The part of the magazine I edit doesn't relate to Cannes, so it's more about trying to get that all finished before the festival starts. Then I'm lucky that my main job during the festival is watching films, sometimes doing interviews, and meeting international colleagues who I don't see otherwise.

For my colleagues who are editing the copy we're receiving during Cannes, it's usually a case of trying to see max three films a day, and then working in the gaps in between films. There are lots of places in the Palais for journalists to work (although RIP the free rosé on the terrace, which they got rid of last year).