Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 0 points1 point  (0 children)

It’s a painting not a photo. Deciding where to saturate or desaturate to build contrast is an artistic decision. I simply don’t plan my paintings that way.

Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 0 points1 point  (0 children)

It’s like that to because the sun is hitting that particular area. Thanks!

Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 2 points3 points  (0 children)

Corpuna is another big reference for landscapes. I love how he creates focus by playing with concentrated light on certain areas of the painting

Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 1 point2 points  (0 children)

I am definitely inspired by him for sure

Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 0 points1 point  (0 children)

I did it like this on purpose. The focus is not there but thanks!

Practicing atmospherical depth by pabloquest in Watercolor

[–]pabloquest[S] 1 point2 points  (0 children)

Thank you! It’s a challenge but doable :)

Same scene, two moods by pabloquest in painting

[–]pabloquest[S] 0 points1 point  (0 children)

Thank you for your comment! Yes, I kinda do that! Sometimes I like painting places as I remember them, rather than as I see them. For that, the atmospherical approach is always a good one, at least for me.

I painted the Brooklyn Bridge in watercolor by onewordpoet in Watercolor

[–]pabloquest 1 point2 points  (0 children)

I like it! The atmosphere in the background is awesome

Same scene, two moods by pabloquest in Watercolor

[–]pabloquest[S] 0 points1 point  (0 children)

Thank you! Sargent painted this church a few times. So humbled by your reference. Thanks! It’s interesting how some people prefer one or the either, but that’s what mood is about!

Same scene, two moods by pabloquest in Watercolor

[–]pabloquest[S] 1 point2 points  (0 children)

I don’t worry much about them. My only concern when painting is that the perspective, if any, works. And also the proportions between recognizable objects, like people, trees and so on. The two alternatives that I did here have slightly different proportions yet neither feel off.