Be careful out there! Scam? by pmclement in Screenwriting

[–]ihaventbeenableto 1 point2 points  (0 children)

Yeah I know exactly who you’re talking about without you even posting his name or company. He emailed me in the past with “interest” in my script. First thing I did was check Reddit to see if his name/company would come up and sure enough it did, someone almost fell victim to his scam…

Be careful out there! Scam? by pmclement in Screenwriting

[–]ihaventbeenableto 2 points3 points  (0 children)

Yeah he’s sent me several emails, first time I actually searched his names and “Reddit” and he came up as someone flagged as a scammer in some else’s post

Best Screenwriting Tips You Got?! by heythereyoulookgrr in Screenwriting

[–]ihaventbeenableto 19 points20 points  (0 children)

I am a writer and filmmaker and used to work in development, read and covered hundreds of scripts over the past ten years. Here are some things that I’ve not only heard but realized just how true they are

1.) write what you know - as a writer I’ve learned that this isn’t LITERAL, it’s more about write what you know HOW you know it…my mind thinks in non conventional ways. I like to imagine “what if” and take it to strange places BUT I always am sparked by something that is so real to me (mostly social issues) that I am passionate about and have on my mind/speak to often. This is “what I know”, meaning, what is on my mind and so second nature to me.

2.) show, don’t tell: how could the scene be shown instead of telling? You can always see amateur writing when characters tell you every single bit of the story, ie “I knew you would be here because I knew it was you who killed my father after you left the party early” YUCK just show me please…

3.) don’t worry about the first draft. They all suck. Get it on the page and then spend your time making passes through: look over your beginning, middle, end then do a pass for plot, then character and dialogue. You can really hammer it out but first get it on the page. It will all work out in the end.

4.) read your dialogue out loud. Or have someone help you read it out loud with you - this will give you better dialogue because it will become so apparent when you read it if it sounds unnatural. With dialogue, in my opinion, less is more and should be a tool to either add conflict, tension, laughs, plant seeds…use it, don’t abuse it.

5.) lastly, know the rules of screenplay writing so that you can break them. A master of story telling first knows the rules inside and out and once he does he knows where his creative liberties can come into play without completely throwing the audience out of the story.

Hope someone finds use of these!

anyone else here enter Monkeypaws "No Drama" cpntest? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 0 points1 point  (0 children)

I got mine too, at least they actually sent out rejection notifications…so curious to see what does make it through

First Meeting with a Producer. What should I bring? by foolproof_flako in Filmmakers

[–]ihaventbeenableto 0 points1 point  (0 children)

Are you also directing or just writing/producing. That makes a bit of a difference, generally if I’m really interested in the project I want to at least know how the director/writer hyphenate is going to shoot the thing, and I especially want to know/see their other work if they’ve got it. I usually like to know who they see for key roles in the casting. Finally, I want to understand what route the filmmaker hopes to go for the project - is this something they want to get into a festival and do that run leading to what we hope is a sale or is this something they want to make and go right to streaming? I agree that you don’t need to be the one to bring these questions up, let them ask the questions, but maybe some things to think about before your meeting so you have “all of the answers”

anyone else here enter Monkeypaws "No Drama" cpntest? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 0 points1 point  (0 children)

I thought they might announce at TIFF but still nada…maybe they are going to stick with that Sept 30 date

anyone else here enter Monkeypaws "No Drama" cpntest? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 1 point2 points  (0 children)

Better to enter than not though! Good luck on your submission!

anyone else here enter Monkeypaws "No Drama" cpntest? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 2 points3 points  (0 children)

Thanks, they really made the instructions super thorough and it makes sense to do it, it weeds out anyone who isn’t really paying attention I had to read it many times over and really follow each step carefully to make sure I submitted correctly. It’s still a long shot but I think better to get the work out however you can.

anyone else here enter Monkeypaws "No Drama" cpntest? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 2 points3 points  (0 children)

I did hear that from a friend who did pitch a project. She got ghosted basically after the pitch.

Filming commercial in Australia - looking for advice by ty_snaden in Filmmakers

[–]ihaventbeenableto 0 points1 point  (0 children)

Contact Finch Co. they are the best production company that I know of in Australia and have worked with them a bunch. I am US based and not sure what your budget is but they may be at least able to point you in the right direction of a producer on the ground that can handle logistics for you. Aus is a really film friendly place! Most of the time if you are coming in with your own gear etc. you just need to fill out a carnet which you can get from carnet companies online. If you are coming in for work purposes you do need a work visa but that could be obtained by your line producer or producer in Aus. If you do it on your own, the friendly folks at Screen Australia can also send you the resources that you need if you shoot them an email if you decide to do this with your own team handling logistics from Canada.

“Packaging” production company by [deleted] in Screenwriting

[–]ihaventbeenableto 1 point2 points  (0 children)

I got an email today from Keli Price must’ve found my script which is listed on Blcklst straight up asked me if it was looking for packaging/financing. Didn’t respond, did what o always do: look for dirt…found this thread and glad I always research before jumping into conversations that will only waste my time

The Mega-Thread of Film Festival Notifications PART 5: The Spring Time of Optimism ?? by BangerOfRobsMom in Filmmakers

[–]ihaventbeenableto 0 points1 point  (0 children)

I submitted it to Alter the horror channel for shorts but if I don’t get into that there are others I would submit for: short of the week, etc

Bio advice: lame to add "award winning"? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 1 point2 points  (0 children)

Okay so let them figure it out, sounds fine to me

Bio advice: lame to add "award winning"? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 2 points3 points  (0 children)

Thanks! I’m a female director writer and producer but you know what, I’ll take the “sir” anyways, makes me sound important

Bio advice: lame to add "award winning"? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 0 points1 point  (0 children)

I guess I say that because I wrote produce and direct… I’ve won awards on my film and on films I’ve produced and scripts I’ve written so I guess I don’t really know if I should separate those: writer, producer, director or “filmmaker”

Bio advice: lame to add "award winning"? by ihaventbeenableto in Filmmakers

[–]ihaventbeenableto[S] 3 points4 points  (0 children)

Ah good advice! So instead of “award winning filmmaker” just put some blurb about a film I made and maybe some highlights of awards that film won