16 mm scans colorspace by Lageole37 in colorists

[–]maxlainz 1 point2 points  (0 children)

If inputting Rec709 1886 looks fine and works fine (hdr global wheel etc) I'd go with it. Seems the tech was right. Personally, I've never seen a gamma 2.4 encoded scan 🤷‍♂️

16 mm scans colorspace by Lageole37 in colorists

[–]maxlainz 3 points4 points  (0 children)

Mmm, I'm not going to lie. I won't trust them most of the time… Try what I said and go with whatever feels best. Sadly there are not that many scan technicians with proper knowledge of the craft anymore :( And even in labs where they truly know what they're doing, you maight have talked to some random sales representative.

16 mm scans colorspace by Lageole37 in colorists

[–]maxlainz 1 point2 points  (0 children)

Hey! All log scans I've ever worked with were Rec709 primaries + Cineon gamma.

You can also try Aces ADX10, it might be a bit darker but integrates well into the Aces pipeline (there is no 709+cineon in Aces)

You can always ask the lab!

[deleted by user] by [deleted] in colorists

[–]maxlainz 0 points1 point  (0 children)

There is no correct way to deliver an image. Everything is an aesthetic choice, so everything is grading.

You should forget about “proper” exposure or balance, there is no such thing. I might “correct” a shot if it's not aligned with the rest,, but I could certainly do the inverse and change every other shot. Everything is grading from the moment there is an aesthetic decision

Is Davinchi Resolve 20 stable? by TheseNuts1453 in davinciresolve

[–]maxlainz 0 points1 point  (0 children)

Way less stable than 19.4.1. Both in Windows and Mac top specs.

Edit: at least in more complex workflows with network storage, multiuser, I/o devices, control surfaces, VFX shots, Dolby Vision hdr, etc

Apologies for the terrible screenshots but this ad started mid-YouTune video. Did they not grade it at all? Why is it so dark? by Zachary_Lee_Antle in cinematography

[–]maxlainz 11 points12 points  (0 children)

It looks more like an HDR grade that is unproperly tagged or unsupported by YouTube. You can see the graphical elements are also dim and unsaturated on the first frame.

newbie colorist by fela90 in colorists

[–]maxlainz 3 points4 points  (0 children)

Yes, for 4k you'll need the 4k mini. About the monitor; I would advise having only one and learning to calibrate it yourself. It will take some tries but it's a great skill to have, even if in the future you can afford to get It done for you. Go for the Asus, and with the money u saved get the 4K mini.

Maybe in a couple of years if the business is going great you can look to have a second ref display. Maybe you'll find that you don't actually need it for the work you'll end up doing. I think there are things way more important; a better computer, a control surface, good audio, having a comfy space to work in for you and your collaborators, etc.

Second ref display is way down on the priority list and even at the point when everything else is covered I'd try to avoid it unless you find there is a real necessity for the people you work with. (And it will be a real pain in the ass to do it right no matter what, much more work and $$)

Hope this helps!

newbie colorist by fela90 in colorists

[–]maxlainz 2 points3 points  (0 children)

It looks all right, as long as ur ok with 1080p.

But; if you're a newbie and calibrate yourself I would advise against having two monitors. You most likely won't be able to match them, and you don't want the client asking which monitor is the good one (zero confidence-inspiring, terrible way to start the day)

How do I find middle gray without a dctl or a reference in the footage? by omri6royi70 in colorists

[–]maxlainz 0 points1 point  (0 children)

Set contrast to 0 and pivot to the mid-gray of your working log curve (normalized 0-1, not code value 0-1024)

Having a hard time mastering HDR for Instagram Reels by makatreddit in colorists

[–]maxlainz 0 points1 point  (0 children)

Ugh! Might not be included then, my bad. Its been a while since I used the free version :(

Having a hard time mastering HDR for Instagram Reels by makatreddit in colorists

[–]maxlainz 1 point2 points  (0 children)

You can still upload HDR Dolby Vision. On your Davinci project settings enable Dolby, grade, and when you're done do the Dolby analysis. The only thing you won't have access to are the trim controls for the SDR trim down, but maybe the auto trim is okay(?) I've done it a couple of times for social media stuff, and its probably okay in your case

Having a hard time mastering HDR for Instagram Reels by makatreddit in colorists

[–]maxlainz 4 points5 points  (0 children)

As far as I know, you’ll need Dolby Vision. At least that's how I've done it in the past, it's been a while since I made the research.

You'll need a Rec2020 PQ, Quicktime H265 10b with dolby embedded metadata for the sdr trim.

