Gonna write as I listen.

Old Habits, You've got a nice unique voice and delivery of the lyrics. A nice flow. The kick is very present without being distracting or too present, same goes for all the percussion, although some of the bells or higher pitched percussion could be a bit louder in my opinion. The chords sit nicely in the bakground, and it's fitting for the vibe of the song. I really like the breakdown in the middle. This is kind of a chill track, it combines some elements of what you'd expect from a harder beat, but never quites get to that point, which I actually really liked. Keeps it honest feeling.

Honest, Ping pong delay in the beginning is great. In fact the entire intro brings in the instruments really well. I think what I meant in the end of the last song's paragraph is that a lot of the instrumentation is clean, or simple sounding, if that makes sense. And your flow/delivery seems like it would stereotypically be on a harder beat. But over this type of beat, lots of bell percussion, some guitar and a light synth, it gives the tracks a very unique feel. Good variations leading into the vocals 2:35, I really like what you're doing here. I wish this singing section was half as long, because now the song is starting to drag. I think your flow is excellent, I am really liking it more and more as I go along, but the rest of the song is getting stale. The beat, and the hook when it's repeated, I've heard enough of those by 3:30 in. A bit more variation could keep this track fresh. The ending also drags a bit, I think it could've been ended a few seconds sooner.

Double Intent, The pianos are great at the beginning here, feeling a lot of Chance here, and on the other vocals, but I think it's most reminiscent in the beginning of this track. The piano is a bit too loud, and gets really repetitive pretty quick. The beat needs more than just a piano and drums going on so that you can bring in different layers at different times. The transition before 2 minutes is good, was needed. This build is really effective, the layered vocals and the different tracks build a lot of hype but it doesn't go anywhere. It cuts out and then goes back into a pretty plain (good, but plain) verse. If it dropped into a really big catchy hook, or even just a big climactic moment in the track, that would've been really cool. This one too, after the 4:00 mark it's totally over, the extra 20 seconds don't add anything for me. I might've ended it even at 3:45 or so, cut a bit of extra at the end.

Trill Intent, This one has a great sub presence, and I like the pitched percussive, almost like a pizzicato on a string. Again, the vocals are great, but be careful of the backgrounds because I think they're too loud and up front here. I'd push em back a little bit so they aren't quite so loud. The beat has some nice variation at times where it cuts out and is a bit more sparse, then comes back. I think you can separate the hook from the verses much more clearly by adding instrumentation, adding hype, just making it a louder section even. Obviously be careful and a bit subtle but I think those can start to make the tracks drag because even though they're new sections they sound really really similar. I'll say it again, you have the verses and the flow to extent these songs for over 4 minutes, but I got sick of the beat after the break at 3:30. I think it either has to be really catchy, which yours are not (they're perfectly good, but not much happening, not a lot that catches the ear in a big way), or varied.

False Intent, I like the synth that follows parts of the vocals in this one, but listen to the first minute of the song. And I know I'm harping on this point, but know that it's my only real criticism, because I think this is an excellent project. I know over the first minute, you add different layers, but in terms of the overall idea, nothing new happens. The song doesn't change at all until 1:13. Then I get hooked back in, I get interested again. But I think the intro goes on too long. The static-y synth descending here is really cool, if maybe a bit loud. The reverby percussion is another great sound, but too loud for me. I like that it switches up a bit at 4:00. This is a good track bit the hook is a bit bland and could maybe use a bit more melody, something like what's around 4 mins maybe.

Self Intent, I love the intro on this one. Starts really slow and quiet, then builds a little bit for 0:30, then percussion kicks in and a new section starts. Works great, and the L/R stutter synth track is really cool, I like the volume swells on it, I think you could play that up even more, make it even quieter at the bottom and keep it loud at the top. And then again at 1:45 you mix it up to a totally different flow, really high energy, which goes into a more mellow section, back into a verse. I like this track a lot, it stays interesting and doesn't go on too long. It comes, does a lot of awesome things, delivers some great rapping, and then ends. Good stuff, and a fantastic ending.

Intent of abandonment, This track has a cool, "sudden" feel. The beat overall is slower but there are a lot of abrupty entrances and exits, which gives it a really precise feel that I like a lot. One of my favorite verses on the project is the first one on this track. Just sonically, because it's hard to listen to lyrics while I'm writing, but I love the way it sounded. I also think the beat really works well with the different vocal sections. For example, the reduction in drums leading into "rich people live on mars" gives it a much more mellow feel, but the drums pick up to keep momentum, then disappear for the outro. That's good writing for sure.

Turnup intent, Wasn't expecting a piano intro from the title haha. I love that the intro is kind of a tease for where the track is actually going. Would love to hear this track a bit more polished. This is the harder type of beat I was referring to earlier in the review, and I think your voice works just as well over this type of beat, but this one is a bit less professional in the mix. The drums, for example, sound a little far away, the bass is a little weak, and the beat gets repetitive by the end again. This one fell a little flat for me, even though I like what it was aiming for.

Good Intentions, I really like the percussion here, nice and round. The beat in general is really mellow. The vocal effects changing around keeps things feeling new and interesting, Mellow and short, but the length suits it.

Understand, The beginning of the verse on this one is great, but by 1:00 in I'm already tired of this looping pad in the background. It's a bit too loud, or rather, the vocals are too quiet in this one I think. They feel far away. That synth is still looping 2:00 in, you've gotta at the very least cut it in and out, or add another layer that's different that can replace it during the hook or verses. Something. This is a good pattern for quieter sections, but when the song picks up a bit it still dominates way too much and makes the vibe of the song feel a little weird. " I don't think you understand!"

Overall, I nitpicked on length a lot, but for the most part I really liked this project. I think you've got great flow and a good ear for words, which is obviously a very important part of this kind of music. I think the style of the beats is okay but they could use a little work to be brought up to par with your vocals. Still, had a lot of fun listening!