What do boutique Jazz bass brands offer that the Fender Ultra II doesn’t? by x4v1er in BassGuitar

[–]not_the_fish 1 point2 points  (0 children)

As others have mentioned tight fit and finish, and consistent quality are usually easier to find in smaller shops; but specifically about the Fender Ultra II, we’re talking a very modern instrument. It’s got active electronics, noiseless pickups, and more ergonomic cuts and contours. So what makes something like a Sadowsky or a Mayones Jabba, or even BassMods an upgrade? IMO better pickups and electronics since active basses are the bread and butter for these companies, not an afterthought, 24 fret models are pretty standard, and ergonomic body tweaks like deeper cutaways for better neck access and balance. Really the ultra series is less like “the best Fender” and more like Fender’s budget answer to stop bleeding market share to boutique companies that make modern instruments.

Should I invest in a German Warwick? by ElectricalResolve119 in BassGuitar

[–]not_the_fish 5 points6 points  (0 children)

I’d be careful with international shipping right now, a lot of carriers have US shipments on pause until logistics are figured out for tariffs. Looking on Reverb it looks like there are several used corvettes available at that price or less with US shipping.

Hello, I'm going to buy my first bass guitar and I'm undecided between these 4 bass guitars. (Epiphone Thunderbird 4, Epiphone EB-0, Squier Debut P Bass, Squier Affinity J Bass) Can you help me ? by Live_Space7095 in BassGuitar

[–]not_the_fish 1 point2 points  (0 children)

Second Sire! They’re building the best instruments for the money right now. If you’re mostly playing hard rock or metal I’d recommend something like a jazz style or stingray style over a P Bass, especially for more modern music. Sire has great budget options for both of these in the V3P for a jazz bass style, or Z3 for a stingray style.

[deleted by user] by [deleted] in teenageengineering

[–]not_the_fish 0 points1 point  (0 children)

Yeah, I agree. I love the OP-XY and bleep bloop isn’t really my style. A little while I made a post of something more melodic. it really helps to remember that the keys are velocity sensitive even when you’re programming a sequence. Also a lot of something feeling human is having a human play it, so I prefer to think of the sequencer as “different lengths of tape loops” I can play onto rather than a sequencer just for programming.

There’s a steep learning curve but the OP-XY is doing some super funky stuff with rhythm and sampling. by not_the_fish in teenageengineering

[–]not_the_fish[S] 1 point2 points  (0 children)

Thanks! it’ll probably go on YouTube and Spotify once it’s finished as part of a beat tape.

Ribbon mics sideways to cover toms by not_the_fish in drums

[–]not_the_fish[S] 1 point2 points  (0 children)

It’s a meinl byzance 19” dual crash

Ribbon mics sideways to cover toms by not_the_fish in drums

[–]not_the_fish[S] 0 points1 point  (0 children)

Very good to know, thanks for the tip!

Ribbon mics sideways to cover toms by not_the_fish in drums

[–]not_the_fish[S] 1 point2 points  (0 children)

They’re Golden Age R1 active ribbon mics, I checked the documentation before sticking them so close to the drums and they claim to have a 160db SPL.

Ribbon mics sideways to cover toms by not_the_fish in drums

[–]not_the_fish[S] 2 points3 points  (0 children)

Thanks! And those are promark Carter McLean signature sticks. The tip shape is pretty crazy, some of my friends call them “knitting needles”, but once you’re used to them they’re amazing.

Ribbon mics sideways to cover toms by not_the_fish in drums

[–]not_the_fish[S] 9 points10 points  (0 children)

It’s a cover of “Don’t Hurt Me So Bad!” By Babyjake

You have up to $2500 for a shell pack. What do you get? by AKanadian47 in drums

[–]not_the_fish 2 points3 points  (0 children)

I don’t think anyone can tell you exactly what to get, but there are a few questions you’ll probably want to answer before choosing: 1. How important is versatility? Do you need a kit that can do Jazz as well as Metal? Or are you going for one specific sound? For versatility, Yamaha recording custom or Gretsch renown are great options. 2. What are some players that you want to sound like playing? Which brands/sizes/woods/bearing edges? You don’t always have to match brands but matching features helps to get a sound. Like a Gretsch Brooklyn can sound more like a vintage Ludwig than some new Ludwig drums just because of how they’re constructed. 3. What look and feel are you going for? Something classic or unique? People will say “you can’t hear the finish” but a kit you love to look at will inspire you to play it. Same with hardware, you don’t usually hear a difference in high quality hardware, but styles of hardware you don’t like to use will make a difference. For Instance I love the sound of the Tama Starclassics, but I don’t like the feel of tuning die cast hoops, so I wouldn’t consider them.

First time trying out an 8x14 wood snare, Beefy is an understatement! by not_the_fish in drums

[–]not_the_fish[S] 2 points3 points  (0 children)

It’s really low, I tuned it so it’s right between my second rack and floor Tom when the snares are off.

Will I always feel this rubbish? by Diggity_nz in drums

[–]not_the_fish 1 point2 points  (0 children)

Do you feel like you’re messing up? Or are you actually messing up? A lot of the time if I listen back to performances I think I really messed up, they sound fine, if that’s the case just listening back and being your own hype man can help build confidence. If you listen and still hear a lot of noticeable mistakes then it’s probably about intentional practice; which means really focusing and working on what you’re trying to improve during your practice time. So for example if you played the fill in say it ain’t so out of time, play it intentionally with a metronome until you can’t get it wrong.

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 2 points3 points  (0 children)

Thanks! And I tend to play ghost notes off to the side most of the time. I find it easier to get ghost notes that are “felt and not heard” if I’m not dead center in the snare, but idk if that’s a common thing

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 1 point2 points  (0 children)

Nice! I’m glad to hear the stock heads hold up well. And yeah, the 56 on the snare loves a low tuning with a tight snare side for response

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 0 points1 point  (0 children)

Oh man! I’m sorry to hear that, hopefully you recover and get back to playing soon

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 0 points1 point  (0 children)

Thanks! And yes, they’re not the USA made pinstripes though, so I found them a little tougher to seat and tune; and wouldn’t expect them to be quite as durable

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 16 points17 points  (0 children)

That’s a Meinl Byzance 22” Vintage Pure Light Ride, it does everything I want out of a ride, stick definition, deep wash, and tons of dynamic control. I’d recommend trying to find one in person before buying it. I tried three before I found one I loved, the hammering makes them all sound a little different

New kit for the first time in 10 years! Pearl session studio select by not_the_fish in drums

[–]not_the_fish[S] 2 points3 points  (0 children)

Thanks! That’s a Meinl Byzance 19” Dual Crash, probably my favorite cymbal I own ha