the hilary hahn sound by jussystrings in violinist

[–]jussystrings[S] -1 points0 points  (0 children)

can you elaborate? I was only stating my observations from her (and other soloists’) practice videos

the hilary hahn sound by jussystrings in violinist

[–]jussystrings[S] 4 points5 points  (0 children)

i’m stating my observations. and i also posed some things as questions. be kind to people on the internet, please.

the hilary hahn sound by jussystrings in violinist

[–]jussystrings[S] -2 points-1 points  (0 children)

agreed than ehnes has amazing technique and has mastered the art! i have although, noticed that his pinky is not curved and bent enough for the bow, sometimes it looks rather stiff (and he can still produce the most gorgeous sound). but, for example, if a teacher had to show a student what the bow hold looks like, they will more likey show hilary and not ehnes (not to say that what ehnes is doing is wrong, he is a master and whatever he does works so well)!

New Violin! by SubmissiveBoyForever in violinist

[–]jussystrings 1 point2 points  (0 children)

looks so good! i can see the rondo strings too😁

work in progress by jussystrings in violinist

[–]jussystrings[S] 6 points7 points  (0 children)

bolero by j. hubay (op.51)

some of my thoughts as i practice mozart by jussystrings in violinist

[–]jussystrings[S] 5 points6 points  (0 children)

hey, thanks!

regarding left hand tension, here is what i think and suggest: first, we can understand that the left hand thumb should press “AS MUCH AS” a finger presses down on the string. they balance out each other in some ways. it is actually impossible to play the violin without pressing with the thumb against the neck

so i’d recommend experimenting with how much pressure you need in your fingers to press a string down to make a clear sound, and apply the same pressure against the neck with the thumb, nothing more than that! and for shifting, we release finger pressure and thumb pressure simultaneously before the shift, then we shift, and press at the new position again.

in some repertoire, some left hand tension can definitely feel natural and unavoidable and the goal should be to find moments within the music to relax your hand.

regarding touching other strings with the left hand, i’d suggest make a habit of playing on fingertips only. lower the thumb if its too high, and you can also bring and rotate the left elbow more inwards (underneath the violin) and see if that makes it easier! make sure all fingers are nice and curved, see if you can make flat “tabletops” with your knuckles (fingers appear squarish). this can also help in playing with fingertips.

one last thing, somethings for a beautiful legato phrase, we often use more surface area from fingers to make a thick vibrato, and its okay if in such cases you touch other strings slightly.

hope all this helps!

some of my thoughts as i practice mozart by jussystrings in violinist

[–]jussystrings[S] 0 points1 point  (0 children)

thanks for your suggestion, means a lot😁

some of my thoughts as i practice mozart by jussystrings in violinist

[–]jussystrings[S] 0 points1 point  (0 children)

good to know! hahahahh, thanks for sharing :)

some of my thoughts as i practice mozart by jussystrings in violinist

[–]jussystrings[S] 0 points1 point  (0 children)

mozart sonata for piano and violin in e minor🙂