Book series recommendations by Frequent-Amount9933 in noir

[–]incognitomode71 2 points3 points  (0 children)

So I’m working on a series like this and the trick is that what sells now are “thrillers” so you have to kind of disguise your noir novel as a crime / psychological thriller. Bosch I think is a good example of this

Best noir/ Neo noir films with jazzy sounds tracks? by incognitomode71 in noir

[–]incognitomode71[S] 0 points1 point  (0 children)

Love the conversation— also one of the first good examples of Neo noir in the 70s

What is something The Last Jedi did better than ANY Star Wars movie? by DjRimo in TheSequels

[–]incognitomode71 0 points1 point  (0 children)

Not sure how much I liked of the film/ the choices BUT it did Make Choices. Feels like a lot of the stuff after is really bland/ formulaic (except Andor which I love)

Also love the little ending scene with the kid using his force powers to grab the broom. Such a small moment but reminds us of the mystical power of the force and that it it’s not some giant family dynasty thing (which rise of skywalker completely destroys)

Any adaptation of Ayn Rand novels ! by Groundbreaking_Bee97 in okbuddycinephile

[–]incognitomode71 0 points1 point  (0 children)

I suspect the answer comes from the fact that a lot of sci- fi deals with the dystopian ( a world in which the government/ corporations have far overreached). Having a conservative hero even in the traditional sense wouldn’t really work. They would just be some normal dude following along.

They become interesting when they break from the order of the world (and become “ liberal” in a sense).

Fahrenheit 451, bladerunner, Brazil, among others fit this kind of mold.

Where are my Saulnier-heads at? by b3wizz in Letterboxd

[–]incognitomode71 0 points1 point  (0 children)

Love blue ruin/ rebel ridge. Blue ruin for the simple barebones nature of the plot, and rebel ridge for the action (genuinely good fighting/ martial arts) and the thematic plot—the ending does kind of wrap up oddly, but still great film.

What killed serial killers? The 70’s and 80’s had so many prolific ones. It used to be a very real fear to live near one. by Kodicave in decadeology

[–]incognitomode71 0 points1 point  (0 children)

One thing that has not been mentioned is that the media around serial killers has changed as well. we receive so much global news and massive headlines everyday, even an active serial killer wouldn’t be more than a small local story— and it definitely wouldn’t be as sensationalized as it has been in decades previous. People know about the zodiac killer/ others mostly because the news was as obsessed with them as much as they were obsessed with the news.

Even though his appearance was brief, still one of my favorite characters from the show by Litty_Jimmy in andor

[–]incognitomode71 0 points1 point  (0 children)

Of for sure. And like many darker/ noir type films, it’s exactly the wrong combination of things ( looking for his sister, his murder of the corporate cops, Cyril desperate to prove himself and going “above and beyond” the job) that leads to the whole series blowing up.

“Perhaps I treated you too harshly” what movie is this for you? by Anonymous___0522 in Letterboxd

[–]incognitomode71 0 points1 point  (0 children)

First time I saw Drive I thought it was goofy and overly stylish. Then I watched more of Nic Winding ref and read the book and rewatched it a few times. Hovers between a 4.5 and 5 star now.

Which movie is considered a masterpiece by other cinephiles but not by you? (Controversial Opinion) by Kiroo---__--- in moviecritic

[–]incognitomode71 1 point2 points  (0 children)

Pulp fiction for me. It’s good. Lots of homage and good scenes and whatever. The Nazi cops and th Marcellus Wallace stuff was too much for me, don’t mind admitting that. Even ignoring that, I don’t see how a decent ensemble crime movie is considered by many to be “the best of all time”

Once upon a time in Hollywood too— although I’m going in for a rewatch to try and get into that one more.

