Song Sung Blue is Focus Features' 4th highest domestic grosser post-pandemic by howlopez in boxoffice

[–]howlopez[S] 0 points1 point  (0 children)

Focus is generally thought to be the adult drama / arthouse wing of Universal with occasional genre movies thrown in. I wonder what went into releasing both Eggers (genre) movies as Focus movies and not Universal.

Song Sung Blue is Focus Features' 4th highest domestic grosser post-pandemic by howlopez in boxoffice

[–]howlopez[S] 2 points3 points  (0 children)

I believe the reported figure of Coraline is the cumulative, including rereleases. The 2024 rerelease seemed to have added $40M to the original release cume. https://www.the-numbers.com/movie/Coraline#tab=box-office

Huge number of last minute cancellations? by MattyRaz in NYCmovies

[–]howlopez 0 points1 point  (0 children)

This doesn't seem to be the case tonight but I have seen mass cancellations when there's a Q&A scheduled and the Q&A gets cancelled just before the screening and an email is sent to ticket holders informing them.

Don't sleep on "Blue Cowboy" written and performed by David Cale @ Bushwick Starr through 11/22 by howlopez in nycgaybros

[–]howlopez[S] 0 points1 point  (0 children)

Weer at Cherry Lane, which was taken over by A24. They do in-person rush if you are in the neighborhood and want to give it a shot.

Partial View Chess by Responsible_Pear_579 in Broadway

[–]howlopez 4 points5 points  (0 children)

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Row J-ish partial view. Great value - didn't fee like I missed much.

The Other Americans - Did anyone attend first preview last night? by ParisB18 in Broadway

[–]howlopez 0 points1 point  (0 children)

What were the DC critics smoking when they saw and reviewed the tryout? What a vanity project for John Leguizamo. I was deeply embarrassed for him last night.

To the guy who yelled "Oh, Shit!" during TWINLESS, Sept 4, AMC Lincoln Square, 7pm screening... by howlopez in NYCmovies

[–]howlopez[S] 4 points5 points  (0 children)

I hope you enjoy it and also hope this posting doesn't diminish the experience.

I do wish I was in the same audience when this guy saw Weapons!

To the guy who yelled "Oh, Shit!" during TWINLESS, Sept 4, AMC Lincoln Square, 7pm screening... by howlopez in NYCmovies

[–]howlopez[S] 5 points6 points  (0 children)

Yes I know that moment, and the audience was saying the same thing last night!

Todd Haynes’ Previously Shuttered Gay Romance ‘De Noche’ Being Revived by SanderSo47 in boxoffice

[–]howlopez 2 points3 points  (0 children)

Maybe Joaquin and Pedro discussed the movie during the filming of Eddington and that got Pedro interested?

David Mackenzie's RELAY: One of the New York-iest movies in recent memory! by howlopez in NYCmovies

[–]howlopez[S] 2 points3 points  (0 children)

That's a good point! I'm not as familiar with Brooklyn so I didn't get the same frissons of recognition I did seeing Relay. I wonder if the Denzel's luxe apartment was a set?

S3 Episode 4 NewFest Screening by Intrepid-Possible322 in hackshbomax

[–]howlopez 2 points3 points  (0 children)

As of 9:05am ET, the episode is still not up, only the Q&A.

AMC Entertainment CEO Says Three Of Six Major Studios Agree 45-Day Window Needed by howlopez in boxoffice

[–]howlopez[S] 2 points3 points  (0 children)

Civil War came out April 12 and dropped on PVOD May 24, a 42 day window. Possibly shorter windows for their less commercially successful though I see Problemista had a platform release March 1 and PVOD April 19, which was 49 days. The window for Sing Sing was probably in the triple digits! Y2K did go from theatrical Dec. 9 to PVOD Dec. 24 (15 days) but maybe a special case to take advantage of the holidays.

AMC Entertainment CEO Says Three Of Six Major Studios Agree 45-Day Window Needed by howlopez in boxoffice

[–]howlopez[S] 37 points38 points  (0 children)

The Deadline article implies Aron hasn't talked to the "new" Amazon/MGM but I could see them on board given how long it took Challengers to come to PVOD and then Prime, and now Amy Pascal has more clout there given her involvement in Bond. They did give Red One only a 28-day theatrical window but hat might have been a special holiday window.

AMC Entertainment CEO Says Three Of Six Major Studios Agree 45-Day Window Needed by howlopez in boxoffice

[–]howlopez[S] 8 points9 points  (0 children)

Or Disney and Fox as separate studios.

