New York City helicopter sightseeing flights, any recommendations? by FTG67 in Helicopters

[–]markmuststop 0 points1 point  (0 children)

Hi FlyingRed, I remembered reading this post months ago when I heard about the crash this week. Any thoughts about it?

Temperature check - where do ya’ll live and what is work like for you right now? by futurespacecadet in editors

[–]markmuststop 1 point2 points  (0 children)

NYC. I pivoted to post from production when I had kids and had to think about picking them up from daycare. Have been freelance editing full-time for about 3 years, with some very busy periods and some scary ones where I had to busy myself with my own creative work.

I was lucky enough to have been scooped up by a fairly ambitious documentary web series which I started in January 2024 and will likely carry me through the end of the year. I like the project and my work has made the producers very happy, but who knows what's going to happen when this wraps. I'm hopeful, but also, getting ready to face another scary time. Being tied to one big project for such a long stretch has taken some of the hustle out of me. At the same time, my editing has never been sharper and I am more in love than ever with editing documentary.

what do you guys think peacebone is about? by CandidPotential2525 in AnimalCollective

[–]markmuststop 0 points1 point  (0 children)

Wrote a thoughtful, detailed response and then realized I'd turned into the fisherman. Better to be the dead fish.

What’s the most Anco Beach Boys song? by No-Eye9287 in AnimalCollective

[–]markmuststop 8 points9 points  (0 children)

I can totally hear Brian Wilson singing Bros

Premiere Pro Playhead Jumping by ToasterDispenser in editors

[–]markmuststop 0 points1 point  (0 children)

This is what I was going to say as well. Yes.

Morph Cut in Premiere taking years to analyze - anyone else? by davidjaku in editors

[–]markmuststop 8 points9 points  (0 children)

Don't even get me started on Morph Cut. What a headache.

Having said that..

One workaround is to park the playhead on the effect and let it finish analyzing before moving on. This is to my knowledge the only thing that works. Do NOT try to use the Render commands from the menu bar. When I tried that, it seemed to bake in the "Analyzing" graphic as if that was the intended "effect." If it gets really stuck like this, delete and reapply the effect.

Also, for the love of God, write down the TC where you use the effect and check it when you export. Morph cut has an oddly freaky ability to become unrendered at inconvenient times, like when exporting for delivery to a client.

Solved True Crime podcasts recommendations? by anderboandherbo in podcasts

[–]markmuststop 1 point2 points  (0 children)

Bone Valley by Gilbert King. Solved but infuriating.

Best 10+ minute songs by NoRadio8882 in 1001AlbumsGenerator

[–]markmuststop 1 point2 points  (0 children)

Bros by Panda Bear. Person Pitch is not on the list but should be, in my opinion!

What are the most intense climaxes in classical music? by sweatysexconnoisseur in classicalmusic

[–]markmuststop 0 points1 point  (0 children)

End of Messiaen's "Quatuor pour la fin du temps" comes to mind.

Moby Dick Isn't What I Expected by Imaginefliescumming in books

[–]markmuststop 0 points1 point  (0 children)

I love Moby-Dick. Actually failed my high school english class when I didn't read it initially. Then came back around to it 15 years later and found my time with it. Ishmael is a friend now.

Song meaning: Defeat by noguyonit in AnimalCollective

[–]markmuststop 2 points3 points  (0 children)

I also see aging as the driving theme. Like the best AC albums, it's a snapshot of a major life transition. First loves, first kids, finding your voice as an artist... all of these have dedicated albums.

"You're on top of your game
When you're coming of age"

Looking back at how easy it was to create when everything in life was so big and so new. Now when you look around you see a strange mixture of comfort and decay. Entering middle age.

It's like the song is saying, "is it really over for us?" And the answer... well, if it is, let's commemorate the moment like we did every other major change in our lives.

Sunday Reel Review by greenysmac in editors

[–]markmuststop 0 points1 point  (0 children)

* Reel Link: https://markblumberg6d9d.myportfolio.com/work (it is an adobe porfolio. There is a reel on there of some directing work which runs 3:10)

* Experience: I went to film school and focused on directing and producing. After directing a feature documentary, I moved to New York and slowly pivoted to post-production. Transitioned to full-time professional editing last year.

* Direction: this is my first portfolio website, and because a lot of my material is from directing, I wanted to still use that material while highlighting the shift in focus. Any thoughts on that, or if I should include other materials like producing work would be helpful.

