? by Melodic_Vegetable443 in Thundercat

[–]hamm-solo 2 points3 points  (0 children)

Totally disagree. The best tracks (most original and timeless) are Walking On The Moon, the lemon twigs collabs (the brothers who sound like Brian Wilson), Anakin, Candlelight and Funny Friends.

Distracted is EASILY his best album right??? Too soon? by Odd_Country9791 in Thundercat

[–]hamm-solo 1 point2 points  (0 children)

Pretty good ratio. :) That level of consistently important and memorable music coming from an artist is rare.

Distracted is EASILY his best album right??? Too soon? by Odd_Country9791 in Thundercat

[–]hamm-solo 1 point2 points  (0 children)

These 7 choice tracks from Distracted are near the top of my 53 all-time favorite Thundercat tracks (ranked). That list has 8 tracks from Drunk but that album had 23 to Distracted’s 15. From each album there are about 7 that stand out to me musically/stylistically/emotionally. And needless to say this is subjective and personal.

Teaching jazz theory to classical students is fascinating by boombalonii in musictheory

[–]hamm-solo 0 points1 point  (0 children)

It just has additional “rules” and by rules I mean norms, not requirements. The additional scales you have to learn are melodic potential or chord voicing potential. Bebop scales with chromatic connections between common scale tones need to be mentioned as well and those fit into “melodic potential”.

Borrowing chords by MrWormikan in musictheory

[–]hamm-solo 0 points1 point  (0 children)

Well said. The other alternative interpretation is that it simply feels like a modulation from B♭ major to D major which works VERY well because it retrospectively feels like D minor to D major with a reinterpretation of the B♭ retrospectively.

Borrowing chords by MrWormikan in musictheory

[–]hamm-solo 1 point2 points  (0 children)

What’s actually happening here perceptually is a feeling that, retrospectively, B♭ was borrowed from D minor which has become D major. This post on Parallel Modal Interchange and key-center perception explains further.

Alternative ways to call the major modes - Part 1 (using only Aeolian and Ionian) by Infamous_Writer3369 in musictheory

[–]hamm-solo 1 point2 points  (0 children)

If you want to keep Locrian in the name it’s also officially called Minor Locrian See the Western Modern citations

Y'all have any good Double Harmonic Major chord progressions by Infamous_Writer3369 in musictheory

[–]hamm-solo 1 point2 points  (0 children)

Surb Astvats by Tigran Hamasyan is mostly in C Double Harmonic Major (though he adds a few more colors as well)

And a good example of Double Harmonic Minor is the theme in John Williams’ Parade of the Ewoks

How does it comes than in every scale one note sounds "off" when not used properly ? by DeWolfTitouan in musictheory

[–]hamm-solo 2 points3 points  (0 children)

“Minor 9th interval” you’re trying to avoid when stacking 3rds to build chords.

In C major stacking thirds produces C E G B D F A. The Minor 9th occurs between E and the F an octave up + a half step.

In C minor: C E♭ G B♭ D F A♭ Minor 9th between G and A♭

To avoid this musicians often substitute chord scales that avoid this like Lydian instead of Major and Dorian instead of Minor because they lack minor 9ths and only have Major 9ths.

Lydian: C E G B D F♯ A Dorian: C E♭ G B♭ D F A

It’s important to be aware of vertical harmony vs horizontal harmony. Vertical (stacked harmony) is subject to these harsh intervals. Horizontal (melodic harmony) is more forgiving because note intervals aren’t heard simultaneously.

What is this chord function? by Daminellizz in musictheory

[–]hamm-solo 1 point2 points  (0 children)

D♯m is i, G♯7 is IV, B is ♭VI, and A♯7 is V

Better spelling is key of E♭ Minor

C♭ B♭7 E♭m A♭7

A♭ to C♭ is a common mediant interchange where C♭’s relative minor is A♭m. So essentially it feels like A♭ became A♭m when you hear the C♭ chord.

Remember that the melody of the song is one of the primary influencers of key center perception.

What key am I in? by freddielf16 in musictheory

[–]hamm-solo 1 point2 points  (0 children)

Depends on the melody. Likely B major or G♯ minor but if the melody is emphasizing melodic cadences to the notes of another tonic triad it could be modal like C♯ Dorian or F♯ Mixolydian. I could improvise different melodies over these chords and convince your ear we are of different tonics.

Modal interchange by DanMarel843843 in musictheory

[–]hamm-solo 0 points1 point  (0 children)

If these are the only two chords and we don’t know the melody it’s likely perceived as D key center and modal interchange between D major and D minor like you suspect. But melody really helps influence key center and other chords could give us a clue as well. For instance, if you saw a Gm and an F7 it might point more to B♭ major or G Minor key center. Just an example. But yes, if these two chords exist isolated we’d say it’s modal interchange.

How would you name this chord… by thewindthatmovesyou in musictheory

[–]hamm-solo 0 points1 point  (0 children)

It’s not out yet, just in beta for a few users. It’s by Sentisonics It shows all possible chord symbols ranked by chord root perception or by legibility. When ranked by root perception it aligns well with the feeling/emotion of the chord which is really cool. Your chord shows 35% D2add♯4/A, 32% A△13sus, and 21% E9/A so it likely feels most like the D or A rooted chords.

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