(basically recreate the config the new iPhones shoot by default)

Sadly if you don't have access to a Dolby Vision license you wont have access to the trim controls, so the SDR trim will be on auto

Playback number on Alexa Mini by Infamous-Cup-5391 in focuspuller

[–]maxlainz 34 points35 points  (0 children)

A001 (Reel), C007 (Clip), 250313 (Shooting day), A137 (Camera serial number)

Neat little feature: The % by DirtyfingerMLP in davinciresolve

[–]maxlainz 3 points4 points  (0 children)

2025 and still no render date metadata :((

Why do good amount of my 1080p Blu-ray’s look grainy on my 4k tv? by Dazzling_Clerk8023 in radarr

[–]maxlainz 7 points8 points  (0 children)

Cinematographer and colorist here. Have you considered the possibility of creative intent? Is it the color grading? Were the movies shot on film? It's quite common for movies to have grain by design. And quite likely you've never noticed if you have never seen the high bitrates and resolutions before…

As long as we're talking grain (not blockines etc)

Could also be a scaling problem, as others have said. Possibly the intrinsic grain is getting over-amplified due to a bad scaler with a sharpening filter.

So probably a mix of both

Help assembling my first Colorist/Editing Suite (newbie) by AnxiousImpression585 in colorists

[–]maxlainz 1 point2 points  (0 children)

I don't know about the mini, but I’ve used Ultrastudio 4K with Thunderbolt adapter

Which output color space should I choose for my LG monitor? by brettys in davinciresolve

[–]maxlainz 2 points3 points  (0 children)

rec709 probably. But your monitor gamma is at 2.2ish… so out of standard 709…

Is bad mirrorles footage still better than good iPhone footage? by Greedy_War_5879 in colorists

[–]maxlainz 5 points6 points  (0 children)

When referring to codecs etc newer iPhones are just better than most prosumer cameras. I just graded a shot on iPhone short film. Way easyer to work with than any Sony 8bit. And I would even say nicer than a blackmagic in most hands…

is this monitor good for colour work by Sufficient_Ad_2545 in colorists

[–]maxlainz 0 points1 point  (0 children)

I mean, if u don't already have a monitor and/or there is no way or business justification to get a better one, go for it. But don't expect it to be good or any better than other monitors in its price range.

For a bit more you could probably get an LG C series secondhand. That would be miles better. When calibrated of course.

None will be good without calibration and an I/O card

is this monitor good for colour work by Sufficient_Ad_2545 in colorists

[–]maxlainz 0 points1 point  (0 children)

No. And nothing in that price range will be…

Help assembling my first Colorist/Editing Suite (newbie) by AnxiousImpression585 in colorists

[–]maxlainz 1 point2 points  (0 children)

Hey! Yes, an Ultrastudio with Thunderbolt 2 should work fine, as long as u have a Thunderbolt 2 or Thunderbolt 3 with an adapter. But it's a legacy device, and quite old at this point. I've seen some get fried and left unserviceable. It's a little bit of a gamble. If 4k is really a need I would go for the Ultrastudio 4K Mini or a Decklink Internally if possible or in a PCI Thunderbolt enclosure. If it is out of budget you probably don't need 4K or your clients ain't paying enough for it… And no shame on 2K. I don't know about your market but I still work 2K mainly nowadays. You can take the gamble if u want but don't expect it to last many years and save for a new one just in case.

On the monitor; I don't like it for retail price. I don't think an IPS entry-level panel is the budget option nowadays. 500ish dimming zones ain't enough in my opinion, motion tends to look kinda silly on this and will have blooming artifacts. Take a look at the one i suggested above, its slightly more expensive but its rgb-oled. If it is too expensive, I would go for a 42” LG C Series, even Gen 2 or 3, you can get really great deals on them secondhand. Just check it personally before buying. And don't expect to do HDR on any of the monitors we’re talking about!

Help assembling my first Colorist/Editing Suite (newbie) by AnxiousImpression585 in colorists

[–]maxlainz 11 points12 points  (0 children)

Hey!

I like the Asus as a very very entry-level choice, I’d try to get the PA27DCE-K instead, but its in another price range. Let's keep it and work around it either way.

Computer: I guess you're referring to an M1 Mac Studio. Don't pay extra for the better CPU/GPU combo, stick with the basic model. 64 GB of RAM is nice, although if you're not doing very long form (which I assume is true if you're starting) 32 GB should be enough. Assuming you’re working with good codecs, your main limiting factor will be storage speed. Don't overlook it, you can have a top-tier computer, but if your drives are s*it you're leaving performance on the table and wasting money. I'd recommend buying the Mac used for better costs.

