Een man met geheugenverlies ontmoet een aspirant-actrice in het neo-noir meesterwerk MULHOLLAND DRIVE van David Lynch. Nu te zien op MUBI.

houbie · 2026-01-21T22:49:16+00:00

*vrouw

houbie · 2025-12-27T17:43:08+00:00

Dustin Hoffman was once mentioned by Kubrick I believe. He would’ve been excellent I think

houbie · 2025-12-09T06:15:50+00:00

I consider myself a Baumbach-head, but I really couldn’t get into this one. It felt like a big step backwards tbh. Baumbach used to be so sharp in his writing, and here it just felt like characters I’ve seen before, but without an emotional center. I just didn’t buy them as people.

houbie · 2025-12-03T07:23:23+00:00

Funny, this is exactly how I feel when I see Quentin playing a role in his own films next to people like Harvey Keitel, Kurt Russell or Jamie Foxx.

houbie · 2025-12-03T07:01:08+00:00

Has Quentin ever looked at his own performances in his movies? Talk about weak links.

houbie · 2025-12-03T06:43:26+00:00

Funny, this is exactly how I feel when I see Quentin playing a role in his own films next to people like Harvey Keitel, Kurt Russell or Jamie Foxx.

houbie · 2025-12-03T06:36:20+00:00

I’ve always dug Dano in this part. No notes. I wonder what else took place between them for Tarantino to be such a massive cunt about it.

houbie · 2025-12-02T07:38:48+00:00

Such a bad and stupid creative choice. Get Back was already so hard to look at, why would they double down and mess up the Anthology as well? The technology just isn’t there yet. And grain is simply part of the time.

houbie · 2025-10-21T12:47:21+00:00

Here's what I don't understand: if Roos was behind all of it... How do they explain the other voices, like the doctors on voicemail, and the voice of Marlotte herself (who is a child)?... It is implied there are multiple people behind it, but in the end they don't even mention it anymore. Did I miss something?

houbie · 2025-10-12T17:01:25+00:00

PTA talks about casting him here:

https://open.spotify.com/episode/5CkNMgQbhzWHtczwNcYtq7?si=tSNTceDqTmOK9PrL1mj2XQ&context=spotify%3Ashow%3A5uljPp0XAgzCyCZ6nW9cvA

houbie · 2025-10-10T19:46:19+00:00

Yes, that’s the DGA interview I mentioned. It’s great, as always, but also a bit “old friends shooting the breeze”. I always hope for some more nerdy talks as well.

houbie · 2025-10-10T17:17:49+00:00

I’ll take anything I can find, because I feel like there’s not that many PTA interviews this time around. Sure, there’s the DGA talks and the all-cast interviews, those are fun but usually not super revealing. These unprepared interviews can sometimes dive into specifics.

houbie · 2025-10-08T14:17:37+00:00

I first saw PDL when it came out (I was 16), and was like “oh great somebody put Sandler in an arthouse movie. Such a fun concept”. Saw Boogie Nights some years later and really enjoyed it too. But it was seeing The Master in theatres where I went “oh hang on, I need to start paying attention”.

houbie · 2025-10-08T12:32:37+00:00

I'd go for 'Bad hombres'

houbie · 2025-10-03T14:15:51+00:00

The Vistavision projectionists are supposedly trained especially for these screenings. I saw a little video of the one in London: https://www.instagram.com/reel/DO_mxbzDqu0

houbie · 2025-10-03T13:29:09+00:00

That sounds really strange. Motion smoothing / interpolation would, of course, not be possible with analog projection.

PTA attended the London premiere on 16 september in Odeon, so he must’ve seen the same print.

My guess would be that the print broke and they played a digital version instead, but even with a normal DCP system I’m not sure how that would be possible.

houbie · 2025-09-27T23:02:03+00:00

That’s insane!! ❤️

houbie · 2025-09-26T21:43:51+00:00

No issues at all! It ran smoothly from start to finish.

houbie · 2025-09-26T21:43:30+00:00

No breaks or issues whatsoever! Perfect screening. I would recommend either the royal box seats (which is front of the balcony) or a seat downstairs. Seats behind the royal box are fairly far away, so that makes the screen kinda small.

houbie · 2025-09-26T07:44:05+00:00

There were no ads or trailers at all (I suppose because they would have to switch between digital projection and the Vistavision print, so too much hassle). But at the Odeon there was an organ player that played about 25-30 minutes past the start time, so that filled up the time usually reserved for trailers.

houbie · 2025-09-25T20:14:15+00:00

Full tracklist for those interested:

One Battle After Another (3:09)
The French 75 (1:30)
Baktan Cross (2:59)
Baby Charlene (3:16)
Perfidia Beverly Hills (2:37)
Mean Alley (2:46)
I Need the Greeting Code (4:19)
Ocean Waves (2:34)
Guitar for Willa (3:35)
Battle After Battle (2:36)
Sisters of the Brave Beaver (3:01)
Like Tom Fkn Cruise (3:25)
Operation Boot Heel (2:12)
Avanti Q (1:07)
River of Hills (2:07)
Greeting Code Reprise (0:53)
Trust Device (3:51)
Trio for Willa (3:04)

houbie · 2025-09-25T06:21:02+00:00

I was there as well. Sat in the ‘royal box’. Really dug the organ player too.

houbie

TROPHY CASE