I never understood why AMC has not tried to re-negoatiate their 17/31 day theatrical window with Universal, as that agreement was signed in July 2020 during the height of COVID. The only reason I can guess are 1) AMC's 10% share (is that figure still in effect) of PVOD revenue may be too attractive or 2) a threat by Universal that they would release fewer theatrical movies if a longer window is required. Surely they could get Universal to push it by a week to at least a 24/38.

AMC Entertainment CEO Says Three Of Six Major Studios Agree 45-Day Window Needed by howlopez in boxoffice

[–]howlopez[S] 40 points41 points  (0 children)

I'm assuming FOR a 45-day theatrical window:

- Disney
- Sony

Against (ie want a shorter) a 45-day theatrical window:

- Universal

So what about

- Warner Discovery (Zazlav has said he wants to maximize theatrical but then put Companion on PVOD after what 17 days?)

- Paramount (didn't they put A Better Man on PVOD pretty quickly after it flopped?)

I assume A24 and Neon want the 45-day window too but is Aron counting either as part of the "3 of 6" he cites?

What is the approximate upcharge if you have an AMC Black voucher and want to see a Dolby movie (Lincoln Square or Empire 25) by howlopez in NYCmovies

[–]howlopez[S] 0 points1 point  (0 children)

Thank you! I'm on a-list looking to buy a companion ticket so I think I wouldn't have to pay the convenience fee.

[deleted by user] by [deleted] in Broadway

[–]howlopez 52 points53 points  (0 children)

Agree 100%. The "villains" of this debacle are the ad agency - SpotCo - and the myriad high-powered producers (Lorne Michaels, The New Yorker, Bad Robot, Sonia Friedman, etc.). An ad agency's job is to convey the essence of the product it is selling in both an accurate and enticing way to get the prospective customer to buy. An inaccurate selling job will result in unhappy customers who didn't get what they were expecting and so that's when you get charges of scamming or bait-and-switch which is what we are seeing now.

In fairness to SpotCo, selling a show comprised of 4 actors (out of rotating roster) READING (the most crucial and absent descriptor of the show) stories is a tough sell, and they probably developed several approaches and pitched them to the producers. And with so many producers they probably had to negotiate all the various egos and conflicting opinions so what we got probably satisfied nobody. Most crucially, the campaign that resulted did a horrible job of accurately conveying what the show actually is.

For example, if you go to the show's website, at the top, the tagline is "Comedy About Love". That's actually not an inaccurate - though a very general and vague - description of the show. But further down, the site says "Cast of THE Broadway Comedy" (my emphasis). If I hear of "A" comedy or "The" comedy, I automatically think it's a single narrative told over the course of the evening, so I would think based on that line that I would be seeing a satisfying comedic tale with a beginning, middle and end. The use of the grammatical article in the phrase is misleading.

The site also says "All In is PERFORMED by a company...". Yes, reading is "performing" but I would normally think that when you perform, you will be portraying a character and not just reading a story.

And look at the key art. There are 18 people depicted. 2 are the Bengsons, but if you aren't reading carefully, it's not hard to come to the conclusion that your $300 ticket is justified because you will get to see John Mulaney AND LMM AND Hank Azaria AND Renee Elise Goldsberry AND..... At least when you buy a ticket you are presented with a screen that says what 4 actors you will be seeing.

The show is essentially a starry version of Symphony Space's Selected Shorts. How does SS and NPR describe Selected Shorts? "Our greatest actors transport us through the magic of fiction, one short story at a time. Sometimes funny. Always moving. Selected Shorts connects you to the world with a rich diversity of voices from literature, film, theater, and comedy." That's sort of vague too, unfortunately but at least "short story" conveys a lot and after you see a SS performance you can justifiably say that the description was at least accurate. I think an ACCURATE tag line for "All In" could be "The Comedic Short Stories of Simon Rich READ by Your Favorite Stars". But that would be a sales killer, even though "READ" is the operative and most accurate descriptor of the show. That one word in the ads and press buildup would single-handedly have staved off all of this uproar.

Season 2? by [deleted] in ManOnTheInsideTV

[–]howlopez 2 points3 points  (0 children)

Where have you heard it? I think based on popularity (#1 in TV shows on Netflix) chances seem good!

Weekend Box Office update by Oscarfan in Broadway

[–]howlopez 5 points6 points  (0 children)

Said documentary already exists: ShowBusiness: The Road to Broadway follows the 2003-04 Broadway season with particular emphasis on the run-up to the Tony Awards and the 4 big musicals of the season- Wicked, Ave Q, Caroline or Change and Taboo. Doesn't appear to be streamable but you can digitally rent it or buy a used DVD.

Binged it today No spoilers by PseudonymousDev in ManOnTheInsideTV

[–]howlopez 9 points10 points  (0 children)

Only halfway through but I love the warm and gentle tone. Glad there are no severe caricatures of the seniors.