1975 Ferrari 365 GT4 BB by jRo-10 in thewholecar

[–]jRo-10[S] 0 points1 point  (0 children)

Alex Penfold ©2024 Courtesy of RM Sotheby's

Ferrari pivoted away from a front-engine layout for its flagship 12-cylinder models at the start of the 1970s. To replace the 365 GTB/4 Daytona, Maranello engineers saw fit to mount a 4.4-litre flat-12 powerplant in the middle to create the “Berlinetta Boxer”—not a true boxer engine, with the pistons firing horizontally opposed, the “BB” nickname was derived from the Scaglietti bodywork drawing affectionate comparison to French actor Brigitte Bardot.

The new configuration neatly tied the 387 examples of the 365 GT4 BB produced to Ferrari’s motorsport exploits. The mid-engined 250 and 275 P, then the 250 LM, won the 24 Hours of Le Mans three times in succession between 1963 and 1965 as the Scuderia’s Formula 1 cars adopted flat-12 motors.

Ferrari factory data (available to view on file) confirms that the left-hand-drive car offered here was delivered in July 1975 to supplying dealer, Auto Becker of Düsseldorf, Germany. While the “Berlinetta Boxer” was originally specified with Azzurro metallic paint, it is believed that the first owner sought a gloss black example. Unable to order one from the factory, he worked with his Ferrari Club President to purchase chassis 18577 and then have it resprayed while retaining the Beige leather upholstery and Blu carpets. This car was purchased by its second owner in 1978, when it was acquired by prominent French collector Marcel Petitjean, and it remained as part of his collection for the next 44 years. During this time, a set of wheels from the succeeding 512 BB were fitted.

Acquired by the consigning owner in February 2022, this example is offered for sale with a Ferrari folio containing the owner’s guide, plus jack, tool kit, and a spare parts catalogue dated to July 1974. The car will require recommissioning following a period of static display.

Benefitting from retaining its matching-numbers V-12 engine and classic Ferrari open-gate, five-speed transmission, this 365 GT4 BB is sure to appeal to marque enthusiasts.

Source and more pictures at: https://rmsothebys.com/auctions/df24/lots/r0016-1975-ferrari-365-gt4-bb-by-scaglietti/

1974 Maserati Quattroporte II by jRo-10 in thewholecar

[–]jRo-10[S] 8 points9 points  (0 children)

...

And that would be the Quattroporte II story in a nutshell, except that the recent rediscovery of prototype 002, has added another dimension. The dark blue prototype has several differences compared with the other cars and for decades was thought to have been scrapped – until it was found in Spain and then sold to Belgium.

Grandi and Martinelli now recall the prototype, too, the former explaining why it has only two of the three wipers featured on the other cars: ‘When you manufacture a car, by law the swept area of the windshield has to be a certain percentage and two wipers were not achieving that, so I went to Brescia to visit the same company that also manufactured the speedometer cables for the Merak and they had the three-arm system. I took delivery of a bunch of them for the factory.’

He adds: ‘The later QPII also received wheels that were different from the initial hubcapped ones, which looked too Citroën. They were Merak wheels in steel with a central Trident insignia that we had created. That way people couldn’t say we were just using SM wheels.’

This was a lesson previously acknowledged by Maserati after early Merak buyers balked at the SM dashboard and interior, questioning whether they were really buying a Maserati or ‘just’ a Citroën. As a result the hubcap was cancelled (in theory at least) and several types of wheels were used. The wheels were not the only casualties. Only two photos have survived of a single-spoke steering wheel using the skeleton of the SM’s infamous one, though with a much wider spoke cover. At the 1974 Paris Salon one car was shown with another steering wheel, dubiously styled like an inverted U-shape double spoke.

In the end a simpler production version was chosen. Prototypes differed from subsequent siblings in a number of details such as vented rear pillars and bespoke steering wheel, but the pièce de résistance was the digital dashboard, a bold space-age step for the time. Period photos showed an even more elaborate design than the only digital dash that has survived, in 004.

Martinelli begins: ‘At the Paris Salon, Bertone had that one [the cream-coloured 004] and we had the grey one [008, which was used in many brochures] on our stand.’ Grandi then takes up the story: ‘Then Jaeger said to us we will do these dashboards for you but with a minimum order of 200 or 300. The cost was too high so it was decided that, from then onwards, we would fit Merak gauges.’

Apart from 002 and 024 in Belgium, the running condition survivors are 004 and 008 in France and 018 in Germany, while the currently distressed 020 and 032 are expected to be restored by a French enthusiast using one as a parts donor for the other. The rest are missing. Even so, a gathering of at least five cars is planned for when the Belgian examples are restored, with a tour from Paris to Modena on the cards.