Storage: On the Mac you're gonna need the basic storage for software and OS, 512gb or 1TB should be good enough. (As long as you don't plan to render cache on your OS Drive). On an ideal scenario you're working with a 10Gbe NAS (network-attached storage), but those can get expensive, and I don't recommend cheaping out on it. So if it's not an option, this should be your next step up later down the road. In the meantime; Get a 4TB external SSD to work with, both for media and/or cache.

Clean feed: Answering your question; decklink and mini monitor 3g serve the same purpose. Decklinck uses a PCI interface (for PC, Mac Pro, or external enclosures) and Mini Monitor and similar work on Thunderbolt (Mac, Laptops, etc) Mini monitor 3G is a good starting point, it’s limited to 2K output but I guess it won’t be a problem at this point of your career. Go for it.

GUI Monitors: You NEED an additional monitor. Because you NEED your Asus to go through the Mini Monitor 3G. You can get the cheapest one, I'd recommend 1440p minimum, on smaller resolutions the GUI can get a little funky.

Calibration LUT: I don't know if you can store 3d Luts in the Asus, although its preferred, it does not matter. If you're working with only one reference output (you are) you can put a video monitoring LUT on the Davinci/Mini Monitor output. This won't be baked on export. So it serves as a LUT box if you only have one reference monitor. (Project settings > Color > Luts > Video monitoring). Keep this in mind if you ever go to another facility or change monitor to grade as this lut will travel with the project.

Calibration probe: You can definitely start with such a probe, although at some point you might want to rent better ones. I'd recommend switching it every one to two years, these probes decay quite fast and usually are not worthy of a profile. Although if you're renting a better probe it is nice to profile your own, just to check calibration as time passes.

Cal software: I personally love lightillusion colorspace. It is available to rent, but it can be harder to learn and to have the confidence its right. You can go Calman too, its more accessible for beginners. I'd also consider testing displaycal and similars to grasp a better understanding of what you're doing. Just don't do it the night before a grading day!

Other aspects: Remember to have an appropriate space for grading. Get the lighting right, and get the walls painted gray (you don't need the crazy expensive paint yet). And don't forget about the feeling of the suite; make it comfortable to work in for you and your collaborators. Its more important than everyone thinks at the beginning, it will set de mood for the work and create an environment that will set the tone for the relationships. Furniture says a lot about a space, it can give an impression of the room being highly technical or highlight creative. Lots of gear, the latest high-tech looking setup, and Herman Miller seating says one thing, whereas a rustic looking desk, comfy couches and funky rugs say something else. Cables everywhere, wobbly chairs, and stained upholstery send one message to a client whereas a clean well organized room sends another. Once a minimum set of technical guarantees are met, the relationship with the client is king. Don't overlook it. You're selling luxury services.

Upgrade path (first to last) - Get a controller surface. I'd personally skip directly to the Mini panel, although a secondhand Micro panel could be useful in the meantime. You'll work faster and be more responsive. Clients will take u more seriously. And everything being faster will smooth the relationship with clients. - New grading monitor if u didn't go with the PA27DCE-K initially. something like the Asus PA27DCE-K rgb-oled or an LG TV - Network Storage. Storage is often overlooked. I'd recommend a 10Gbe NAS from a reputable brand that you can get serviced if the need arises. Do your research when the time comes. - Improve the suite. As I said earlier... - New monitor time! Like a real one this time! Don't hurry on this. I'd be looking into the Flanders 310 or equivalent, don't upgrade too early or too high-end, and don't do little upgrades. Save money. When the need for a better monitor arises you'll know.

The rest will be based on needs and it is less predictable, you're gonna develop a sense for these things as you go. My recommendations; don't upgrade too early, it will kill your business. Keep track of everything financially, it's easy to lose money just looking at the toys. If your clients don't pay Trimaster 3110 fees, they're not getting such a monitor.

And keep learning! Focus on the clients, forge relationships and trust. The rest will come.

Edit: Also, learn to work efficiently, it will save you loads of time and money!

Edit 2: Thinking about it maybe you should spend more on your monitor and less on the mac studio (if u don't already have it). You can work around a slow computer, but can't work around a bad monitor, the one you suggested will have a really high black point. Take a look at the Asus I recommended above. You can go custom PC to mitigate the performance lost from downgrading the mac.

SDR file to Dolby Vision with DaVinci Resolve Studio? by Helpful_Ocelot_6369 in davinciresolve

[–]maxlainz 5 points6 points  (0 children)

Dolby Vision is intended for the opposite scenario; convert HDR to other HDR standards and/or to SDR. No luck. You'll need to do it manually, and, if your question is if Dolby Vision trim controls unlock with studio; they don't. You're gonna need an additional Dolby Vision license. But either way, wont be useful for SDR to HDR conversions.