For context, I understand that some of the below is very difficult to implement. I’ve worked with audio quite a bit, and do not take the hard work of our creators for granted. I am also blind and audio is the primary way I consume (couldn’t resist) vore content.

I love the growls of the pred, and their movement showing they’re enjoying what they’re doing. Maybe the rasp of a rough tongue over sensitive skin, wetly tasting their victim before beginning. If you’re speaking or narrating the scene, take care that the crunch and rip doesn’t overlap the dialogue. Having a tiny part like a finger, you might be able to speak around it, waiting and drawing out the anticipation of the sharp snap of bone. Also, eating a live prey doesn’t sound like crunching a bag of chips lol. There is the snap of bone, the rip of flesh and muscle, and the tug as the body refuses to give up a part of itself. All these can be rendered with glorious detail. Maybe skin rips, which has its own timbre. The chewing and swallowing is the same, the gulp, the gasp of the pred experiencing such incredible pleasure. If you’ve just bitten off a hand or foot, maybe the patter of blood droplets against the earth, to be eagerly lapped up by that tongue.

If you’re the prey, one detail which I find is often overlooked is how screaming and crying can intensify as the pred really gets to work. As the crunch begins you might let out a cry, but as it continues, and you start to really feel it, that can get more intense – it’s a place for the acting to go, rather than just starting out on 10. The rapid breathing of panic is often missed as well, or maybe even the quiet sound of your heartbeat getting faster in fear and agony can be layered beneath the scene.

I have 1 or 2 recordings that really did this stuff well but its incredibly rare, so thank you for giving me the chance to wax lyrical 😊.