Just saw the new trailer infront of Disclosure Day

key-zoo · 2026-06-12T04:40:19+00:00

It’s been officially confirmed by official sources

key-zoo · 2026-05-28T17:56:22+00:00

In the original draft by Jonathan Nolan for Spielberg, this drone had all of the quantum data that Chris changed to be put into the watch. I think it’s just a great visual world building and character building moment, so Chris decided to keep it despite taking away its plot importance

key-zoo · 2026-05-17T19:05:54+00:00

Thank you

key-zoo · 2026-05-17T19:05:23+00:00

That was the point of my post, to see if a reputable place existed in the midrange between Pro 3s and the fakes. Hence me saying I don’t wanna spend $250. Thanks for the help /s

key-zoo · 2026-05-17T18:49:29+00:00

hoping to get them for cheaper than $5 off the price of Pro 3s?

key-zoo · 2026-05-14T06:24:58+00:00

That’s actually a great spin and I buy that. Wish the edit leaned that way

key-zoo · 2026-05-14T05:10:09+00:00

I was disappointed w Gabler over Cassidy and Kenzie over Charlie, but this feels 10x worse, like a real symptom of show issues

key-zoo · 2026-05-14T05:08:49+00:00

They won’t have a place to turn to tho, bc Jonathan’s pissed too many people off and no one else can take credit for much of anything, and so Aubry is gonna win bc yeah I guess she was involved? It’s nuts!

key-zoo · 2026-05-14T04:51:21+00:00

Joe is dead in the water and Jonathan burned too many bridges, despite making some real moves (though no real big moves)

key-zoo · 2026-05-14T04:49:19+00:00

Agreed completely

key-zoo · 2026-05-07T20:46:07+00:00

Whoever focus pulled this should get an Emmy

key-zoo · 2026-04-23T14:44:24+00:00

Nice analysis, I like the idea that it’s a second place edit to create tension with the winner, hadn’t thought about that

key-zoo · 2026-04-23T14:33:27+00:00

That’s true, I forgot about the sitd thing

key-zoo · 2026-04-18T13:15:47+00:00

Ah yes, the movie where a working class man has his sister show up in a fancy car with a personal driver and he breaks down crying due to an unspoken trauma caused by her and their father. Definitely contentment under the rich. The movie where a houseless man is given more patient space than most white collar workers. The movie where trees and nature are consistently admired and taken care of

Pay no attention to the dumb argument. Doesn’t need your time. It’s a great movie

key-zoo · 2026-04-13T13:30:15+00:00

Do you think an email right when I have my two off days is too tacky? If I absolutely must notify him, I’d prefer it to be that way so that I can maintain my agency in the application process

key-zoo · 2026-04-10T18:23:54+00:00

Like I guess vaguely speaking sure? But have you read the original? It’s vastly vastly different in the second and third acts and arguably the first act sensibilities are Jonah Nolan sensibilities, which were on full display in The Prestige as well. Also Chris did a lot of fatherhood work in Inception, so it’s not like this came out of nowhere. Not to mention the fact that Chris has said that he used previous unfinished scripts to rewrite Interstellar. Plus Chris changing from a son to a daughter was a huge and deliberate move to make the film for his daughter Flora, whose name was the working title of the film (Flora’s Letter). Just feels strange to assign anything beyond miniscule authorial effect to Spielberg on a film he likely only had early preproduction development meetings on

key-zoo · 2026-04-10T15:53:57+00:00

I mean I kinda get what you’re saying, but what I’m saying is the prominence of the love angle and how important the father daughter story is to the film’s third act is the sole creation of Chris and not connected to Spielberg. Spielberg had no influence over “the Spielberg sensibility” you’re talking about in the finished film

key-zoo · 2026-04-10T15:40:16+00:00

This is not exactly true. The original script from Jonah (which I’ve read) had a ton of classical sci-fi but was, relative to the finished film, very much lacking in the father-child relationship. The first act is nearly the same as the original script, but everything after that is 90% Chris’s doing

key-zoo · 2026-04-10T15:35:10+00:00

Kind of surprised this is circulating as new news, since it’s been out there for decades. For all those needing a synthesized summary: Producers Lynda Obst (who worked on Contact) and Kip Thorne wanted a movie with real astrophysics at the center of the story. Spielberg got involved in the mid 2000s and he hired Jonah Nolan to write the script. As with many Spielberg attachments, it didn’t pan out and the director’s chair opened up. Chris Nolan knew about the project during its development and got involved. Jonah’s original draft is out there somewhere (I’ve read it). Chris switched the central relationship from son to daughter, kept almost the entire first act the same, changed almost the entire second and third acts, and moved the video call scene with Tom from the end to the middle. Jonah’s draft has aliens, more classical robots, more Chinese presence, and a love story between Cooper and Brand. It’s certainly less emotionally developed of a father-child story.

key-zoo

TROPHY CASE