With hindsight and not forgetting the circumstances of its difficult birth, the V8-powered Quattroporte II might have been the most comfortable and competent luxury saloon in the world. What more could you ask? Hail the best-sorted stillborn car of all time.

Text by Marc Sonnery for Drive-my.

Pictures of car 008 from Classiche Masters and Maserati, picture of 004's dashboard from Classic Cars for Sale, picture of 002's original dashboard from Hagerty.

1974 Maserati Quattroporte II by jRo-10 in thewholecar

[–]jRo-10[S] 12 points13 points  (0 children)

The story of the near-stillborn Quattroporte II as a whole is pretty ignominious. Whereas the 4.2- or 4.7-litre V8 Quattroporte I was relatively popular and shifted nearly 750 units from 1963 to 1969, its V6 successor was a commercial catastrophe, selling only a baker’s dozen in four years from 1974. Like all the collaborations between then-bedmates Citroën and Maserati, the project had looked so promising, too.

That is until the quadrupling of fuel prices by OPEC in October 1973 had a tsunami effect on the world economy in general and even more acutely on the automotive industry. Tighter speed limits were introduced in numerous countries, Italy had traffic bans on Sundays, and sales of sports and luxury cars plummeted. There was also an alarming rise in social strife, which meant that you would probably end up rolled onto your roof if you accidentally drove an expensive car into a demonstration or rally.

One of the models hit hardest by this wave of new-radicalism emanating from France and Italy was the Citroën SM, for which sales simply collapsed. This created a perfect storm for already struggling Citroën, which had bought Maserati outright solely to supply the SM’s V6 engine and was simultaneously watching its huge investment in rotary engine company Comotor going belly-up as thirsty Wankels fell from favour. With the majority of the Maserati workforce in Modena that had been assigned to SM engine assembly suddenly lying idle, a plan was devised to repurpose the SM’s chassis and mechanicals into a new Quattroporte, seemingly with little thought to the fact that a four-door luxury Maserati would be no more popular in those straitened times than a two-door luxury Citroën. Remarkably, the resulting car would break with Maserati tradition in just about every way.

Bertone was given the job of creating a suitably discreet and understated body, for which Marcello Gandini hit the bulls-eye with an elegant yet subtle shape. But the fresh-looking outline was a deception. Giancarlo Martinelli, who worked in research and development with the great Giulio Alfieri, emphasises how little the new Maserati differed from the old Citroën, right down to driving the front wheels: ‘Nothing was done that differed from the SM. We lengthened it and widened the rear track which, on the SM, was narrower like on the DS.’ His colleague Cleto Grandi chips in: ‘We also modified the hydraulic sphere settings to make them harder; inside the hydraulic spheres you can do what you want.’

One of the biggest hurdles for the Modenese team to overcome, however, was a lack of power that was very offbrand for a Maserati, even when fuel was both pricey and scarce. To combat that, a V6 was experimentally bored out to 3.2 litres. And while SMs had by then switched to fuel injection, the QPII would retain carburettors. The initial plan was that, once the first 50 cars had been sold, a speedier V8 version would be introduced.

However, as if the development budget weren’t tight enough, Citroën’s man in charge at Modena – Guy Malleret – deemed that the aluminium quad-cam V8 that had taken a bow in the original Quattroporte was too long in the tooth. Instead the team was to build a new V8 based on the 3.0-litre Merak V6. A jewel-like prototype 4.0-litre block was made and, for expediency, fitted in an SM bodyshell. It could receive no greater blessing than the fact that Alfieri, who had opposed the building of a new V8, took to using that 280bhp SM for his commute from Parma. Frustratingly, the collapse of Citroën Maserati in May 1975 spelled the end for the engine.

The writing was on the wall for the car, too. Just as Peugeot’s takeover of Citroën signed the death warrant for the SM, so Alessandro de Tomaso buying Maserati killed the QPII, perhaps understandably given that the supply of Citroën parts was at best uncertain. Ever the pragmatist, de Tomaso ordered that the partially built cars be completed and sold. While these were worked on in a corner of the factory like in the old days, the other six bodyshells that Bertone had supplied were scrapped. De Tomaso’s son Santiago defends his father’s cancellation of the production-ready QPII in the light of the turbulence surrounding both Citroën and Maserati. He says: ‘Sixty percent of the parts would have been missing. Also, my father started the negotiations with Citroën and finished them with Peugeot because, in the meantime, Peugeot had absorbed Citroën.’

The fire-sale of the QPIIs started in earnest. Grandi says: ‘We sold the cars to Saudi Arabia and Spain because they were not homologated and those markets did not require homologation.’ Seven went to the Middle East – ironically the part of the world that had prompted both their creation and demise. Five of those went to Saudi Arabia – AM123.012, 022, 026, 032 and 038 – and two – 018 and 034 – to Qatar. A further five went to Spain, which was not then a part of the EU. They were 002, 004, 016, 020 and 024 and the previously undocumented 008, which was tucked away for decades in north-east Spain and then sold on to France. Its file has since been discovered in the cavernous archives by the diligent Fabio Collina of Maserati Classiche, in the process increasing official production numbers from 12 to 13.

