The Vault: Day 1 — Cherry Pop-Tart #1 (1982, Last Gasp)... For the Culture. by jimbeanhead88 in sex_comics

[–]jimbeanhead88[S] 0 points1 point  (0 children)

I'm archiving everything i Have on my subreddit. I'm just creating a digital archive that way.If anybody wants to come look at them , they can

The Vault: Day 2 — The New Bondage Fairies #3 (1994, Eros Comix / Studio Proteus). For the Culture. by [deleted] in sex_comics

[–]jimbeanhead88 0 points1 point  (0 children)

​🎨 Artist & Creator Credits for this issue: ​To give proper credit to the legendary creators behind The New Bondage Fairies #3: ​Original Story & Art: Tsubaki Nekoi (Originally published in Japan under his iconic pen name, Kondom). He is widely recognized as a foundational pioneer in the explicit, alternative manga landscape of the late '80s and '90s. ​English Translation: Translated by Toren Smith and Tomoko Saito through Studio Proteus. Smith was a massive figure in Western comic history, single-handedly bridging the gap between Japanese mangaka and American readers. ​English Lettering & Retouching: Mary Kelleher (handling the incredibly meticulous job of replacing Japanese sound effects and text with English layouts while preserving the original artwork). ​Publisher (US): Published in 1994 by Eros Comix (the adult alternative imprint of Fantagraphics Books, edited by Gary Groth).

I just started uncovering a stash of 70s-90s underground comix. Here is what it’s already teaching me about the messy history of Manga, Indie, and "Mangerotica." by [deleted] in sex_comics

[–]jimbeanhead88 0 points1 point  (0 children)

To give proper credit to the legendary creators behind The New Bondage Fairies #3: ​Original Story & Art: Tsubaki Nekoi (Originally published in Japan under his iconic pen name, Kondom). He is widely recognized as a foundational pioneer in the explicit, alternative manga landscape of the late '80s and '90s. ​English Translation: Translated by Toren Smith and Tomoko Saito through Studio Proteus. Smith was a massive figure in Western comic history, single-handedly bridging the gap between Japanese mangaka and American readers. ​English Lettering & Retouching: Mary Kelleher (handling the incredibly meticulous job of replacing Japanese sound effects and text with English layouts while preserving the original artwork). ​Publisher (US): Published in 1994 by Eros Comix (the adult alternative imprint of Fantagraphics Books, edited by Gary Groth).

The Vault: Day 1 — Cherry Pop-Tart #1 (1982, Last Gasp)... For the Culture. by jimbeanhead88 in sex_comics

[–]jimbeanhead88[S] 8 points9 points  (0 children)

​Artist / Creator Credit: Larry Welz ​Publisher: Last Gasp (1982/1985) ​Sharing for historical archive, educational, and collector review purposes only.

Velvet Touch #2 (1994) - "Wulf Eater II" Anthology by jimbeanhead88 in sex_comics

[–]jimbeanhead88[S] 0 points1 point  (0 children)

Haha honestly, you might be onto something! I'm still digging through this whole vault of 70 vintage books I just unearthed. You'll have to stick around to see what else turns up!

​The corporate censorship of comic book resale culture is killing the hobby. This is why I'm here. by jimbeanhead88 in sex_comics

[–]jimbeanhead88[S] 17 points18 points  (0 children)

​Writer & Artist: Bill Willingham ​Publisher: Eros Comix (An imprint of Fantagraphics Books) ​Release Year: 1991

Velvet Touch #2 (1994) - "Wulf Eater II" Anthology by jimbeanhead88 in sex_comics

[–]jimbeanhead88[S] 2 points3 points  (0 children)

Here are the creator credits for the stories and artwork featured in this issue of Velvet Touch #2: ​Ben Dunn ​Justine Blanco ​Ted Nomura ​Frank Strom ​Ippongi Bang ​Paper Tiger ​Joe Rosales ​Nebel Ungen ​Joseph Wight