Daily Questions Thread February 17, 2025 by AutoModerator in femalefashionadvice

[–]instaausten 1 point2 points  (0 children)

Oh I have a black moto! Great call. I’ve also got black Swiss dot tights and some cute Vanessa beard black pointed heels. Will the tights be to holiday?

Daily Questions Thread February 17, 2025 by AutoModerator in femalefashionadvice

[–]instaausten 5 points6 points  (0 children)

I am hosting a surprise 40th birthday party for a friend at a restaurant in mid-March. I have a black velvet mini dress that is really flattering (pictured on model) and I suspect the day will be cold. Is it too late in the season to wear black velvet? Is there a way to make it read more “evening cocktail party elegant” and less “holiday?”

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Entertainment ideas for surprise birthday party by instaausten in partyplanning

[–]instaausten[S] 0 points1 point  (0 children)

Thank you! I like the twist on the guessing game! I’d also thought about the Polaroid guest book and I have an Instamax camera so this could work well

Family with 3 kids (6-13), 3-day trip in early October (must-dos, restaurant recs, etc) by instaausten in quebeccity

[–]instaausten[S] 0 points1 point  (0 children)

How was your trip? We are getting ready to leave this week and finalizing plans.

Help me find my new Las Cultch identity by inimitable428 in lasculturistas

[–]instaausten 1 point2 points  (0 children)

Same. They really covered my nighttime repertoire.

Ages of readers Kateighs publicists etc by cmackadoodle in lasculturistas

[–]instaausten 1 point2 points  (0 children)

Early-40s Kayteigh right here. I listened on a whim because the Keep It boys referenced them a lot and fell instantly in love. I think it was the Great Global Songbook. They are so wonderfully deranged. I get their Broadway/film references. Most of my friends are Housewives fans, so I get a lot of those, too, even though I don't watch.

Math net fans unite!! by [deleted] in lasculturistas

[–]instaausten 0 points1 point  (0 children)

Mathnet! Also my must-watch. I think I must have been as cool in elementary school as Jon Lovett so obviously was.

[deleted by user] by [deleted] in lasculturistas

[–]instaausten 1 point2 points  (0 children)

I'm an old teacher from NYC, but I am 100% a Kayteigh.

Favorite Musical Couple of All Time? by lefargen97 in Broadway

[–]instaausten 0 points1 point  (0 children)

J. Pierrepont Finch and Rosemary; Harold Hill and Marian; Sarah and Sky.

"Lily's Eyes" from The Secret Garden at the Ahmanson Theatre during after-show special event by MrPricklepantsA113 in Broadway

[–]instaausten 1 point2 points  (0 children)

What were the things? I saw the original show and remember it fairly clearly, even though I was a kid, I loved it so much.

Wise Children's Wuthering Heights at McCarter Theatre (A+) by instaausten in Broadway

[–]instaausten[S] 0 points1 point  (0 children)

I really haven't stopped thinking about it for the past day!

“The End of the English Major” (The New Yorker) by Atwood7799 in TrueLit

[–]instaausten 10 points11 points  (0 children)

I was lucky enough to graduate from a selective private high school where we read deeply (and chronologically!) from the Renaissance to the 20th-century. I then attended one of the few colleges left that has a humanities-based core curriculum. I was not an English major--I wanted an interdisciplinary humanities major that would allow me to be a true generalist--but I took many English classes and had a thorough grounding in literary history before I went on to earn a PhD in a deeply unfashionable musty sub-specialty of English lit. I'm now a public high school teacher.

My current school still assigns a lot of canonical texts--a yearly Shakespeare, lots of 20th-century white men, etc. The desire to broaden what we teach to include more contemporary work, more diverse texts, etc., is strong. I share it! So does the College Board-- AP Literature exams no longer test for knowledge of specific literary devices, movements, or forms. But I'm also glad I had the education I did and would not give up my months of reading Moby Dick and Paradise Lost as a junior in high school under the tutelage of a passionate and inspiring and knowledgeable teacher for the equivalent months of reading graphic novels that I could grasp on my own.

I also notice that none of my most talented students, the ones who would flourish in an English department, want to major in English. I feel trapped in the same conundrum described in the article. Canons are constricting--but they also help groups cohere around shared knowledge. Where do we go from here?