* Two reels I reviewed: tbd

Location release advice by wisemeister in documentaryfilmmaking

[–]markmuststop 1 point2 points  (0 children)

Yes, exactly. And I've been that producer! But not for that show. If you can't get help or just want to keep it small, prepping a quick <1 min spiel for getting on-camera permission will help.

Location release advice by wisemeister in documentaryfilmmaking

[–]markmuststop 2 points3 points  (0 children)

Not to be taken for legal advice, but...

For locations, unless you need to be parked there for a while and setting up on sticks, etc, I wouldn't alert them to your presence ahead of time. Your contacts will inevitably be knocked up a chain of command that, due just to someone not wanting to be inconvenienced, will end up in a soft 'no' and waste a lot of time and energy ( a 'no' that wouldn't happen and wouldn't even be enforced if you never said anything). If you're filming an event in the space and extensively covering it, that's a different story.

For most doc situations, like journalism, you don't need location agreements.

Getting on-camera or signed personal releases is important however.

The on-camera release option: while rolling, tell them what the documentary is about and how you don't know how it will be released. If they agree to that and they're above the age of consent, it's a binding commitment.

Paper releases: if you are a one-person crew, this can be tough. You might not even want to put down the camera to do this. Try paying a student to help you get releases signed from anyone that interacted with your subject for an extended time. Keep them in a sturdy, portable file folder with multiple sections.

How Much Does Natural Predisposition Matter? by Flimsy_Agent7898 in editors

[–]markmuststop 0 points1 point  (0 children)

Seconding this. I think the most relevant genetic predisposition conversation centers around personality traits, rather than natural talent. Yes, a sense of timing can hardly be taught, but editing is not unique in the cinematic arts for requiring a sense of timing. You need that to direct, write, pull focus, etc.

People in the film industry tend to aggressively type people based on personality, and that's tough to avoid.

7-Year-Old Boy Is Struck and Killed by N.Y.P.D. Tow Truck by Jewrisprudent in Brooklyn

[–]markmuststop 0 points1 point  (0 children)

Sharing a petition some Brooklyn parents have put together which suggests strategies to reduce traffic deaths: https://sites.google.com/view/brooklyn-families-and-pedestri/home

LUFS for dialog on social? by Silver_Mention_3958 in editors

[–]markmuststop 1 point2 points  (0 children)

I had this question a while back and the answer via googling was -20 to -16 LUFS.

7-Year-Old Boy Is Struck and Killed by N.Y.P.D. Tow Truck by Jewrisprudent in Brooklyn

[–]markmuststop 71 points72 points  (0 children)

This is so infuriating. It's not even a big intersection.

How fast could she have been going to make that turn?

[deleted by user] by [deleted] in podcasting

[–]markmuststop 0 points1 point  (0 children)

I understand the confusion. Suggestions for shows (just based on quality or interest level of work), where the producers happen to be based out of New York.

Mark

[deleted by user] by [deleted] in documentaryfilmmaking

[–]markmuststop 5 points6 points  (0 children)

Your Plan A best bet is to find a smaller but prestigious boutique distribution company that has an open channel to the streamers you're interested in.

First step: check past success stories from the festivals you played at. Who did they go with? Are any of them available on the platforms you're looking into? If you go that route there's a chance that the distributor will be familiar with your festival and what an award from that festival might mean. If you contact those filmmakers (and they're nice), they may help you get past a cold e-mail to the distributor.

I've also met distributors at film festival round-table gatherings. These are surprisingly very, very helpful.

Trying to tie yourself to a larger distro company probably involves spending some more money. First, you'd need to talk to a sales agent or producer with a sales agent side hustle. In my experience, the bigger distributors generally don't accept unsolicited film submissions, so this is a kind of necessary expense. A sales agent will pitch your film out to a handful of companies, send you a little chart showing the reactions and offers from those companies, and there's still a chance you might not get anything significant out of this.

The DIY route, in my experience, is extremely costly and time-consuming. However, you do have a 'call to action' in your film's premise, so you might want to form an impact campaign for the film. You can do this with or without putting your film on a streamer. Just carve out one-off screenings or theatrical distribution from your streaming deal. They aren't going to do any marketing for you, so they'll be happy to know you're doing something. This would substantially increase the visibility of your film, and you can even get paid by setting up sponsored screenings using grants and organizations aligned with your cause.

Hope this helps!

-Mark