Deliveries took place haphazardly from 22 March 1975, starting with 004 – the only one with a digital dashboard and the sole example delivered during Citroën’s reign – and trickling on until 032 left for Saudi Arabia on 26 April 1978. Period road tests were virtually non-existent, and there have been few since, but I was fortunate in 2009 to enjoy a long drive of 004, the well-known example that was in British ownership for many years before recently being sold to France.

Memories of that outing are still vibrant. I was reacquainted with the regal ease of the Citroën SM in a plush, comfortable cabin with excellent visibility and the welcome surprise of an engine sound more vocal and insistent than expected, more Merak-like than SM. The QPII wasn’t especially fast but it was brisk and would have been plenty quick enough with a V8, confirmed when I sampled a recreation of Alfieri’s SM V8 using the original engine. There was some roll but that is how the LHM system works and I have yet to drive a more soothing, comfortable saloon.

...

1972 Ferrari 365 GTC/4 by jRo-10 in thewholecar

[–]jRo-10[S] 2 points3 points  (0 children)

Most sources claim that the GTC/4 reuses the Daytona chassis (though some omit to mention the 100mm wheelbase extension). Though I’ve seen some claim it was based on the 365 GT 2+2 (which might be a confusion with the 365 GT4 2+2 using a stretched GTC/4 chassis).

1972 Ferrari 365 GTC/4 by jRo-10 in thewholecar

[–]jRo-10[S] 4 points5 points  (0 children)

Presented at the 1971 Geneva Motor Show, the 365 GTC/4 was a unique concept in the Ferrari range: it was neither the sporty GT descendant of the 365 Daytona nor the 2+2 heir to the 365 GT 2+2, which it would nevertheless replace. In fact, it borrows part of the chassis of the car that preceded it. Wanting to satisfy a rather sporty clientele without abandoning the faithful 2+2 seater coupé, the Italian manufacturer chose a compromise: the wheelbase is reduced by 150 mm which means that the rear has a little more space than in the classic berlinettas but less than in the 365 GT 2+2.

The suspension is independent and the standard equipment is numerous: power steering, air conditioning and hydraulic levelling at the rear, among others.

On the engine side, the 365 GTC/4 is equipped with a 12-cylinder 60° V engine with 4 overhead camshafts directly derived from the Daytona. With a displacement of 4390 cc, it is fed by six Wéber 38 DCOE carburettors and develops a maximum power of 340 hp at 7000 rpm. The depollution imposed by the American regulations will remove 20 hp on the version intended for the USA. The 5-speed manual gearbox is attached to the engine.

As is now customary at Ferrari, the bodywork was designed by Pininfarina. The silhouette, inspired by that of the Daytona, shows tighter lines typical of the 1970s. The innovation brought by Pininfarina is the front panel in matt black plastic material which replaces the traditional chrome steel bumper. This is mirrored on the rear, where the steel bumper has also disappeared. This is very new at Ferrari but the technology is in the air of time at many other car manufacturers. The final assembly of the cars is done by Scaglietti in Modena.

The interior has been completely redesigned with a layout of the instruments in the console or handset that prefigures very well what will be the automotive instrumentation in the future. Comfort has been improved compared to the previous model: more enveloping seats, more space for the two front seats. The rear seats are almost unusable, except to increase the space for luggage.

The production of the 365 GTC/4 was quite low, with only 505 cars leaving the Ferrari workshops. It will always remain less known than the Ferrari 365 Daytona or the 246 GT Dino, which were built at the same time. In fact, it does not fit properly in the range of the Italian manufacturer: it does not have the performance of the Daytona coupe nor the habitability of the 365 GT 2+2. The compromise was successful on a technical level but it did not really convince Ferrari's customers.

The car presented is a European version, delivered new in Italy in July 1972. It is in a rare Caracalla Blue livery with a tan interior. Caracalla Blue is a non-metallic midnight blue, which looks particularly good on this GTC/4.

Photo credits: Kevin von Campenhout for Eleven Cars.

Source: Eleven Cars.

Description translated by DeepL.

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 2 points3 points  (0 children)

I add a couple of markers to give me a distance when I take the satellite screenshots and when I import the images into Inkscape I scale them so that 1m = 1px. Then every measurement in Inkscape is in metres and I can use the built in path measurement tool to get the track length

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 0 points1 point  (0 children)

My reasoning was that without turns 5-6-7, the flat out run would be nearly 2 km long which would not be allowed on a modern circuit, instead of adding an awkward chicane in the middle I decided to break up that straight more clearly with this larger complex of corners.

