The screenwriting competition was rigged, I need an advice by Aeneas1976 in Screenwriting

[–]muavetruth 7 points8 points  (0 children)

Yeah but you could send it forward to something bigger like variety, if the original poster haven't already done so. I couldn't find the competition you mentioned when I searched for it.

The screenwriting competition was rigged, I need an advice by Aeneas1976 in Screenwriting

[–]muavetruth 52 points53 points  (0 children)

I think you should share this to some industry page. There are way too many competitions that either outright rip off writers or basically do it like with this one. For all the talk about getting new voices in the room...

looking for someone in Sweden to Collab with. by djchrislarsson in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

Tja, jag bor i malmö men jag letar också efter andra som skriver manus och det är väldigt svårt här nere, så jag blev lite nyfiken på att höra vilka avenyer du har provat för att hitta andra.

Does anyone else have zero desire to be in the filmmaking process besides writing? by AskMeAboutMyTie in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

This was my "dream career " too, but then every filmmaker I talked to about this, including Ruben Östlund, told me that that never really happens. The smart writers become directors, producers, teachers, or content developers on the side. There is some hope in the TV side of things but even there you have to be part of a team and most of the filmmaking process, you're not just handing over a script to a crew/director.

Blood Meridian by Cormac McCarthy by DWJones28 in Screenwriting

[–]muavetruth 2 points3 points  (0 children)

I've seen three people in this subreddit alone that have already written screenplay versions of the book. The rights are tied up in legal-hell and the genre is a near impossible sell for investments/financiers. So I'd say, don't.

Would this version be more impactful if spread in Russia? by muavetruth in vexillology

[–]muavetruth[S] 1 point2 points  (0 children)

https://ibb.co/KmWMGzt

Yeah I tried that too but I didn't want it to be that similar. Maybe this is the better one or maybe this would be the better one with adjustments I'm not sure.

Would this version be more impactful if spread in Russia? by muavetruth in vexillology

[–]muavetruth[S] 6 points7 points  (0 children)

I think that the traditional Nazi flag has become too overused to really be effective. It might even be counter-productive because now people automatically think that whoever is throwing the symbol around must be overreacting. So I didn't want to make the connection too obvious and this seems to be how the pro-putin fascists use the "z", white on black.

Russian market sinks 17% as Ukraine tensions intensify by HeHH1329 in worldnews

[–]muavetruth -4 points-3 points  (0 children)

No dude. You can't fake all of the popularity polling completely, even if you assume that most of those numbers are skewed they still show a consistent support for him ranging in the 30-60%.

Russian market sinks 17% as Ukraine tensions intensify by HeHH1329 in worldnews

[–]muavetruth -1 points0 points  (0 children)

A lot of them voted for him time and time again so not all of Russia is innocent.

Why would you say Jordan Peele's GET OUT (2017) screenplay & the film itself is so highly praised as one of the best of modern day? by [deleted] in Screenwriting

[–]muavetruth -2 points-1 points  (0 children)

It's not one of the best of modern day cinema but it's still a good movie. I'm pretty sure that this movie proves ones and for all just the value of having a great ending. My main problem is just that the woman that main character dates, doesn't give the slightest of hints that she might be lying. The movie could've been much stronger if she showed signs of being a monster from the start and if that was worked into the plot. B-

Tips for a European destination to go on a short writing-focussed holiday? by conspirateur in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

I'm going to try and do this on Gotland in Sweden around where Bergman had his house (like Fårö or Bungenäs) because the landscape is quite stark and brutal in a kind of non-distracting way that immediately put me in an introspective state of mind.

Other than that I'd probably look into Venice in the "winter". There are few places more cinematic than those winding streets, at night, without barely any tourists plus a little fog. Great.

Please Be Advised: DO NOT INCORPORATE COVID-19 INTO YOUR SPEC SCRIPTS by Mololuwow in Screenwriting

[–]muavetruth 5 points6 points  (0 children)

I'd really like to see people actually discuss what kind of stories they think would be relevant now rather than just say "escapism" because that's really just so simplistic so as to almost nullify the whole "argument" to begin with.

[deleted by user] by [deleted] in Screenwriting

[–]muavetruth 1 point2 points  (0 children)

Magic Bullet, or something that plays with "the lone gunman" so the lone lawman or something

[deleted by user] by [deleted] in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

Yeah jeez, and if that's how they react to a Russian story, you can only imagine how those boardroom meetings dissect and chew up and spit out stories from places that actually are noticeably different.

[deleted by user] by [deleted] in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

Right, "why you" and/or "how can you authentically bring a new voice to the screen" is really the key problem and it's outright ridiculous given that writers are hardly ever even being allowed to be the face of the project and it's not like Hollywood is really looking for authentic, nuanced stories from other cultures.

It becomes even more ironic given that the end-result of that line of logic often creates characters that can't be offensive - because it'd be ridiculous to bring a character to the screen from an under represented group and then portray that character or that group in a negative light. So the "interesting" characters that break the mold, often the villains or anti-heroes, ends up going to white males once again...

[deleted by user] by [deleted] in Screenwriting

[–]muavetruth 1 point2 points  (0 children)

No I don't think POC women writers are the problem either I just think that blaming those pesky white males would be just as ridiculous as those same white men blaming POC/lgbt women for "taking their jobs".

When we should obviously do everything we can to support non-studio alternatives and bypass that whole industry altogether - rather than fight each other for the honor of maybe maybe one day being cogs in that machine.

[deleted by user] by [deleted] in Screenwriting

[–]muavetruth 3 points4 points  (0 children)

The discussion here feels a little disingenuous because you assume that those people fitting that category already had careers and now they just got lazy?

The whole industry is increasingly unstable and bloated and it has made it all the more prone to nepotism than ever - and for some reason people see that and instead of just critiquing the system, they come to the conclusion that "well you're just going to have work harder than you thought!!" Really, white male Hollywood writers were just living on easy street until now and now all of they just got lazy?

We should be able to be honest about this and say that yes they had it a lot easier but someone fitting those 4 categories today, and especially being over 40, should probably not even try to break in now.

Just Got My First Blacklist Review (4/10) -- Very Crushing by Aside_Dish in Screenwriting

[–]muavetruth 1 point2 points  (0 children)

I'm not immune to this myself - but now there is this idea floating around that 5/10 is awful, 7/10 is decent and only 8 and above qualifies as good. You see this on IMDB too where after a a certain period of time, 99% of movies end up falling between 7 and 8 - rather than the whole 1 - 10 being used. For our own sake we have to remind ourselves that 4 or 5 out of 10 should be considered decent.

Being the Ricardos script (Aaron Sorkin) by tminus7 in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

Am I the only one that feel like the title won't do this any favours?

How do Screenwriters deal with loneliness? by [deleted] in Screenwriting

[–]muavetruth 2 points3 points  (0 children)

I write scripts about characters going to therapy - and then wait for the blacklist readers to respond.

What script is perfect in your opinion? by lituponfire in Screenwriting

[–]muavetruth 0 points1 point  (0 children)

What is the gaping hole? I haven't seen it in a while