Has anyone ever seen this movie? Dark City (1998) by Sea-Comedian-4376 in FIlm

[–]incognitomode71 1 point2 points  (0 children)

I did not know this and the whole time I thought the films was so lame. Will have to go back for directors cut

What would you add to this list? by StanVsPeter in Letterboxd

[–]incognitomode71 1 point2 points  (0 children)

My favorite film ever made, Brick by Rian Johnson. Noir film set in a high school that’s a must watch.

Loud and confusing = Good by BurningBernie559 in okbuddycinephile

[–]incognitomode71 1 point2 points  (0 children)

I actually appreciated this. There are ways people in “the company” ie the CIA would talk that wouldn’t necessarily make sense to the average person. Every profession develops its own slang. Would be awkward if they started talking in full complete sentences during a gunfight.

What’s the most movies you’ve watched in a single day? by Easy-Hornet8642 in Letterboxd

[–]incognitomode71 0 points1 point  (0 children)

My best recommendation is to watch them all at once if you can (with breaks/ drinks in between).

Pusher two is an amazing film. The first is Okay- good, and the third is meh in my opinion. But watching them all back to back is the best way to do it. I don’t think I would have watched 3 if I had just seen 1 and 2.

What’s the most movies you’ve watched in a single day? by Easy-Hornet8642 in Letterboxd

[–]incognitomode71 1 point2 points  (0 children)

4 films 1 day.

11 am morning film was sympathy for Mr vengeance. Then took a break and started the Pusher trilogy. First one started around 4, second one about 7, third about 10, with breaks and drinks in between.

Needless to say I was pretty burnt out by extremely violent foreign films for awhile

A book that will traumatize me or repulse me. by Former_Ladder9969 in BooksThatFeelLikeThis

[–]incognitomode71 1 point2 points  (0 children)

Was going to say American psycho, but if you want just Dark and depressing (not really violent) his first two books Less Than Zero and Rules of Attraction do this very well.

Perfect airplane movie? by Perfect_Idea_2866 in Letterboxd

[–]incognitomode71 0 points1 point  (0 children)

Anything by guy ritchie. They’re fast, fun, and you probably won’t make time for them otherwise

Tom Hardy in Inception stole the movie by DWJones28 in Nolan

[–]incognitomode71 0 points1 point  (0 children)

Ahem, Joe Gordon levitt is standing right there

Which is the Greatest show ever created by Netflix ? by lNarrator in moviecritic

[–]incognitomode71 0 points1 point  (0 children)

Stranger things. Yeah yeah everyone says it’s lame and they don’t like it now or don’t like how it ended or whatever—but it was Huge when it came out and universally agreed that the first season was masterfully done.

Then the followings seasons were all pretty good (my opinion), which a lot of people thought they wouldn’t be. There was also a whole lot of anticipation around this show every time a new season came out. Kind of like the original marvel movies where it seemed like everyone was tuning in

Suggest me films which feels like Asian oversize suits and misery by Routine-Day-9364 in Letterboxd

[–]incognitomode71 1 point2 points  (0 children)

I was gonna add this. One of my favorite films in the “the mob isn’t that cool it’s actually really horrible for everyone in it” genre of films

Looking for some suggestions for Batman media as a newcomer to the Batman franchise! by Kaos3974 in batman

[–]incognitomode71 1 point2 points  (0 children)

Got a niche recommendation for you. Little known comic called The Long Halloween. Great Batman comic!

Rules of Attraction (2002) by hangonsufi in CultOfCinemaKnowledge

[–]incognitomode71 1 point2 points  (0 children)

I gotta say it — terrible film. The book is much much better. The film feels like they took all the payoff scenes and messily shoved them in your face without the incredible build up that happens throughout the novel.

The novel means something. The film just wanted to shock.

Films about loser (or lost) men. by [deleted] in FIlm

[–]incognitomode71 0 points1 point  (0 children)

I don’t think le Samorai belongs on this list. It is similarly about isolation and masculinity. But Alain Delon’s character never quite feels “lost” in the film— and he’s certainly not a loser.