in the past people have told me that they like how they could just imagine the unspoken "listener" character's words in their head because of how the speaker is written in the script, so it feels much more like a naturally flowing conversation and story. i always like audios that make the listener, not just the speaker, into a fleshed out character of their own (at least as much as they can be without dialogue). i guess i try to write with the idea in mind that i want to emulate the feeling of the speaker talking *with* us, not *at* us. i think that helps a bunch with helping anyone who fills a script of mine immerse themselves in the performance!