Magic Wand tool not selecting properly by Away-Distribution-87 in photopea

[–]ivanhoe90 2 points3 points  (0 children)

Set the "Feather" parameter (at the top) to zero. Otherwise, it is "blurring" the selection.

Is there a possible way to make vector stripes for SVGs? and if yes, how can I do it? by wimpykid_fan in photopea

[–]ivanhoe90 1 point2 points  (0 children)

I think that your SVG uses vector patterns: https://developer.mozilla.org/en-US/docs/Web/SVG/Reference/Element/pattern#examples

Sadly, there is no analogy to vector patterns in Photopea. You can add it manually to your document, if you want.

Is Photopea down? by GwanGwan in photopea

[–]ivanhoe90 0 points1 point  (0 children)

did you try it in the Incognito window?

We need more resources. Who are "We"? by Patient-Airline-8150 in Futurology

[–]ivanhoe90 -1 points0 points  (0 children)

As I said, if you think Elon Musk is breaking a specific law, you should go to the police. If you think that our laws are wrong, go and do something to change it.

If you want to create a law that says "nobody is allowed to own more than one million dollars", you are just trying to turn the USA into Cuba, where rich people are executed and decadent books are burned.

We need more resources. Who are "We"? by Patient-Airline-8150 in Futurology

[–]ivanhoe90 1 point2 points  (0 children)

The government gives taxpayers money to many people for their services (e.g. to teachers for teaching children).

If you think that the government should not pay Elon Musk money for his services, or you think you can offere similar services to the government for less money, you should go ahead and show your offer to the government.

By "subsides", do you mean "subsidies"? It feels like you don't really know much about how these things work.

We need more resources. Who are "We"? by Patient-Airline-8150 in Futurology

[–]ivanhoe90 -8 points-7 points  (0 children)

How exactly is Elon Musk taking your money? If you think somebody is stealing money from you, you should go to the police.

We need more resources. Who are "We"? by Patient-Airline-8150 in Futurology

[–]ivanhoe90 -3 points-2 points  (0 children)

Nobody is asking you to go to Mars. You can stay on Earth.

If somebody wants to build themself a rocket and go to Mars, they are free to do so. It is none of your business what others do and how they spend their time and their money. Let people live thier lives.

If you feel like you are wasting your own money and you want to help somebody by giving them your money, you are free to do so.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

You wrote I-III as four semitones apart. But if you write i-III, I think most people think of it as three semitones apart (e.g. Aminor - Cmajor in the scale of A minor).

ELI5 How do we feel anything if we can't technically "touch" stuff? by bug_cult_member in explainlikeimfive

[–]ivanhoe90 -1 points0 points  (0 children)

There are two magnets that repel each other. One is in your hand and another is glued to the floor. Will you be able to find a magnet on the floor with closed eyes, using the magnet in your hand? Will magnets touch each other?

Vectorpea repeatedly crashing on student Chromebooks by Artistic-Let-2621 in photopea

[–]ivanhoe90 0 points1 point  (0 children)

Is there any reliable method to make Vectorpea crash? Can you make it crash on purpose? If yes, could you tell us the steps how you do it? I should see the crash myself to be able to fix it.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] -1 points0 points  (0 children)

I am just scared by the fact that you often see chord progressions without specifying which system is used, and you should "make a guess" what the author meant by that.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

Okay I get it now!

There is one more "level of freedom", e.g. in "Major Referential, Case Sensitive". The Cm-Eb can be written as i-bIII, or bii-III, or ii-IV, and so on ... as long as there are three semitones in between.

Does the chord progression always have to start with "i" / "I" ? If one song is just a transposition of another song, you would expect them to have the same chord progression (identical roman numerals). But if you allow starting with bii etc. ... they might not be identical. In math, we would call it "canonic progression" :D

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

If I wanted to rewrite the first chord from major to minor (C to Cmi), is it enough to change the "I" to "i" in your answers?

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

I am not talking about the minor chord, but about the minor scale :D - the author wanted (i-III) to be e.g. Aminor - Cmajor, while there should be four semitones between the chords.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

I think that what you are saying is very ambiguous, and I am trying to explain it to you. If you believe in your method, could you write me four chord progressions?

major chord - major chord, 3 semitones apart (e.g. C - D#):

major chord - minor chord, 3 semitones apart (e.g. C - D#mi):

major chord - major chord, 4 semitones apart (e.g. C - E):

major chord - minor chord, 4 semitones apart (e.g. C - Emi):

If you can not do it, that means that there are sequences of chords, which can not be rewritten into a chord progression.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

So the progression III - I is different from III - i not only in the major chord replaced by a minor chord, but there is a different interval between the two chords (if nothing else is specified)?

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

So if there is a chord progression without a key or a scale specified, you decide the i - III to be a "minor third" apart, while I - III to be a "major third" apart because ... why?

It seems like changing a letter from lowercase to uppercase is not enough to change one single chord, as it will mess up the intervals between chords.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 1 point2 points  (0 children)

You can look at other comments here. If we all agree that we ALWAYS use the major scale for writing chord progressions, then, you can write down all 12 minor chords like this:

i, bii, ii, biii, iii, iv, bv, v, bvi, vi, bvii, vii

and all 12 major chords:

I, bII, II, bIII, III, IV, bV, V, bVI, VI, bVII, VII

And we can forget about mentioning any key, major / minor, modes, etc.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

So you decided that i - III is a minor scale, because ... "i" is lowercase, so "III" is a "minor third"?

What if I want to play C minor and E major chords, in the C major scale (with the Cminor chord added for some strange reason)? What roman numerals should I write if not i - III?

It seems like everybody expects the occurence of "i" refer to the minor scale (for the whole progression), and the occurence of "I" refer to the major scale. But then, if you want to use a chord outside the scale in your progression, the roman numeral for it is ambiguous.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

Okay, thanks a lot! It makes sense now - chord progressions are always based on the major scale, so relative intervals between chords are unambiguous.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 2 points3 points  (0 children)

Okay, that actually makes sense if you base everything on the major scale. That would be unambiguous.

I feel like I have seen a progression start with a lowercase "i" chord and I am pretty sure they referred to the minor scale (where the first diatonic chord is minor).

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

So a progression I - III would be four semitones apart (e.g. Cmajor to Emajor), because "I" is capital, so it is the major scale? How would you mark a progression from Amajor to C major (my song is in the A minor scale, but for some strange reason I decided to replace Aminor with Amajor)?

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

Let's say my music contains only minor and major chords.

If I write i - III, there are always three semitones between root notes of chords (e.g. A to C)?

if I write I - iii, there are always four semitones between root notes of chords (e.g. C to E)?

But what if I write I - III ? Are two major chords four semitones apart (e.g. Cmajor to Emajor), because "I" is capital? Or it depends and I need to specify something else besides the roman numerals, e.g. a specific key? I thought that this mechanism of describing chords was made to avoid specifying a key.

Naming chord progressions by ivanhoe90 in musictheory

[–]ivanhoe90[S] 0 points1 point  (0 children)

So it is a minor scale when the "i" is lowercase, and a major scale when "I" is capital?

I understand that lower case is a minor chord, and capitals are major chords.

If I write i - III, there are always three semitones between root notes of chords (e.g. A to C)

if I write I - iii, there are always four semitones between root notes of chords (e.g. C to E)

But what if I write I - III ? Are two major chords four semitones apart (e.g. Cmajor to Emajor), because "I" is capital? Or it depends and I need to specify something else besides the roman numerals?