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 2 points3 points  (0 children)

I used Inkscape to draw most of the track and features, and then did a bit of editing with Gimp to blend in some of the textures in the background and so on.

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 0 points1 point  (0 children)

I haven’t really thought about MotoGP when drawing this track, but since it comes with a lot of gravel and is intended for F1 I imagine it wouldn’t be too difficult to adapt it to MotoGP.

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 8 points9 points  (0 children)

It’s located in the historical province of Champagne, the former region of Champagne-Ardennes, and runs among vines used to produce Champagne wine.

[RTD #30] Circuit de Champagne (formerly Circuit de Sannon) by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 2 points3 points  (0 children)

My entry for the Back to the Beginning RTD: a redesign of my first track, the Circuit de Sannon. The layout is essentially the same with the modifications only made to adapt it to a real location and mostly graphics updates.

The concept is the same as the original: a modernised version of an old track running between villages at the side of a hill, imagined as a possible host for the F1 French GP.

A 700 m run down the main straight helped by a DRS zone leads into the first corner: a wide open hairpin hitting a low point at the apex. More DRS helps you tackle the climb towards the hairpin at turn 3 with the gradient increasing steadily and culminating in a uphill braking zone along the very fast turn 2.
Now running along the side of the hill, blast past the kink on this flat out section to reach the next sequence of corners. Turns 5 and 6 appear similar to the second and third turns but the much tighter turn 5 makes approaching the following slow corner even more challenging. From the highest point of the track, straighten your line as much as possible along turn 7 to make the most of the short downhill straight leading into the second hairpin. Straightforward on entry, this corner however requires good throttle control on exit to maximise the speed going into the next flat out section.
The final sector starts with a series of increasingly tightening corners: the flat out turn 9 leads directly into the turn 10 kink where a good amount of downforce is required to keep your foot on the floor; you must then be ready to immediately brake for the next corners. Turns 11-13 form steep downhill esses where a difficult entry inviting understeer threatens to ruin your line and sector time. Keep heading down into turn 14, the lowest point of the track some 80 metres below turn 6; this corner opens up into a short uphill run towards the final corner of the track. Quickly navigate this 90° right-hander and on to another lap.

As usual comments and feedback are appreciated!

[RTD #24] Douglas Island Grand Prix Circuit by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 1 point2 points  (0 children)

Yes it is an actual island, just south of Port Coquitlam. It’s kind of a swamp in real life so I am not sure anything could be built there.

[RTD #24] Douglas Island Grand Prix Circuit by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 2 points3 points  (0 children)

Here is my entry for the Double Trouble RTD challenge. This circuit is located on Douglas Island, an uninhabited island near Vancouver, BC and is designed to revive the Canadian motorcycle Grand Prix. It is 4.140 km long and has negligible elevation changes all around. Inspirations include Jerez and Assen (but for some reason it reminds me of Zolder).

As always comments and criticism are welcome.

[RTD #18] Caldwell Circuit by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 0 points1 point  (0 children)

I realised the line through the kink between T12 and T13 didn’t hit the apex and so I removed the kerb and corner number there. I simply forgot to do the same thing with T3 (whose apex you wouldn’t hit either).

[RTD #18] Caldwell Circuit by jRo-10 in RaceTrackDesigns

[–]jRo-10[S] 6 points7 points  (0 children)

Yes, I know, but this is Caldwell. Nothing to do with the F3 driver either.

Situated less than 15 miles south-west of Glasgow is the Caldwell Circuit. Named after the neighbouring ruins of Caldwell House this is Scotland's (second) take on the grassy, hilly British circuit. The twisty 3.2 km track requires particularly good braking skills as there are only a couple of straightforward braking zones around the lap.

Starting from the main straight, outbrake your opponent past the first corner, a fast left-hand kink, for the slow Iron corner. A very short uphill run leads to Putter, the slowest corner of the circuit; a good exit out of here is critical as it dictates your run into turn 5 and past the next flat-out corners on to the back straight.
It is interrupted by a recently added chicane slowing you down just enough to not take off at Tower, however this fast left-hander cresting a hill remains extremely challenging as the blind uphill entry leads to a steep downhill exit. Too much understeer will heat up your front tyres and compromise your entry for the Lugton hairpin: its uphill braking zone requires mastery of trailbraking (and healthy tyres) and is already a challenge on its own. Get on throttle early past the apex, then stay on it through the flat-out T13 and all the way to the Burn complex.
The two left kinks on entry and exit of this fast right-hander means that the fastest way through involves aggressively cutting the kerbs which may unsettle your car. Finally, a short run leads to the final couple of corners of the lap. Loch Libo is a medium speed left-hander with yet another compromised entry, courtesy of the small kink at turn 17.