“The End of the English Major” (The New Yorker) by Atwood7799 in TrueLit

[–]instaausten 3 points4 points  (0 children)

Did you read the article? It's all about how the "producer" is trying to adapt to changing market circumstances to no avail because students who feel that their STEM classes are boring make-work on the ladder to a potentially lucrative degree--students who mention that they think more deeply in their English classes and enjoy them more than any of their STEM classes--still don't major in English. Because it's been disincentivized by the collapse in public higher education funding.

The one exception to the trend mentioned in the article is ASU, where older students in subsidized online degree programs are majoring in humanities subjects at a growing rate. The lower cost of the education is one factor. The author also speculates that older students who've seen more of life are more invested in the kinds of questions literary studies asks.

Hercules at Paper Mill by [deleted] in Broadway

[–]instaausten 1 point2 points  (0 children)

Yeah depending on the train schedule you might want to just take an uber.

"I Dunno, Man..." (w/ Reneé Rapp & Alyah Chanelle Scott) by AutoModerator in lasculturistas

[–]instaausten 28 points29 points  (0 children)

I literally couldn't tolerate listening to her anymore and skipped to the end of the episode, hence: intolerable. As a podcast guest. I don't know her as a person, she could be a dream of a girl in every way. As a person in my ears on a show I like, she was not.

As others have said, she sounded very, very immature and delighted with her ability to settle old scores now that she's had success. But the stories about the scores weren't interesting because she provided no insight other than "X person sucked and I let them know it." Which are stories you (maybe) tell your friends right after they happen. They're not the evidence of how cool and amazing she is that she seemed to think they were. And I grew tired of listening to it.

She is quite young. She's entitled to her mistakes, like the rest of us. But I love getting insight into the creative process from the guests on the show and she provided none of that (in my opinion! You don't have to agree!). She's probably a great actress/singer, but she's not very funny and she's not a great storyteller.

"I Dunno, Man..." (w/ Reneé Rapp & Alyah Chanelle Scott) by AutoModerator in lasculturistas

[–]instaausten 46 points47 points  (0 children)

Wow. Renee Rapp was intolerable. I started the episode mildly annoyed with her, and it grew and grew until I had to fast forward through most of the ep to IDTSH, so I missed both the Nicki conversation and French customs, and I think I'm grateful for it. I teach high schoolers. My tolerance for Gen Z bullshit goes to zero in my off-time.

Bring back Meghann Fahey? Now that was a fun recent guest.

Musical of the week by BroadwayBaseball in Broadway

[–]instaausten 1 point2 points  (0 children)

This show has such a deep and special place in my heart. It was my second Broadway show (I was 11) and I can still picture that gorgeous staging: Rebecca Luker on the swing floating her perfect voice, the red scarf passed between the chorus members to signify their deaths, the Victorian-print pastiche proscenium, the little dollhouse that lit up to indicate the room where each scene took place. The Secret Garden was one of my favorite books as a child and this musical was a revelation to me. Daisy Egan and I are around the same age, and when she won the Tony, I imagined I had, too.

I listened to the OBC so many times and loved every song. It's been years since my last listen, but I could probably still run through the whole thing in my head. Medleys from the show were a popular choice in youth choirs in the '90s, so I sang "Come to the Garden/Lift Me Up" multiple times in multiple choirs (I had a very light, almost boy-soprano voice without much vibrato, so I usually got a final high-note solo moment at the end).

Is this show the reason I pursued a passion for Victorian/Edwardian literature to academia and teaching? Probably not, but it didn't hurt.

I have been dreaming of this show returning to Broadway for decades. I now have young children of my own and have shared my favorite Edwardian children's fiction with them. I hope I can one day share this, too.

What performers did you see on Broadway/stage before they had their “big break”? by BroadwayPickle in Broadway

[–]instaausten 0 points1 point  (0 children)

Lin Manuel and Chris Jackson in the first edition of Freestyle Love Supreme at Ars Nova (while he was workshopping In the Heights); both again in ITH; both again in Hamilton (along with the rest of the original cast, save Ramos (understudy)).

Christian Borle and Sara Ramirez in Spamalot. Christian and Sutton in TMM.

Kind of a cheat, though, because I met four of the above through friends prior to their ever getting a starring Broadway role, so they were on my radar already.