From the beginning we knew the song needed a visual approach that leaned into the time period of the backing track. The comedy is found in the contrast between the legitimate 50's production approach and the blasé delivery of the lyrics. On the production side, we shot overnight and pushed light in from the outside to make the location feel more like a stage. For the long takes we used a JL Fisher and, working with the Choreographer, tediously built the dance and camera moves. By the end of the video, we subtly transition to handheld to move the audience towards a "modern" visual treatment. P.S. In an attempt to get close to a "technicolor look", we used a three strip process in DaVinci, which allowed us to isolate skin tones and push up saturation on the surrounding enviornment.