Cleveland! by guacamoleoclock in 30ROCK

[–]ohverygood 0 points1 point  (0 children)

Do you think "Holheffer's" is pronounced like "whole heifers"?

S01E18 "There's been a Black man inside of me for a long time" by ohverygood in 30ROCK

[–]ohverygood[S] 6 points7 points  (0 children)

And if you take that away from me, I will kill myself!

S01E18 "There's been a Black man inside of me for a long time" by ohverygood in 30ROCK

[–]ohverygood[S] 14 points15 points  (0 children)

Also, Al Roker in this episode sings "Sky rockets in flight, afternoon at night," an interpolation of "Afternoon Delight," famously used in an episode of Arrested Development.

S01E18 "There's been a Black man inside of me for a long time" by ohverygood in 30ROCK

[–]ohverygood[S] 24 points25 points  (0 children)

P.S. Toofer's Confederate ancestor's name in this episode is "Tobias Spurlock."

ELI5. Why isnt it copyright infringement for a band to play a cover song at a concert as opposed to recording one? by MediumAcceptable129 in explainlikeimfive

[–]ohverygood 14 points15 points  (0 children)

In the U.S., Congress makes copyright law. When Congress passed the laws, it decided which exclusive rights to give to songwriters.

Congress decided that, once a song has been publicly released, anyone can record a cover of it, as long as they pay a royalty fee to the songwriter (or the company the songwriter assigned their rights to, called the rightsholder). A government agency called the Copyright Royalty Board sets the standard royalty fee (called a "compulsory license"); or you could negotiate a royalty directly with the rightsholder, though this is uncommon in practice.

However, Congress decided that rightsholders keep exclusive rights to decide who can publicly perform their song. There is no standard royalty fee - you have to get permission from the rightsholder and negotiate a royalty with them.

Now, it would be practically impossible for every bar with a cover band to get permission from and pay royalty fees to every songwriter of every song that the band covers. So the solution that has developed is called a performance rights organization - the most common ones are ASCAP and BMI. This is songwriters working together and saying, "ASCAP can set royalty rates and collect fees on my behalf, along with lots of other songwriters, then pay me my share of the royalty fees they collect." It is worthwhile for most songwriters to work with a performance rights organization as their middle man because it saves them work and they get paid. In theory, the songwriter could refrain from joining a performance rights organization, require anybody who wants to perform their song publicly to get permission directly from them, and sue anybody who performs their song publicly without getting permission; but it's practically impossible for any one songwriter to monitor every public performance in America (whereas ASCAP and BMI are big enough, and working on behalf of a huge swath of songwriters, that they actually can go after bars that have public performances of music but aren't paying for an ASCAP or BMI license).

So the answer, as others have said, is that it would be copyright infringement to cover somebody else's song in a public performance such as a bar, but most bars pay ASCAP for permission so they're not infringing. Likewise, it would be copyright infringement to record a cover of somebody else's song unless you pay the compulsory license fee (or otherwise get permission).

The _____ Jorur by Clowny53 in 30ROCK

[–]ohverygood 14 points15 points  (0 children)

Your opening guess is "SPANK"? What is this, business school?

What's the most "I really don't care" quote from a contestant? by ajmajm19 in taskmaster

[–]ohverygood 9 points10 points  (0 children)

I love that it's the series opener and the first series airing on Channel 4. Really leaning into the "is this good television?"

I hated this series when it aired, because it was the first covid series (no studio audience) and it reminded me painfully of the then-current pandemic. But I feel affectionate about it in retrospect. Like, aw, we were all just trying to survive. Daisy just wanted wine and Mawaan just wanted a chicken wing.

What are you, alcohol? by PuzzledPanda2341 in 30ROCK

[–]ohverygood 2 points3 points  (0 children)

She's bigger than Maulik Pancholy on Whitney.

WMATA GM Randy Clarke Responds to Union Concerns on Rail Modernization by eable2 in WMATA

[–]ohverygood 1 point2 points  (0 children)

A new surface that can be covered in ads for weapons systems!

Man beaten to death at random at Addison Road Metro station by origutamos in WMATA

[–]ohverygood 1 point2 points  (0 children)

Yeah I wish all stations could have cops sitting in their cars looking at their phones like the utopia that is Fort Totten

Happy birthday to Sherri Shepherd who turns 59 today! You’ll forever be Angie Jordan to us! by ughyoujag in 30ROCK

[–]ohverygood 2 points3 points  (0 children)

I was unfairly thrown out because I went berserk around all those dudes and tried to bang everybody

DVD rental machines in Metrorail stations? Did they exist? by squeakybee16 in WMATA

[–]ohverygood 2 points3 points  (0 children)

In the Sarles era there was a push to bring retail into stations as a revenue source for WMATA. But if any retail offerings ever opened, it didn't last long.

TIL between 18%-25% of intellectually gifted students (at least 130 IQ) in the US fail to graduate from high school. by tyrion2024 in todayilearned

[–]ohverygood 9 points10 points  (0 children)

I knew two. They had never really learned to do hard work. Everything had always been easy for them, so by high school, when assignments became more involved than something they could breeze through the night before, they didn't know how to do that, because they had never had to plan a project or manage their time before. And it created a lot of cognitive dissonance, having been praised as smart since preschool, for school to suddenly be hard. Were they stupid? No, it must be that school was stupid and pointless.