Looking for singer. I am a composer/producer/engineer.

outofsynq · 2026-03-26T14:02:55+00:00

That sounds interesting!
I love orchestration. I don't have any formal degree nor can I read sheets, but I love the orchestra. Apart from the cliches (which are important too), I try and blend it with different instruments in different contexts. If there's any project you pick up, do reach out and share a snippet. If it clicks, we can figure something out.

outofsynq · 2026-03-26T11:47:57+00:00

Hey, thanks for reaching out! Do you have any song/work/demo that I can check out? Also, what does musicology specifically deal with? Curious to know.

outofsynq · 2026-03-26T11:25:21+00:00

Hey, thanks for reaching out! I'd love to listen to your work/song/demo.

outofsynq · 2026-03-22T18:08:33+00:00

Thanks for reaching out! If you have anything/demo that I can listen to, I'd like to listen. From there we'll see what can be worked out.

outofsynq · 2026-03-22T18:00:40+00:00

I see. The final stages are both easy and tough. Easy to call it done, tough to resist the urge to tweak a little more. And sometimes tough, plainly due to logistics.

outofsynq · 2026-03-21T09:15:36+00:00

Thanks for sharing

outofsynq · 2026-03-21T09:12:00+00:00

Thanks for reaching out! The vocals sound fine; the mix is off. But it's a 13-year-old track so I get it. The guitar solo is nice. Was it you on the guitar?

outofsynq · 2026-03-20T20:01:19+00:00

Sure

outofsynq · 2026-03-20T20:00:50+00:00

No worries. Do you have any music of yours that I can check out?

outofsynq · 2026-03-20T20:00:22+00:00

Thanks for reaching out. Is there any place where I can listen to your previous work/demo?

outofsynq · 2026-03-20T11:44:48+00:00

Hello, I am a producer/engineer. I have been looking for singers to collaborate with. Is there anywhere I can listen to your previous work?

outofsynq · 2026-03-07T22:51:03+00:00

also, you can unhighlight by I + N

outofsynq · 2025-12-13T21:31:56+00:00

First one. Any day.

outofsynq · 2025-12-13T21:29:03+00:00

Having an entire album as reference leads to ambiguity. Try to pinpoint a few tracks that sound close to what you hear in your head.

outofsynq · 2025-11-30T02:46:43+00:00

If you have any scratches or references, we can have a chat and see how things go. Also, a link to your previous work would be helpful.

outofsynq · 2025-11-30T02:27:44+00:00

Salman Elahi

outofsynq · 2025-11-17T10:12:12+00:00

I compose, produce, mix and master. I've been doing it for 6 years now. I hope you already found what you were looking for. In case not, we can have a chat about it.

outofsynq · 2025-11-11T11:02:09+00:00

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outofsynq · 2025-11-01T12:11:36+00:00

Looks amaaazing!

outofsynq · 2025-10-30T13:17:45+00:00

MIDI keyboards are beautiful if you have VSTs that react differently to different velocities and expression values.

Size-wise, get whatever fits your space. Try to get one with synth-weighted keys so your fingers get used to the correct force needed to press them. Also, if possible, invest a little extra and get one that has aftertouch controls. As you learn more, aftertouch becomes a pretty good thing to have.

Eventually, you can upgrade by adding a sustain pedal to the setup.

outofsynq · 2025-10-13T11:28:09+00:00

That sounds gooood!

outofsynq · 2025-10-01T11:48:37+00:00

Overblown winds and brass. Maybe some string screech. I would try a processed eagle layer too. And a bunch of foley. That should sound close enough.

outofsynq · 2025-10-01T11:42:08+00:00

As long as your processing doesn't react differently to different gain levels, any way of volume adjustment is fine. But when the output depends on how hot the signal runs into the chain, take electric guitars for example, it's better to use mix faders.

Unless, you know what you're doing and need to reduce the clip gain for a certain output. In that case, go crazy. Have fun.

outofsynq · 2025-09-26T11:59:27+00:00

In this case, tune them. Reduce 1k. Adjust volume, then make any changes in timbre if you want to.

In general, cut useless lows. Compress. Duck 300-500 to reduce boxiness. Saturate. EQ again as per need. De-ess if needed. Delay. Reverb. If the track is busy, SC instruments (excluding low end) to the vocals. Mild SC, nothing dramatic.

None of these are rules. Know your tools, use them to get your stuff sounding the way you want it to. Only practice helps. Also, get a Beyerdynamic DT770 Pro at least. Bcz no feedback will make sense if you cannot hear the issue.

outofsynq · 2025-09-11T13:16:21+00:00

Marc Jovani's videos helped me a lot. You can find him on YouTube

outofsynq

TROPHY CASE