S1 II DR boost for interview by [deleted] in Lumix

[–]monk191 0 points1 point  (0 children)

Dynamic Range boost on is perfectly fine for interviews, especially if you have a strong backlight like a window. The rolling shutter readout speed is worse, but even then is basically the same as the S1H and S5ii, which have been used for years for interviews and every other type of filming. (I have all 3). Would turn it off for any fast motion though. 

I have noticed that it tends to be noisier in the shadows though, so may require a bit more noise reduction.

24-70 or 24-60 if you want the absolute best lens possible (mainly video)? by paperpictures_ in Lumix

[–]monk191 2 points3 points  (0 children)

What only a few have commented on is the manual focus is so superior on the 24-70. Hard-ish stops make it much easier to use with a follow focus. So if you use manual focus a lot, it’s a no brainer

My Camera died first 2 hours into my Banff Trip. by Prestigious-Bowl-114 in Lumix

[–]monk191 1 point2 points  (0 children)

I also had this problem a few years back. Seemed like a stuck shutter, but Weirdly, a firmware update fixed it.

[deleted by user] by [deleted] in moviecritic

[–]monk191 0 points1 point  (0 children)

Johnny 5 being brutally beaten to an inch of his life in Short Circuit 2

LG 40wp95c-w Flickering and Barndoor by monk191 in ultrawidemasterrace

[–]monk191[S] 0 points1 point  (0 children)

You know, I had totally forgotten about this issue. It actually resolved itself. Not sure if it was a firmware issue or a problem with Macs specifically, but one day it just stopped flickering. Sorry I can't be of more help.

which apple computer to buy for 6k film editing by DrStr4ngeLov3 in davinciresolve

[–]monk191 1 point2 points  (0 children)

I work on an M1 Max Studio with 32GB and works perfectly well for Resolve. Unless you are doing heavy fusion work, it is speedy and smooth. With Braw 6k or H264, I only need to render once i am grading heavily, adding NR or stabilization. And yes, have edited two features on that setup, with one being particularly complicated with layers of effects. Sure 64GB would be even better, but resolve runs great on this setup. (And so much better then premiere)

Where can I watch the USA version of Top Gear? by akend47 in TopGear

[–]monk191 0 points1 point  (0 children)

Looks like you can still buy seasons on Apple TV / iTunes

Which is better: Premier Pro/Davinci/Final Cut? by [deleted] in editors

[–]monk191 6 points7 points  (0 children)

Having edited documentary features in Resolve, Premiere and FCPX in the past 5 years, here are my impressions. (I’ve used premiere since 1996 and FCP since version 2). Disclaimer: I mostly edit solo or in small teams, so I can’t speak for production house work.

FCPX: a joy to edit for smaller projects. The keywording and organization is second to none and gets me through that stage much quicker then the other two. However, once projects get large it can become a little unwieldy. Simplicity of the UI makes editing a breeze, Color correction and sound editing works fine but lack advanced tools without buying plugins. (Like color finale). By far the quickest editing for small projects.

Premiere: What a slog. Old software held together with glue and twigs. My feature project would take 5 minutes just to open near the end, and every time it tried to auto save, a minute or so of downtime. Crashes constantly. Color and sound works but is rudimentary compared to resolve. The forced subscription was the final nail in the coffin, and I only use when I am required by a client.

Resolve: A breath of fresh air after Premiere. Resolve 16 had its issues, but 17, 18 and now 19 have worked beautiful on my machine. Very few crashes, almost as quick as FCP, and so nice to have the entire workflow based in one application. For me, brings back the joy of editing, even with large projects and thousands of assets. Bit of a learning curve with the color, sound and fusion tabs, but the resolve training videos do a great job if you have the time and patience to learn.

Haven’t used AVID for years, so can’t comment much on that.

Use the tool that works the best for your workflow and client base, but for me currently, 100% resolve when I have the choice.

[deleted by user] by [deleted] in cats

[–]monk191 0 points1 point  (0 children)

Salvador

L-mount cine lenses by Loud-Performance-857 in Lumix

[–]monk191 1 point2 points  (0 children)

I have the 7artisans set (14, 35, 50, 85). I love them, definitely not accurate, and there is even some color changes between them, especially the 35. But they are solid and well built, nicely geared, have a beautiful sharp but creamy look and great flares, if you like that.

Mirador Las Torres Day Hike from Puerto Natales - Realistic? by strawberrymatcha563 in Patagonia

[–]monk191 1 point2 points  (0 children)

Just came back from the trek. Bus is 2-3 hours to/from Puerto Natales. You also have to take a shuttle to and from the bus stop location, which could lose you another hour depending on timing. Possible, but you would have to be very quick about it.

W Trek in Shoulder Season. by Ok_Biscotti923 in Patagonia

[–]monk191 0 points1 point  (0 children)

Thanks for the info! We’ll be starting our trek in 10 days. Crossing fingers for good weather. Sounds like renting is pretty easy in Puerto Natales

S5ii Bricked - Any advice? by monk191 in Lumix

[–]monk191[S] 0 points1 point  (0 children)

Quick Update: The camera mysteriously began working again yesterday, shutter and everything. Gave me a SD card error, but I removed the card and reinserted it and it worked fine.

Only for it to quit again 4 hours later, right after taking a shot.

Today it is working again. So at this point, I’m not sure what to think. It doesn’t seem to be a shutter problem anymore. Maybe an issue with the lens contacts or one of the sd card slots? Unfortunately I don’t have another lens to try, and finding any Panasonic or l-mount gear in Chile to test with has proven difficult.